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“Okay, so my art director just came in and said let’s work on this. Do a small conscise outline to represent the case to the producers directly. She said it’s currently very hard to find a good graphic designer.”
is this for an lmia or a young professional iec visa?
Actually neither at the moment, but the young professionals iec visa is another option I gave them. We are trying to get a lmia-exempt visa which goes by the following handy (not...) name:
International Mobility Program: Canadian interests – Significant benefit – Television and film production workers [R205(a)] (exemption code C14)
http://www.cic.gc.ca/english/resources/tools/temp/work/opinion/imp-c14.asp
This one makes the most sense to me right now, because it’s specific to the film industry. Young professionals would require pretty much the same work from them and costs the same amount.
Another option would be the Mobilité Francophone which is also lmia-exempt, since I speak French fluently and already took the TEF exam here so I can prove my level of French. But that would make more sense for a non film job, since there already is a film specific visa available. And again effort and cost wise this doesn’t make a (positive) difference, probably rather the opposite.
Anywho! I didn’t update what was going on for the rest of the day. I sent the art director a couple of separate emails, breaking it down to a very basic level and making it as short and understandable as possible as to what is needed:
official Offer of Employment letter
submit an Offer of Employment through the employer portal (http://www.cic.gc.ca/english/e-services/employer-portal.asp)
hand the reference code from the portal to me
letter from IATSE 891 stating they are okay with me working in this capacity
start application process
enter the reference code from the portal
finalize application process
I don’t know about you, but it really doesn’t seem THAT HARD TO ME.
After those mails I started to feel a bit better. After lunch I asked the production designer if she had the chance to talk to someone yesterday about it and she said yes. She didn’t mention any of the stuff or accusations I heard in the morning, but did note that indeed the production people felt kinda threatened and that their hair stood on end and all their alarm bells went off and yeah... gotta approach the whole thing again. Differently and better prepared and face to face. When I was making a wtf-face at the threatened comment, she just shrugged and went “I knooow!”. So yeah.
She was being super nice afterwards to me, when I said I’m already so thankful that she gave me a chance and hired me. She said that they definitely want to keep me and that I’ve been a perfect fit and I think then my brain exploded and I blacked out from all the compliments she threw at me, cause I don’t remember if she said that I was amazing or that the work I’ve been doing was amazing, but there was something in there along those lines and I actually got kinda choky and just... yeah. I said thank you and that it means a lot. Cause really it does.
Seems the production people are kinda stuck on this whole wording around “sponsorship”, so we think they are maybe just on the wrong track (maybe they have one of those “pay 10k to get this employee” kinda thing in mind) and we hope we can educate them otherwise.
And the set designer is just the cutest. She came to talk to me in a minute where we were alone and she said she was ready to punch the production designer in the face if she believed for only one second that I could have said something threatening. Aw. <3