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New Post has been published on https://takenews.net/i-shot-a-brief-movie-with-the-panasonic-gh5s-right-here-are-my-ideas/

I Shot a Brief Movie with the Panasonic GH5S: Right here Are My Ideas

Just a few weeks in the past I used to be fortunate sufficient to get my arms on the model new Panasonic Lumix GH5S in time to start out capturing for our new brief movie four:17 AM. The shoot was going to happen primarily at night time and early morning, so after I heard in regards to the GH5S, I assumed it might be the perfect testing mattress for the brand new digicam.

I’ve additionally spent the previous couple of months assembling a set of anamorphic adapters and related equipment and I made a decision that this venture would go well with capturing some scenes in anamorphic too.

The idea of the movie that Isabel, our artistic director, developed was to aim to abstractly symbolize the turbulence of the human relationship with sleep and to visually present the moments, psychological crossroads and the drifting in between consciousness.

You possibly can see the total movie right here:

As a brilliant small staff that consisted of Isabel, myself, Declan (who was appearing), and fellow Panasonic ambassador Ross Grieve capturing some BTS we knew we needed to preserve the equipment pretty gentle as I’d be doing the capturing, lighting and every part else in between.

On the digicam entrance, we had one GH5S with a set of Leica Rs (28, 50, 90) with Metabones .71x and Aputure LensRegain .75x, Panasonic Lecia 15mm 1.7, Bolex Moller Eight/19/1.5x anamorphic, Moller 32/2X anamorphic and Iscomorphot 16/2x anamorphic with Rectilux Hardcore DNA, Jim Chang’s V2 clamp arrange, 8Sinn cage and a bunch of small rig equipment to carry all of it collectively. Ross additionally introduced alongside his Syrp Magic Carpet which we used on high of the Manfrotto Nitrotech for a few of the opening photographs.

As a small staff, we additionally wanted to be versatile with the lighting, so we had a small lighting equipment consisting of an Aputure 120D, Aputure Mini20 equipment and a few Manfrotto LYKOS LED panel lights that might all be run each on mains and battery energy for location. We used the compact Manfrotto Combi-boom for many of the outside capturing and c-stands for indoor photographs.

We shot the movie over a interval of a night, full day and the next morning, the place we tried to shoot earlier than dawn and after sundown when the sky had a little bit of colour left in it. As a result of nature of the shoot, apart from a few photographs, the majority of the capturing was executed between ISO 800 – 6400.

A fast disclaimer: this gained’t be a closely technical evaluate of take a look at charts and many others, there are individuals far more expert at these than me. The under is my sincere ideas from capturing with this digicam over the interval of a few days on a small, agile set, the kind that many Lumix GH5 customers shall be acquainted with.

The standout characteristic of the Lumix GH5S for me is it’s potential to shoot improved low gentle while conserving the nice codecs and framerate choices I’d come to like from my Lumix GH5. As I knew that I’d be capturing quite a bit in low gentle for this movie, I used to be excited to place the digicam by means of its paces. I’d been eyeing up a Panasonic EVA1 for some time now and to listen to that the brand new Lumix GH5S had the identical Twin ISO know-how inherited from the bigger Varicam vary was nice. Whereas the EVA1 has Twin ISOs of 800/2500, a fast take a look at of the GH5S reveals it to make use of 400/2500 for its Twin ISOs.

In the event you’re not acquainted with the Twin ISO idea, there are principally two circuits proper after every pixel and earlier than the achieve amp, one for every ISO which permits for 2 ‘native’ ISOs. In principle, this can will let you shoot clear pictures in a lot decrease gentle circumstances than a digicam with a single decrease native ISO. The good thing about Twin Native ISO is that the low gentle enchancment is coming instantly from the sensor, quite than simply boosting the achieve and including noise discount.

The beauty of the Lumix GH5S is that there’s an Auto Twin ISO choice, which can change the native ISO on the fly, supplying you with the very best high quality at every ISO. ISO 160 to 800 will use the native 400 ISO and every part above 800 as much as 51200 will use the upper 2500 native ISO, so no want to fret about altering it manually except for a artistic cause.

After I took the footage from this shoot into edit, I used to be amazed at how clear the V-Log L footage was even at 6400 ISO. Even after pushing the 10-bit 25p footage and Eight-bit 50p footage round in publish, the noise nonetheless appeared exceptional. It’s exhausting to say for sure, as I haven’t executed any direct aspect to aspect comparability, however my intestine says that the GH5S has round 1.5-2 stops extra useable ISO in low gentle and it’s additionally a lot cleaner all through the vary too. Whereas earlier than with the GH5, issues began to say no after 1600, I’d be completely happy to shoot this digicam as much as ISO 6400. The body under was at ISO 5000.

In addition to being a low gentle beast, the 10.2mp GH5S sensor can also be multi-aspect, which signifies that the FOV will stay the identical whatever the side ratio you selected. This additionally permits for true cinema 4K in 50/60p, which is a primary for a mirrorless hybrid digicam.

