So I get into this car with these two strangers, and -- *chuckles* This is very funny. I show them a picture of ma and they start shooting at me. *chucking* That's weird. That's weird. Do you have any idea why? Maybe it was a bad picture?

We're back talking about Nicole Kidman's post-Oscar years this week and Griffin in Summer filmmaker Nicholas Colia is here to join us! After winning her Oscar for The Hours, each of the many projects Kidman attached herself to carried some degree of pedigree and buzz. One of them just happened to be a famous disaster: 2004's The Stepford Wives. A remake directed by Frank Oz and scripted by Paul Rudnick, the film fell subject to bad test scores and a barrage of reshoots that ultimately resulted in a ho-hum release and a notorious production.

This episode, we talk about the gossip around the the numerous reported on-set clashes and how the final film differed from its first versions. We also discuss Kidman's post-Oscar aughts schedule, the screen debut of Faith Hill, and Oz's non-puppet directorial efforts.

Topics also include The Producers, pre-Obama gay politics, and the great Griffin Nafly.

Griffin in Summer

The 2004 Academy Awards

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