#icedish

Galería de la Raza is currently hosting its very first resident artist, Neil Rivas. The San Francisco-based artist has converted the back half of La Raza into the headquarters of the U.S. Department of Illegal Superheroes, or ICE DISH. The agency deals with the capture and deportation of undocumented superheroes. Superman, Wonder Woman, Spider-Man, and the whole iconic lineup are at high risk for deportation, their immigration status unregistered with the U.S. Department of Homeland Security. TheICE DISH headquarters is replete with a physical training station, lockup cells, surveillance monitors, a most-wanted bulletin board, cabinets filled with presumably top-secret files, authoritative black desks, swivel chairs, and other austere institutional furniture. Populating the ICE DISH facilities are its six local agents, who carry out all departmental proceedings both on- and off-site.[1]

High-stakes immigration debates are occurring across the country, but what actually constitutes the conversation appears to be little more than empty political banter. Through ICE DISH, Rivas has created an artistic platform for social intervention, though I hesitate to call it outright activism. The agency conveniently positions familiar, culturally beloved characters at the face of a critical discourse that the project hopes to engage, and as such functions equally well as both an educational outreach tool and as art. The reality of the immigration discussion is one increasingly devoid of empathy; it is a faceless battle driven by rhetoric rather than humanization. By aestheticizing the conversation through established iconography, Rivas makes the entry point more accessible for those who may otherwise not actively seek to participate in such a dialogue. The discussion ICE DISH generates does not forefront race, specifically, but rather highlights general ideas of difference, belonging, and the quintessential role of the other.

Though the headquarters is only semi-permanently installed at Galería de la Raza, ICE DISH can be found touring comic-book fairs, hosting workshops at local elementary schools, and—in its most activist form—rallying on the streets during immigration-rights demonstrations. Superheroes themselves sometimes make appearances at these venues, soliciting advice, sympathy, and voiced concerns from the common citizen. In this way, ICE DISH is able to facilitate a meaningful exchange of ideas and questions, and provoke nuanced layers of understanding in the community at large about what really is at stake in this ongoing immigration battle.

U.S. Department of Illegal Superheroes (ICE DISH) is on display at Galería de la Raza in San Francisco through February 22, 2014. Personal tours of the San Francisco Field Office led by ICE DISH agents are available by appointment by contacting director Tanner White at [email protected]. 

Meet Neil Rivas, Galería de la Raza's inaugural Artist-in-Residence and mind behind current project U.S. Department of Illegal Superheroes - ICE DISH. Neil Rivas (Clavo) is an interdisciplinary artist whose work intersects with his roles as educator, activist, journalist, and documentarian. Using his own photography, found objects, and appropriated pop culture iconography, he is invested in aesthetic politics and creating tactical interventions within social, cultural, and political contexts. His projects have come in the form of billboards, life size cardboard cut-outs, performances, and multimedia installations. He also makes work that has dual-use: having a presence within both art and non-art spaces. His work has been used as legal evidence, archive, journalism, and for community arts initiatives. The San Francisco Field Office inside the main gallery at 2857 24th Street is the regional headquarters for ICE DISH, a law enforcement agency that was first introduced to the public through a series of posters called "Illegal Superheroes." Stop by the gallery to meet the ICE DISH staff and take a look at their operations.