Feb 28, 2018
Eileen Agar The Witch, 1974 Collage on paper 18 x 39 cm Signed lower right; titled and dated verso (courtesy The Redfearn Gallery)
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Eileen Agar The Witch, 1974 Collage on paper 18 x 39 cm Signed lower right; titled and dated verso (courtesy The Redfearn Gallery)
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Luiz Roque, Modern (2014) 16mm transfer to video, 4 mins.
Attracted by the power of image, in particular, sensations that stem from vision, Luiz Roque’s work traverses the genre of science fiction, the legacy of Modernism, pop culture and queer bio-politics, in order to propose and understand visually sensual narratives. Modern (2014) departs from an exploration of Henry Moore’s Recumbant Figure (1938) in dialogue with the fashion appeal of the performance artist Leigh Bowery; a key figure in the London club culture between the 1980s and 1990s. The film considers binary notions of stillness and dance, history and future, reflecting on Roque’s interest in the relationships between body, choreography and gender with the legacy of modern sculpture.
Ben Clement Spermatorrhoea (baby leg #3) 2017 30 x 22 cm, cast high density polyethylene and steel mount
Patrick Proctor Spotted Figure 1965 Felt-tip on paper 20 x 20 cm (courtesy The Redfearn Gallery)
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Nella sala di lettura dell'inferno
Nella sala di lettura dell'inferno  Nel club degli amanti della fantascienza Nei cortili coperti di brina  Nei dormitori di transito Nelle strade di ghiaccio  Quando ormai tutto sembra più chiaro E ogni istante è migliore e meno importante Con una sigaretta in bocca e con la paura Talvolta gli occhi verdi  E 26 anni  Un servitore
- Roberto Bolaño
Claire Potter, ‘Calico’ 2018 (performance) A plus A, 24 February 2018 Simon Thompson, ‘About you and your partner’, 2017, oil on canvas, 84 x 119 cm; ‘About your children’, 2017, oil on canvas, 84 x 119 cm
Simon Thompson, ‘About you and your partner’, 2017, oil on canvas, 84 x 119 cm (courtesy dépendance, Brussels)