I feel for women.. not too many real options out here, a lot of lames with no Knowledge of Self.
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I feel for women.. not too many real options out here, a lot of lames with no Knowledge of Self.

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I left “claiming the body” and identifying with being “Human” a long time ago. That ‘Individual’ died when I got back the Knowledge of my Self.
Tim Rollins & K.O.S. An Index
Edited by Alessandro Rabottini
Texts by Nicholas Cullinan, Nikola Dietrich, Suzanne Hudson, Alessandro Rabottini, Andrea Viliani
Jrp/Editions, Zurich 2011, 224 pages, 21x24,7 cm., ISBN 978-3037642412
euro 40,00
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Tim Rollins and K.O.S. (Kids of Survival) have been collaboratively drawing and painting on book pages since 1982. The publication has been conceived as a guide to this work, analysing the group's artistic method from its inception through to today. The aim is to set up an index that gathers together all the books on which the group has worked: each one is discussed based on the reasons for its selection, alongside images of the work itself. The book contains critical essays by Nicholas Cullinan, Curator of Contemporary Art at Tate Modern in London, and Suzanne Hudson, Associate Professor of Art History at the Center for the Study of Modern Art at the Phillips Collection in Washington, DC, as well as a conversation between Tim Rollins and Alessandro Rabottini, Nikola Dietrich, Curator of the Museum für Gegenwartskunst in Basel, and Andrea Viliani, Director of the Fondazione Galleria Civica in Trento.Tim Rollins was an artist, teacher and activist who began his career as the assistant of the conceptual artist Joseph Kosuth. In 1979, he founded Group Material in New York. In the early 1980s, he taught ‘at risk' students with learning disabilities at Intermediate School 52 in the Bronx and went on to create the Art & Knowledge Workshop. His highly acclaimed collaboration with the members of K.O.S. (Kids of Survival) continued for many years. Rollins combined lessons in reading and writing with making artworks. The source material laid out and studied by the students generally related to literary or musical classics, such as works by William Shakespeare, George Orwell, Ralph Ellison or Franz Schubert, but can also include comics or legal documents. Their collaborative work took the form of drawings, photographs, sculptural objects and paintings on canvas and paper. The backgrounds of works are often comprised of pages of books pasted into a grid. The results blend elements of Minimalism with an interest in the revival of painting that took place in the 1980s and in art that is socially and politically engaged. Tim Rollins was born in 1955 in Pittsfield and died in 2017 in New York. The original K.O.S. members dispersed and now live in several different American cities. Some have gone on to become artists in their own right. Tim Rollins and K.O.S. have been involved in numerous solo and group exhibitions including the Whitney Biennale in New York in 1985, 1991 and 2006 and Documenta in Kassel in 1987.
20/03/22
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“Eh?!”
He hadn’t been expecting the basketball, which he had just thrown full force out of frustration, to come into contact with someone’s face. He couldn’t help but feel a mix of guilt and worry as he stared. He hadn’t held back at all when throwing that, after all.
“Are... Are you okay?”
The Nature Theatre of Oklahoma XV
Tim Rollins

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The fire's in my heart and the flames need fanning
Mos Def (adaptado xD)
“Some brothers believe in God. Some brothers acknowledge the reality of themselves as God. Many people’s incorrect beliefs exist simply due to a lack of the knowledge of self. Self is composed of the element’s that make up one’s whole identity.There is a duality of self expressed as the Higher Self and the lower self. The lower self is rooted in the earthly plane. It is the seat of man’s carnal desires, bodily instincts and sensual nature.The Higher Self is rooted in the heavenly plane, It is the seat of man’s higher mental and spiritual faculties and his divine nature. It is our essence.” — Knowledge of Self Anthology - The Beauty of Knowledge
Tim Rollins & K.O.S., Black Alice, 1988