#jeromy nail

Innerflight Music set sail from their Northwest enclave of Seattle with Jeromy Nail at the helm, along with a talented set of remixers on deck, including Jay Tripwire, Spon.10.80 (aka Rhines), and Zacharia with the “Cinétique / Rise” EP. Jeromy Nail anchored the West Coast house music scene with Uniting Souls Music beginning in the early 2000s. His seminal sets can be heard at legendary Flammable Sundays (the West Coast’s longest running house weekly, now twenty years strong) and various underground parties in the Seattle area. With releases and remixes for the likes of Viva Recordings, Build It Records, Bomb Recordings, Prison Entertainment, Radda Records, and Uniting Souls, Jeromy has been busy on the scene. Cruise director Jeromy Nail sets forth with the well-named “Rise,” a deftly produced number whose tension mounts in synth washes to explosive percussive techno that’s sure to incite all to rise and get on the dancefloor. “Cinétique” is a late-night foray into polyrhythmic tech-house with buoyant pads, keys, and minimal vocals. Tech-house maven Jay Tripwire remixes “Rise,” laying bare the original with minimal tech and driving bass for a late-night romp. Spon.10.80 brings a progressive flavor to “Rise” with acid-inspired percussion offset by stomping low frequencies. Zacharia of 360 BPM fame follows with a hypnotic, slow-burning remix of “Cinétique.” Taken together, the “Cinétique / Rise” EP is a cruise through both placid and roiling waters of late-night revelry.

Pezzner (Freerange) – “Cinematic, full gorgeous house tunes here throughout.” Tyler Stadius (Deepsite) – “Big Sound. Looking forward to playing Rise soon.” Nick Warren (Hope Recordings) – “Rise is great!” DJ Harri (Sub Club) – “Jay Tripwire’s Remix is for me.” Enne (Electunes) – “SPON.10.80 Remix is for me.” Jon Fugler (Fluke) – “Rise Extended Mix is my favorite, with all of the tracks coming a close second. Lovely selection.” Sumsuch (Colour and Pitch) – “Rise is the one!” Jamie Kidd (BYC Music) – “Rise Original and Tripwire mixes bring it.” DJ Firefly (Couch Dancing) – “This is SO catchy. Love it!” Nedj (The Electronic Underground Radio Show) – “You can totally immerse yourself in every track on this release. The whole thing feels authentic.”

Seattle’s Uniting Souls Music returns for its second release in 2017 with Jeromy Nail’s “Don’t You (Feel Me)” featuring remixes by Brett Johnson and Mikey V. As part of the Uniting Souls Music collective since the early 2000s, Jeromy sharpened his DJ’ing skills on many late night dance floors, including residencies at the seminal Flammable Sundays – the West Coast’s longest running house weekly twenty years strong – and the (now defunct) electronic dance music haven See Sound Lounge. With releases and remixes for the likes of Viva Recordings, Build It Records, Bomb Recordings, Hype & Soul, House Call, and, of course, the Uniting Souls label, Jeromy’s been busy on the scene. First up, Jeromy’s original takes the listener on a quirky, tech-house inspired journey built on layers of vocal stabs sprinkled over tinges of acid-flavored synths. With its snappy drum programming and uplifting vibe, the original mix is a unique ride from start to finish. Next up, veteran DJ / producer Brett Johnson (Classic Music Company, Get Physical) goes a little deeper into the underground, offering up a stripped down and moody version full of lush synths, warm chords, and a thick bass line. With his distinctive style and superb production, Brett’s mix is sure to please. Closing things out is up-and-coming talent Mikey V. Making waves recently with a slew of originals, remixes, and collaborations on labels such as Classic Music, Electrik Soul, and Salted Music, Mikey raises the energy a few notches with a funky tech-house remix that’s aimed squarely at the dance floor.

