#jacquesfath

#Repost @notes_from_paris • • • • • • Dovima in a silk chiffon print dress by Jacques Fath, photographed by Henry Clarke for Vogue in 1956. — #jacquesfath #fath #hautecouture #dovima #vogue #henryclarke #photography #fashionphotography #1950sfashion #style #fashion #fashionhistory @eugenelacroix1 #eugenelacroix1 #photography https://www.instagram.com/p/CRWFE3WHKQ5/?utm_medium=tumblr

Jacques Fath | c. 1957 ・・・ The soft and delicate lace shell conceals structural underpinnings including a fully boned bodice and crinoline petticoats. This dress was worn by Lady Gladwyn, wife to French Ambassador, on the last evening of Queen Elizabeth’s State visit to Paris. She wore it with her 'Aunt Amie's wreath' - a wreath-like tiara worn forward on the head. ・・・ #fashion #mode #moda #historyoffashion #vintagefashion #vintage #defunctfashion #jacquesfath #lavender @vamuseum https://www.instagram.com/p/BuHBTx8gn8q/?utm_source=ig_tumblr_share&igshid=ia6jmrysrung

1948 ball gown by Jacques Fath, Paris. "Woman's ball gown of pale pink satin, full length sleeves with zip fastenings at wrists, bodice with v-shaped neckline, with centre front zip fastening, garment bodice embroidered with stylised flowers and seeds, large elliptical topaz coloured pastes, chunky beads and raised couched threads and braids and scattered silver and gold sequins, the skirt is gently gathered at the hips and culminates in a padded, quilted band at hem, lined with layers of tulle, labelled 'Jacques Fath, Paris' on bodice interior, designed to be worn with cape of matching pale pink satin". National Museums Scotland number K.2014.49.1 . . #historicalgarments #palepink #ballgown #1940s #embroidery #Scotland #Paris #jacquesfath #fashionhistory #vintagelove #topaz #tulle #pinksatin #1940sfashion (at National Museums Scotland)

Jacques Fath Design, 1953.

Day 16 challenge🔴 : Time to incorporate French inspiration into this challenge . French fashion has influenced the industry in a major way with such Greats as #Dior , #Chanel , #Balenciaga, #JacquesFath , #PierreBalmain and more ! As much as I would love to break out in a French couture gown for this challenge, I will keep things simple with an everyday look that everyone can do with a #Beret….plus I don’t own a couture gown by these designers yet 😋🤫.... Swipe ⬅️ to see some hair inspiration photos. For this challenge🔴: Use a STRIPED TOP OR DRESS along with a BERET of any color (I chose to edit the top). It’s your choice to wear your hair up or down in a #PinupHairstyle. Try your best to do a hairstyle you haven’t done in the previous challenges. Use DESIGNATED HASHTAGS 🔴: #BeretDayStyle & #30PinupStyles in your description underneath your photo(s) or video(s). Hold up a sign in your photo or video saying Day 16! Post your results for this challenge anytime on November 16th during your time zone. In this photo ➡️: @TheBlackPinup is wearing a striped top and gold hoop earring found online @PinupGirlClothing #Pinup #PinupStyle #BlackPinup #Pinups #PinupGirl #VintageStyle #MidCentury #FrenchStyle #Stripes #1940s #1950s #HairStyles #HairStyling #PinupHair #HairDo #PinupContest #PinupChallenge #40sHair #50sHair #PinupGirlClothing

#georgedambier #jacquesfath #1952

Jacques Fath | Ballgown and Cape | c. 1948 ・・・ This exquisite ballgown was likely embroidered by Rébé, one of a dozen great Parisian embroidery ateliers of the period alongside Lesage and Vermont. It was Rébé who Dior chose to embroider his 1947 New Look collection, which was instrumental in reviving the French luxury industries. Once an haute couture design has been conceived, the next step is to select the textile, followed by the choice of buttons, trimmings and embroidery. Embroidery houses designed their collections in response to the current season and sent samples to the couture houses. Once sold, a design was exclusive to that salon. Exclusivity is paramount in the world of haute couture. The embroidery houses would produce as many different samples as they could in order to appeal to the tastes of as many couturiers as possible and ensure sales. Designs would be sampled on a variety of fabrics of different textures and weights such as gauze, satin, organza and tulle, to enable them to propose their creations. This type of embroidery work was – and still is – considered the perfect balance between art and craft. With each glass bead and paillette or sequin applied individually, such embellishment required meticulous patience. ・・・ #historicalfashion #fashion #mode #moda #historyoffashion #vintagefashion #vintage #defunctfashion #couture #jacquesfath @nationalmuseumsscotland https://www.instagram.com/p/BqLgoo9gSYk/?utm_source=ig_tumblr_share&igshid=1oiy8bwte7i55

Jacques Fath - 1956.