#jaycoles

How am I as a mentor? Hmm..

 I like to say that I’m quite editorial and I enjoy giving feedback to writers in any way they see comfortable. I tend to keep note of things as I read and write things down in the margins or on sticky notes or electronically depending on how/what I’m reading and then provide a edit letter to the writer, followed by either an e-mail exchange, phone call, or Skype call. Of course, everything is subjective and am open to hearing the writer’s feedback and criticism of my criticism as well.

 I typically prefer that other eyes have been on the manuscript or that you have gone through your own rounds of edits before I look at it, but this isn’t a requirement. It just makes me a little happier and also helps me focus on a lot of big picture things and not so much the little things that can be fixed with a simple read-through.

  What am I looking for?

  (BY THE WAY:  I am only looking for YA, no MG, NA, or Adult).

 IF YOU HAVE THE NEXT PERKS OF BEING A WALLFLOWER, SEND TO ME ASAP!!!! Instantly top of the pile for me. I’ve been looking for this forever.

 Diverse road trip novels are high on my list as well.

 Contemporary issues, like police violence, Islamophobia, xenophobia, sexism, feminism, religion, etc.!

 If you have any stories with a religious premise, themes, or motifs, send to me! (I.e – The Temptation of Adam by Dave Connis!)

 Any and all LGBTQ+ stories are welcome, especially LGBTQ+ stories features POC as the heroes, and especially #OwnVoices!

 I want a manuscript that brings me to tears—whether by laughing too hard or for any other reason, like my heart breaking.

Teens with jobs – I haven’t come across many of these, but would love to!

 Funny – bring me all your funny!

 Stories about friendships and how messy they can sometimes be.

Send me your geeky, nerdy stories!

I have a huge crush on stories that feature music as a heavy part of it! (All music!)

I am not looking for: Paranormal, anything with vampires. 

 If your writing/manuscript matches the style(s) of any of these authors, please send to me!

 Adi Alsaid

Angie Thomas

Brandy Colbert

Nicola Yoon

Adam Silvera

Becky Albertalli

Jason Reynolds

Alex Gino

Nic Stone

Elizabeth Acevedo

Ally Condie

Meredith Russo

Hello. Y’all.

 This is going to be a post about my query(ing) process/how I landed my agent. This post will also be featuring gifs and a song that I listened to over and over again as I wrote the book that landed me my agent—who, for now, will be referred to as Amazing Superhero Agent.

 Warning: this may end up being a long post—so hang in there for me, okay? (Unless, of course, you don’t want to.) That’s totally all right. I won’t hate you—promise.

 Anyway the stats summary:

(The span of 4 years)

Manuscripts – 7 (6 Young adult and 1 middle grade)

Queries – OMFG! So many goddamn queries. Probably almost 200!!

(This is the part where I say that the first 4 YA projects yielded absolutely no requests! They were the books that I was supposed to “learn from.” They were “test books.” And that’s okay, because agent feedback helps you get better, rejections make you stronger, and the experience is one that you carry forever and grow from. The most recent two YA projects that I queried (a dual-POV LGBT YA and a book inspired by the Black Lives Matter Movement got requests…and eventually…offers!)

Requests – 27 (9 requests on my LGBT YA that I pitched through Brenda Drake’s #PitMad; 16 requests on my BLM-inspired novel; and 2 requests for the middle grade.)

R&R: 3 (one agent asked me to revise and resubmit and gave me the heads-up that if she liked the revision she would make an offer.)

Offers: 5

All came down to: 1 Amazing Superhero Agent!!!!!!!

 It all started in 2012.

 Querying my first four *serious* books that resulted in no requests, I felt beat. Seriously. I felt like I wasn’t good enough, like I was the world’s worst writer, like I’d never be able to live my dream of being an agented and traditionally published author.

 I had gotten over 50 rejections on my first couple books, and as much as I’d write other more books and query, the more rejections came around.

 It was so easy for me to interpret “Unfortunately, this is not quite right for me” as “You are a failure.”

 But, oh boy, how I had been wrong.

 You see, it took me years after getting my first rejections to realize that the rejection doesn’t mean I am a failure. And it doesn’t even mean that my book is a failure. It could mean that the book just needs revising. Significantly. Or that it’s just not “THE BOOK.”

 I am admittedly very stubborn and very anxious. So, instead of revising the project(s) that flooded me with rejections, I decided to shelve them and try other books, writing for different audiences, and testing out different genres.

 Fast forward to 2016…FOUR years later. (Yeah, you know what they say about landing an agent? It’s true. That shit ain’t fast. At least, it’s not the norm if it is.)

 I took a few months off from querying (it’s totally OKAY to do this—do NOT let anyone tell you otherwise) just to work on my craft, attend writer’s conferences, take classes, etc, and then #PitMad came around. In the months that I took a break from querying, I had wrote my LGBT YA and a MG. Two books that I hold near to my heart, and after seeing the power of what is #PitMad, I put together a pitch for the YA in 140 characters. It didn’t get much attention during #PitMad, but I entered this same pitch again in Beth Phelan’s #DvPit along with one for the MG—those got me closer than ever.  

FYI: These twitter pitch events are what first connected me with Amazing Superhero Agent. She “favorited” one of my pitches.

