#john gilbert

wood-engraving, engraved by the Brothers Dalziel, 1856 — source

In the early 1930s, scholarly studies were done on the impact of screen stars on teenagers, because of fears that the movies were sexualizing them. These studies found that teenage girls learned sex techniques through watching Garbo’s sex scenes, especially those in Flesh and the Devil; they then practiced her techniques at home with their girlfriends. Raymond Daum described Garbo’s many young female fans as having “schoolgirl crushes on her” that “defined a national idolatry.” And knowledge of Garbo’s non-heteronormative sexuality was spread through lesbian networks “from coast to coast.” Moreover, the 1920s was an era of commercial expansion in which the ranks of saleswomen and typists, careers dominated by young women, increased. These women made enough money to see a movie more than once. They identified with female stars and liked to see them in powerful roles. Greta Garbo in Flesh and the Devil (1926)

Flesh And The Devil (1926) - directed by Clarence Brown

Greta Garbo and John Gilbert FLESH AND THE DEVIL (1926) dir. Clarence Brown

FLESH AND THE DEVIL (1926) — Dir. Clarence Brown

He Who Gets Slapped (1924) Dir. Victor Sjöström

A Mermaid on a Dolphin’s Back by John Gilbert from 'A Midsummer Night's Dream', 1858

THE VAMPIRE DIARIES 1.22, “Founder's Day”