#isitpredictable

Eddie Murphy's return as Axel Foley in "Beverly Hills Cop: Axel F" has been a cause for celebration for fans of the iconic cop franchise. Debuting on Netflix in July 2024, the film promised a return to the wild, action-packed comedic roots that made the originals so popular.expand_more However, critical reception has been mixed, with many reviewers finding the film a predictable retread that fails to recapture the magic of the past.expand_more

There's no denying the nostalgia factor. Seeing Murphy slip back into the role of the wisecracking Detroit detective after a thirty-year hiatus is undeniably charming. The film cleverly acknowledges the passage of time, with jokes about Foley's outdated fashion sense and references to his pop culture ignorance. This self-awareness is a saving grace, preventing the film from falling into a tired imitation of its predecessors.exclamation

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The plot follows a familiar formula.expand_more Foley's grown-up daughter, Jane (played by Taylour Paige), follows in her father's footsteps and becomes a detective in Beverly Hills. When her life is threatened, Axel rockets out to California, determined to protect her and uncover the conspiracy behind the attack.expand_more This premise allows for some interesting inter-generational dynamics. Jane is a skilled investigator in her own right, butting heads with her old-school father who relies on gut instinct and flashy improvisation.exclamation Their contrasting styles provide some humorous moments, but the script doesn't fully explore this potential.exclamation

The supporting cast is another area where "Axel F" stumbles. Judge Reinhold and John Ashton reprise their roles as Billy Rosewood and John Taggart, respectively.expand_more While their presence is a welcome nod to the past, their characters feel one-dimensional.exclamation They're relegated to delivering exposition and offering one-liners, lacking the depth and comedic spark they possessed in the earlier films.exclamation New additions like Paige struggle to find their footing amidst the established franchise characters.exclamation

Director Mark Molloy keeps the action sequences moving at a brisk pace, but they lack the innovative choreography and comedic timing that made the car chases and shootouts in the original films so memorable. There's a sense of been-there-done-that about the action here, a feeling reinforced by the film's reliance on familiar tropes and gags.

However, there's a certain comfort in predictability. For some viewers, "Axel F" will be a welcome return to a beloved franchise, offering a chance to revisit a cherished world and its iconic characters. The film isn't a critical darling, but it might provide a nostalgic escape for those who simply want to see Eddie Murphy back in action, cracking wise and causing mayhem in Beverly Hills.

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Here's the crux of the matter: is predictability necessarily a bad thing? For some, the answer is a resounding yes. They crave originality, fresh takes on familiar themes, and characters who defy expectations. "Axel F" doesn't offer that. It's content to coast on nostalgia, delivering a familiar comedic cop formula with a dash of self-awareness.exclamation

But what about the audience who just wants to see Axel Foley back on screen? For them, predictability might be a plus. They know what they're getting into, and they're happy to settle in for a comfortable, if uninspired, return to a world they hold dear.