DJ Heather (Blackcherry Recordings) – “Diggin’ the original quite a bit. Jeromy is one of Seattle’s best.” Fer Ferrari (Deepclass Records) – “Bretts mix for me!” DELLA (No Dial Tone) – “How can one go wrong with this EP? Brett Johnson and Mikey V on the remixes, hell yeah!” Distant People / Joey Silvero (Seamless) – “I like the subtle build up on this. The bass is wicked.” Jaymz Nylon (Nylon Recordings) – “This will surely brighten up many dance floors.” Pete Moss (Recline Records) – “Beautiful release. I love it.” Makossa (Makossa & Megablast) – “Solid Brett Johnson remix.” Sumsuch (Colour and Pitch) – “I love all 3 versions. Great single!” Chris Udoh (Tigerhook) – “I will be playing this!” Lee Jones / Country Gents (Buslife) – “This release is f’ing amazing. The original mix I’ve been playing over and over again. For the record, I love all 3 mixes and will be using them constantly at summer parties here in the UK.”

Jeromy Nail returns to Seattle’s Innerflight Music with his latest single "Dontcha Care", featuring remixes from a trio of talented Pacific Northwesterners. Jeromy has had a number of releases for the likes of Viva Recordings, Hype & Soul, House Call, and Uniting Souls, who he's been associated with since the early 2000s. He's been especially busy in the studio lately, and "Dontcha Care" marks Jeromy's second release on Innerflight Music in just a few months.

"Dontcha Care", featuring a fusion of arpeggiated synths over a dynamic bass line, fades in slowly but quickly finds its natural stride. Jeromy keeps the pace moving forward interweaving warm chords, vocal samples, and melodic elements which culminate in a contrast of driving rhythms against fading summer vibes. For good measure, and to help sate the vocal adverse, an instrumental mix is also supplied.

Hanssen (of Jacob London fame, and hot off the heels of acclaimed sophomore full-length Transit on Hush Hush Records) delivers a slower, pitched-down version. A deep, textured four-on-the-floor groove builds over eight minutes. With its superb production, spacious atmospherics, and Hanssen’s signature left-field stylings, this remix is sure to please.

Next up is Liberian-born artist / producer Sam Paye. Cutting his teeth in the 2000s US breakbeat and progressive scenes, Sam toured extensively to support releases on Moonshine and System Recordings. More recently focused on a mélange of hip-hop, dancehall, and electronic soul, Sam turns over a stellar mix which captures the flavor of the original reimagined as a trap-inspired, bass-infused club banger.

Rounding things out with an intricately dubbed-out, tech-house flavored rendition is Portland’s Jon Cates. Known for his work on Om Records as Rocket Empire and Cates & dPL, Jon effortlessly blends snappy, syncopated drums, light percussion, vocal stabs, and melodic synth elements to take the dance floor on a smooth, hypnotic ride deep into the twilight hours.

Nick Warren (Hope Recordings) - “Great original and a killer Hanssen remix!” Brett Johnson (Bang The Box / Classic Music Company) - “I really like Hanssen’s remix.” Tyler Stadius (Despite / Dialtone Records) - “I’m feeling the Jon Cates remix.” Golf Clap (Country Club Disco) - “Dope!” Sumsuch (Colour and Pitch / Mega Jawns) - “The Jon Cates remix is doing it for me. The original is lovely, too!” Eric Davenport (Guesthouse) - “Solid futuristic grooves.” Distant People (Foliage / Seamless) - “This is so cool. It just has a wicked lifted feel to it … so clean and full of feeling.” Al Bradley (3am Recordings) - “I’m feeling Jon Cates’s remix here … really solid deepness with a subtle warmth. It’s ideal for my mid-sets.” DJ Firefly (Couch Dancing on WRCT 88.3 FM) - “Every mix of this is good in it's own way … solid release all around!” Jero Nougues (Deep Essence Radio Show) - “Jon Crates remix is ON POINT! Loving the groove from that track.” Kid Hops (KEXP 90.3 - Seattle) - “Lovely EP.” KP London (FEEL Radio Show) - “Supporting Sam Paye remix 100%.” Simon Kirk (Stag Beetle Radio Show / Proton Radio) - “Another big release from Innerflight … Jon Cates’s beautiful remix has me hooked. I will be all over this for a long time to come.”

Seattle’s Innerflight Music has returned with the first of three singles by longtime Pacific northwestern underground house music advocate Jeromy Nail. As part of the Uniting Souls Music collective since the early 2000s, Jeromy sharpened his DJ’ing skills on many late night dance floors, including residences at the seminal Flammable Sundays – the West Coast’s longest running house weekly twenty years strong – and the (now defunct) electronic dance music haven See Sound Lounge. With releases and remixes for the likes of Viva Recordings, Hype & Soul, House Call, and, of course, the Uniting Souls label, Jeromy's been busy on the scene.