In the event you’re coming from a GH5, ergonomically this digicam is equivalent. The physique and button placements are virtually precisely the identical, apart from the brand new purple ring across the drive dial and the brand new REC button on the highest plate.

The variable body price choices have additionally bought a lift as much as 240fps. Now you can run timecode in/out utilizing the included BNC adapter cable by means of the flash sync port, nice for individuals recording exterior sound or operating a number of cameras. It’s also possible to now choose Line/Mic ranges for the Mic enter if you wish to run your enter at line degree.

There are additionally some good usability options included too such because the night time mode from the Lumix G9, Liveview Increase, which boosts the brightness of the show permitting you to compose in very low gentle, and the main focus magnification additionally bought a lift to 20x quite than 10x on the GH5.

In addition to the brand new options, there’s additionally the gorgeous a lot every part nonetheless there from the GH5 V2 firmware together with anamorphic de-squeeze, waveforms, HLG, V-Log and naturally 10-bit four:2:2 capturing.

One of many issues that folks may be disillusioned in, is the shortage of in-body picture stabilization. For prime-end productions, the place the GH5S may be locked down inside transferring automobiles, the fastened sensor shall be a welcome change, however for the run and gun shooter, IBIS was a brilliant widespread characteristic.

I’m torn on my ideas on the shortage of IBIS, which implies every digicam will most likely have a definite function in my bag, whereas a GH5s with IBIS would have made my GH5 redundant. I did, nevertheless, shoot about 80% of four:17 AM fully handheld and I’m very proud of the texture of the footage.

For my part, the GH5S is a extra specialised digicam and fewer of an all-rounder than the GH5. It’s one I’d decide up for low gentle particular capturing or after I was operating the digicam on the gimbal.

For my run and gun journey work, I’d see myself carrying the GH5 and for greater finish productions with extra equipment, the GH5S can be the digicam of alternative.

The fantastic thing about the system is that they’re ergonomically equivalent and so your entire equipment, cages, batteries and many others will all match the GH5S in addition to the GH5. This makes including the GH5S as a second physique and utilizing every digicam to their benefit just isn’t going to be made costlier by the necessity to rebuy a lot of new gear.

Full disclosure: Jacob James is at the moment an envoy for Panasonic UK, Manfrotto, and X-Ceremony and has partnerships with Paramo, Eagle Creek, and Phottix.

New Post has been published on https://takenews.net/i-shot-a-brief-movie-with-the-panasonic-gh5s-right-here-are-my-ideas/

I Shot a Brief Movie with the Panasonic GH5S: Right here Are My Ideas

Just a few weeks in the past I used to be fortunate sufficient to get my arms on the model new Panasonic Lumix GH5S in time to start out capturing for our new brief movie four:17 AM. The shoot was going to happen primarily at night time and early morning, so after I heard in regards to the GH5S, I assumed it might be the perfect testing mattress for the brand new digicam.

I’ve additionally spent the previous couple of months assembling a set of anamorphic adapters and related equipment and I made a decision that this venture would go well with capturing some scenes in anamorphic too.

The idea of the movie that Isabel, our artistic director, developed was to aim to abstractly symbolize the turbulence of the human relationship with sleep and to visually present the moments, psychological crossroads and the drifting in between consciousness.

You possibly can see the total movie right here:

As a brilliant small staff that consisted of Isabel, myself, Declan (who was appearing), and fellow Panasonic ambassador Ross Grieve capturing some BTS we knew we needed to preserve the equipment pretty gentle as I’d be doing the capturing, lighting and every part else in between.

On the digicam entrance, we had one GH5S with a set of Leica Rs (28, 50, 90) with Metabones .71x and Aputure LensRegain .75x, Panasonic Lecia 15mm 1.7, Bolex Moller Eight/19/1.5x anamorphic, Moller 32/2X anamorphic and Iscomorphot 16/2x anamorphic with Rectilux Hardcore DNA, Jim Chang’s V2 clamp arrange, 8Sinn cage and a bunch of small rig equipment to carry all of it collectively. Ross additionally introduced alongside his Syrp Magic Carpet which we used on high of the Manfrotto Nitrotech for a few of the opening photographs.

As a small staff, we additionally wanted to be versatile with the lighting, so we had a small lighting equipment consisting of an Aputure 120D, Aputure Mini20 equipment and a few Manfrotto LYKOS LED panel lights that might all be run each on mains and battery energy for location. We used the compact Manfrotto Combi-boom for many of the outside capturing and c-stands for indoor photographs.

We shot the movie over a interval of a night, full day and the next morning, the place we tried to shoot earlier than dawn and after sundown when the sky had a little bit of colour left in it. As a result of nature of the shoot, apart from a few photographs, the majority of the capturing was executed between ISO 800 – 6400.