 I sent out my fulls and partials to all the agents I felt would POTENTIALLY be a good fit for me. I spent nights, literally pulling all-nighters just to research agents, purchasing subscriptions, and talking with their clients—you know, just in case.

 Something I had to learn the hard way: Waiting is so hard and it is inevitable in publishing. If you cannot wait to hear back from an agent, you’re not going to make it in this industry.

 The wait to hear back from agents felt like eternity. Man, I swear I got some gray hairs on my head from stressing myself out. I looked online for some suggestions on what to do while I waited and the most frequently suggested thing was, yep, you guessed it: WRITE YOUR NEXT BOOK!

             I went into my “office” to outline the next book, and I just so happen to turn on the news and Twitter to see a series of hashtags. An innocent, unarmed black teen had been gunned down by the police.

           My first thought: OH MY EFFING GOD, MAN. IS THIS REAL?

           My next thought: My heart goes out to that boy’s family.

           Then, after that was: That could’ve been me.

             In that moment, I knew I had to do something. I had to show the world my outrage. I had to show my community’s outrage. So, the story I had outlined changed almost instantly. It took a darker twist. 

           And I went back to work to work on this next book.

           Fast forward a couple months, I had gotten several rejections on the LGBT YA and the MG, but I didn’t care much because I was giving my new BLM project my all—I felt compelled to. The story flowed out of frustration, but also from personal experiences, making it PRIORITY.

           I spent weeks polishing the BLM-inspired YA.

           And then, I was ready to query.

           Three separate agents asked for the full within EXACTLY 3 minutes after I sent the query, one of them was Amazing Superhero Agent. It was a risk that I took because it’s not encouraged to query an agent two separate projects at once. And it’s definitely not encouraged to query a project to an agent who has another full manuscript of yours in their inbox.

           When I queried her, I reminded Amazing Superhero agent that she already had a different manuscript in her pile from me, which she informed me that she had already enjoyed. She also wanted to read this new project of mine.

           I sent it to her that night.

             Based on the quick interest, I queried this novel like crazy—to more agents than any other project I had written. When you believe in something enough, you have to show it just how much. (I think I sent about 60 queries for my BLM-inspired YA.) And unlike the projects I had already had floating in agents’ inboxes, this book was semi-autobiographical, so I was crazy about it. And I was pursuing an agent equally as crazy about it.

             The requests came in faster waves, but so did the rejections. One rejection in particular said, “I’d represent you and your novel if the setting of the book wasn’t ‘the hood.’” And that caught me off guard for so many reasons, and was very discouraging, but after further research of agents, I kept at it, distracting myself through 90s rap music and revising bits and pieces of the book while I waited to hear back from others.

           After two weeks of sending my first query for the BLM-inspired YA (which was unusually fast), I got a rather long email from an agent. We’ll refer to him as Mr. Wonderful Agent. At the end of the email, he mentioned that he wanted to call me and discuss my manuscript.

           I choked on the Frappuccino that I was drinking, and spat all over my computer screen. This agent represents many NYT bestselling authors and some of my author friends.

           Giving myself some time to calm down, later in the week, we talked and he became the first agent ever to offer me representation. He talked about some awesome revision ideas, but I just didn’t get that “spark” while on the phone with him. He seemed—and is—great, obviously, just not the right fit for me. And to prevent either of us from being unhappy later down the road, I decided to decline his offer.

           Fast forward a week, and I had four other offers. One of the four was Amazing Superhero Agent who I later went with. The decision was a rather hard one, but Amazing Superhero agent stood out for so many reasons.

I knew Amazing Superhero agent was THE ONE because she had it all. She was well known in the industry, she keeps a small and carefully cultivated list; she’s passionate about working with underrepresented voices, and talking with her on the phone sealed the deal for me.  

           Before talking on the phone, I knew that she live tweeted my book a couple times. And it was confirmed that she’d spent a night blinking back tears in a bar because of my book. This made me swoon and internally freak out in the best way possible.

           On the phone, she talked about her favorite parts of my book—parts that I cherish so much. She even had such BRILLIANT ideas for revisions—things that I wouldn’t have ever picked up on. And the love and excitement was evident in her voice. We also talked about our personal lives a bit, too, and found out that we’ve got some things in common. This calmed me down so much.

           Toward the end of the phone call, she offered, and man, I swear, I said “okay” 50 times in a row and nodded uncontrollably like she was in the room and could see me. I don’t think I would’ve stopped if one of my pups hadn’t starting licking the M&Ms I had in my hand.  

           I talked with some of my author friends and they agreed with me that she was going to be the best possible fit. I talked with my family and reminded myself that in time, dreams do come true, that it takes hard work, sweat, tears (at times), and a dash of luck, but they happen.

            Four turbulent years later, I’m so very happy to be represented by the wonderfully brilliant, incredibly witty, Amazing Superhero Agent: Lauren Abramo of the Dystel and Goderich Literary Management. Saying this out loud for the first time has me kind of tearing up…mainly because 1) stuff like this don’t really happen where I come from, and 2) this is the beginning of everything—the start of my career.

           And I’m ready to embark upon this ride with Lauren and DGLM!!

   THE SONG THAT I LISTENED TO WHILE WRITING THE BOOK: 

(please listen and let me know what you think on Twitter at (@mrjaycoles) or here is fine!!!)