"Farewell Dialogue" is a brooding, cinematic undertaking rooted in a four-on-the-floor foundation but with a distinctly non-peak hour ethic. The track is intricately constructed with layers of synth pads, strings, and melodic elements buoyed by its tough rhythm and bass pairing. Vancouver's Jay Tripwire continues his stunning string of audio explorations with two cool remixes of Jeromy's original. Jay delivers strong with a nine minute main mix and a shorter 'dub' mix, stripping the original to its essentials and infusing it with his heady house, dub, and techno amalgam. The results are mesmerizing and a perfect fit for underground after hours adventures.

Seattle’s Innerflight Music has returned with the first of three singles by longtime Pacific northwestern underground house music advocate Jeromy Nail (Uniting Souls Music, Viva Recordings). "Farewell Dialogue" is a brooding, cinematic undertaking rooted in a four-on-the-floor foundation, intricately constructed with layers of synth pads, strings, and melodic elements buoyed by its tough rhythm and bass pairing. Jay Tripwire delivers a nine minute main mix and a shorter 'dub' mix, stripping the original to its essentials and infusing it with his heady house, dub, and techno amalgam.

Nick Warren - "Excellent release. All three mixes are strong." Anthony Pappa - "The best mix for me is Jay Tripwire's dub and I will support it." Riva Starr - "Nice release!" Pete Moss - "Killer release. I love the original and the Jay Tripwire dub." Chris Fortier (Fade) - "Jay Tripwire's remix is great." Randall Jones (Audio Therapy / Baroque) - "Solid remixing as always from Jay Tripwire." Sumsuch (Colour and Pitch) - "Acid, strings, and a Jay Tripwire remix. What's not to love?" Al Bradley (3am Recordings) - "All very cool. For me, it's the hypnotic Jay Tripwire dub, although the original has a wicked deep vibe, too." Luke McKeehan (Nordic Trax) - "Best of the northwest. Good stuff all around." Tyler Stadius (Deepsite / Dialtone Records) - "The Jay Tripwire's dub works for me. Right trippy." Craig Stewart (Montana & Stewart / DCSTrax) - "Jay Tripwire's class shines through here … brilliant dance music, and the original's tasty too." Simon Kirk (Stag Beetle Radio Show) - "A sublime original mix and two pure quality interpretations from Jay Tripwire … seriously cool stuff."

Uniting Souls Music returns for the imprint's twenty third release with "Amphibians" by longtime Seattleite and Uniting Souls resident Jeromy Nail.

As part of the Uniting Souls Music collective since the early 2000s, Jeromy sharpened his DJ’ing skills on many late night dance floors, including residences at the seminal Flammable Sundays – the West Coast’s longest running house weekly twenty years strong – and the (now defunct) electronic dance music haven See Sound Lounge. With releases and remixes for the likes of Viva Recordings, Build It Records, Bomb Recordings, Hype & Soul, House Call, and, of course, the Uniting Souls label, Jeromy’s been busy on the scene.

Built around chopped vocals and double-bass samples overlaid with moody pads and melodic elements, the "Amphibians" original mix emits a quirky flavor rooted in a four-on-the-floor foundation. The dub mix re-contextualizes the original elements in a deeper, minimal, bass-laden context that could be taken as ‘micro house.’

First up on remix duties, Philadelphia’s Pete Moss delivers an extended, stripped-down mix of the original that’s sprinkled with the vocal and melodic phrasing and fortified by a tougher bass line. Portland-based Jon Cates, best known for his work with Om Records as part of Cates&dpL, also provides a take on "Amphibians" with a deep, driving tech-house infused version, keeping the energy level high with layered percussion and drum elements, thick bass, and subtle textures that capture the essence of the original but take it down a fresh new path.