A fast disclaimer: this gained’t be a closely technical evaluate of take a look at charts and many others, there are individuals far more expert at these than me. The under is my sincere ideas from capturing with this digicam over the interval of a few days on a small, agile set, the kind that many Lumix GH5 customers shall be acquainted with.

The standout characteristic of the Lumix GH5S for me is it’s potential to shoot improved low gentle while conserving the nice codecs and framerate choices I’d come to like from my Lumix GH5. As I knew that I’d be capturing quite a bit in low gentle for this movie, I used to be excited to place the digicam by means of its paces. I’d been eyeing up a Panasonic EVA1 for some time now and to listen to that the brand new Lumix GH5S had the identical Twin ISO know-how inherited from the bigger Varicam vary was nice. Whereas the EVA1 has Twin ISOs of 800/2500, a fast take a look at of the GH5S reveals it to make use of 400/2500 for its Twin ISOs.

In the event you’re not acquainted with the Twin ISO idea, there are principally two circuits proper after every pixel and earlier than the achieve amp, one for every ISO which permits for 2 ‘native’ ISOs. In principle, this can will let you shoot clear pictures in a lot decrease gentle circumstances than a digicam with a single decrease native ISO. The good thing about Twin Native ISO is that the low gentle enchancment is coming instantly from the sensor, quite than simply boosting the achieve and including noise discount.

The beauty of the Lumix GH5S is that there’s an Auto Twin ISO choice, which can change the native ISO on the fly, supplying you with the very best high quality at every ISO. ISO 160 to 800 will use the native 400 ISO and every part above 800 as much as 51200 will use the upper 2500 native ISO, so no want to fret about altering it manually except for a artistic cause.

After I took the footage from this shoot into edit, I used to be amazed at how clear the V-Log L footage was even at 6400 ISO. Even after pushing the 10-bit 25p footage and Eight-bit 50p footage round in publish, the noise nonetheless appeared exceptional. It’s exhausting to say for sure, as I haven’t executed any direct aspect to aspect comparability, however my intestine says that the GH5S has round 1.5-2 stops extra useable ISO in low gentle and it’s additionally a lot cleaner all through the vary too. Whereas earlier than with the GH5, issues began to say no after 1600, I’d be completely happy to shoot this digicam as much as ISO 6400. The body under was at ISO 5000.

In addition to being a low gentle beast, the 10.2mp GH5S sensor can also be multi-aspect, which signifies that the FOV will stay the identical whatever the side ratio you selected. This additionally permits for true cinema 4K in 50/60p, which is a primary for a mirrorless hybrid digicam.

In the event you’re coming from a GH5, ergonomically this digicam is equivalent. The physique and button placements are virtually precisely the identical, apart from the brand new purple ring across the drive dial and the brand new REC button on the highest plate.

The variable body price choices have additionally bought a lift as much as 240fps. Now you can run timecode in/out utilizing the included BNC adapter cable by means of the flash sync port, nice for individuals recording exterior sound or operating a number of cameras. It’s also possible to now choose Line/Mic ranges for the Mic enter if you wish to run your enter at line degree.

There are additionally some good usability options included too such because the night time mode from the Lumix G9, Liveview Increase, which boosts the brightness of the show permitting you to compose in very low gentle, and the main focus magnification additionally bought a lift to 20x quite than 10x on the GH5.

In addition to the brand new options, there’s additionally the gorgeous a lot every part nonetheless there from the GH5 V2 firmware together with anamorphic de-squeeze, waveforms, HLG, V-Log and naturally 10-bit four:2:2 capturing.

One of many issues that folks may be disillusioned in, is the shortage of in-body picture stabilization. For prime-end productions, the place the GH5S may be locked down inside transferring automobiles, the fastened sensor shall be a welcome change, however for the run and gun shooter, IBIS was a brilliant widespread characteristic.

I’m torn on my ideas on the shortage of IBIS, which implies every digicam will most likely have a definite function in my bag, whereas a GH5s with IBIS would have made my GH5 redundant. I did, nevertheless, shoot about 80% of four:17 AM fully handheld and I’m very proud of the texture of the footage.

For my part, the GH5S is a extra specialised digicam and fewer of an all-rounder than the GH5. It’s one I’d decide up for low gentle particular capturing or after I was operating the digicam on the gimbal.

For my run and gun journey work, I’d see myself carrying the GH5 and for greater finish productions with extra equipment, the GH5S can be the digicam of alternative.

The fantastic thing about the system is that they’re ergonomically equivalent and so your entire equipment, cages, batteries and many others will all match the GH5S in addition to the GH5. This makes including the GH5S as a second physique and utilizing every digicam to their benefit just isn’t going to be made costlier by the necessity to rebuy a lot of new gear.

Full disclosure: Jacob James is at the moment an envoy for Panasonic UK, Manfrotto, and X-Ceremony and has partnerships with Paramo, Eagle Creek, and Phottix.