Nov 30, 2016
Dance video, October 2016, Ä°stanbul.
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Dance video, October 2016, Ä°stanbul.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ā¢ No registration required ā¢ HD streaming
New song 'Visual artist on the street' #kuiperdomingosprojects #studiotime #ukulele #neoschlager #schlager #popmusic #artandmusic #artinstallation #installationperformance
work in progress: international display Neoschlager Live Konzert morgen Freitag 8.7 ab 21 Uhr Kulturpalast Wedding International #installationperformance #liveconcert #contemporaryart #projectspace #artistrun #berlinamsterdam #hanskuiper #tinydomingos
Kuiperdomingos Projects: Neoschlager for Project Space: ONS #7 #kuiperdomingosprojects #neoschlager #liveperformance #installationperformance #instadaily (hier: Kunst-Werke Institute for Contemporary Art)
Typography Intervention - Installation & Performance
I used typography overlaid onto a mediated performance to create a juxtaposition between written and spoken word.
TheĀ āneonā sign was made from electroluminescent wire shaped with pins and tape and readsĀ ānone of this happenedā in my handwriting. Ā The video is of my mouth reciting a story from memory. Ā This combination of installation and performance in a video addresses issues that young girls face regarding communicating traumatic events. Ā I recounted a personal experience and used the typography to ācensorā myself. Ā This self-denial is something I have struggled with and creating this piece was my way of conveying the experience. Ā
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ā¢ No registration required ā¢ HD streaming
Self Performance
Through this performance, I wanted to create a relationship between past and present self through performance and media. Ā The past self exists in the mediated performance while the present self exists in the live performance. Ā
This relationship is exclusionary and puts the viewer in a position where they are not invited into the dialogue. Ā I exaggerated the proportion of the past self. Ā This scale difference and theĀ ālickā at the end of the performance are used to create intimacy between the two selves. The past self acts like a mother to the present self and nurtures it. Ā I wanted this performance to be playful and a little ridiculous but in all for it to show the importance of having a relationship within yourself.Ā