Gene Farris - "Deep!" Chris Fortier (Fade) - "The Pete Moss remix is just right, and the Jon Cates mix is good, too." DJ Craig C (Pound Boys) - "Good deep stuff here!" Craig Whitfield (The HHA / Restless Soul) - "I really like the Pete Moss remix. Sounds great up loud with that killer bass line." Inland Knights - "The original's got a nice swing to it … also digging the Pete Moss remix." Nutritious (SpinSpinNYC) - "'Amphibians' is excellent. Swimming. The remixes are great, too." Al Bradley (3am Recordings) - "Very nice … the dub and Pete Moss remix shade it for me, but it's a cool package all round." DJ Nova (Nova Planet Radio Show) - "I love the sound of the dub … it's so trippy and reminds me of '90s house music." DJ Zach (Subtronic End Radio Show) - "Solid house music. I love the pulsing bass on Jon Cates' mix." Tariq Ziyad (New Urban ERA) - "Lovely deep sounds to get lost in." Eric Davenport (Guesthouse) - "Top notch production on all versions. House music at its best."

On the heels of their slammin' first release, Reno, Nevada's Hype & Soul Recordings have upped the ante with their second installment of True House Jamz courtesy of the Northwest's best kept secret: Jeromy Nail. A staple in the west coast house community, Jeromy has been quietly going about his business of captivating Seattle and Portland dance floors for over a decade. While known and respected for his prowess on the decks, Nail has only recently come out of the proverbial studio closet and shown himself to be an absolutely gifted production artist. This release not only shines with Nail's talents but also backs them up with remixes by some legendary underground figures. Opening up the release is Jeromy's original version of "Nothing's True," a lush trip into after-hours deep house territory featuring hypnotic synth lines, building pads, and effective vocal placements. Hanssen, AKA Seattle's Bob Hansen from Jacob London fame, is up first on remix duty. Hanssen's mix successfully captures an old school vibe within the context of his evolved contemporary programming. The third version of "Nothing's True" comes from Costa Rica's rising stars Mobius Strum (husband and wife duo Leo and Eles Falfan), who have been tearing up dance floors recently with their heady live sets as well as a string of well-received original productions. Here they move the track into a deeper, more disco-inflected groove with snappy high hats and a funky bass line. The second track on the single, "GTFO," is a complete departure from the lush deepness of "Nothing's True." The original mix relies on big tribal rhythms to back up techy synth stabs and a badass vocal snippet. Taking a cue from the new school, Johnny Fiasco's Fakes & Phonies Mix steps it up with his signature driving tribal layers that evolve into a finale of moderately acidic, pitched-out, synth stabs. Dance floor proven! Completing the package, Reno OGs Sulli & 5657 close the shades with a pumping low end number built around stripped-down tribal elements and a haunting filtered loop. Backed-up with those wicked vox stabs, a bass drop at the half way point shakes the building.

Demarkus Lewis - “Johnny Fiasco … need I say more?” Brett Johnson - “Nice set of tracks … will play. Cool Eddie Murphy sample, by the way.” Pezzner - “Fantastic music all around. I’m really connecting with super shoegazey version that Hanssen put together.” Giom - “The Mobius Strum remix is for me.” Pete Moss - “The original of ‘Nothing’s True’ is the one for me. Killer.” Inland Knights - “Liking both the Johnny Fiasco and Mobius Strum remixes here.” DJ Craig C (Pound Boys) - “This is one sexy-ass deep house release!” Manuel Sahagun - “The Mobius Strum remix made me jump out of my chair!” Chuck Daniels - “Johnny Fiasco’s mix sounds awesome!” Al Bradley (3am Recordings) - “Johnny Fiasco drops a deep and techy bomb on his ‘GTFO’ remix, and the Mobius Strum reworking of ‘Nothing’s True’ is outstanding - a sublime slice of bass-heavy house. Love it!” DJ Mes (Guesthouse) - “Fiasco kills it!” UnaBombers - “Love the old school / nu skool jack vibe of ‘GTFO.’” Tony D’Onghia (Radio Koper-Capodistria) - “My choice goes to the Mobius Strum remix. Gorgeous groove.” Russell Deeks (This Is Why We Dance) - “‘Lush deepness’ is right! ‘Nothing’s True’ is wicked.” Charl Chaka (Radio 1 Dubai) - “My man Fiasco kills it. That’s house music right there!”

Additional support from Luciano, Claude Von Stroke, DJ T., Andy Cato (Groove Armada), Orde Meikle (Slam), Nick Holder, Robert Owens, Tyree Cooper, Tommy Largo, Omid 16B, Benji Candelario, DJ Harri (Sub Club), C-Rock, Jason Hodges, DJ Linus, Onionz, and Doc Link.