#iafa

Peyronan

1. Who cuddles up to the other when they are cold?

Ronan. He’s used to living in a situation where he shares a bed with Solène and his father anyway, and, since he moved away, he’s really missed having that added warmth. I think that it was actually one of the harder adjustments he had to make when he abandoned Solène went to Paris. So, actually SHARING a bed with someone again, he’s going to want that connection, he’s going to want that warmth, and it’s kind of instinctual to him. Lazare isn’t used to having contact AT ALL, he’s never really had to share a bed to the same degree (he might have when he was still a young officer/possibly aide de campe to one of The Big Boys because space was limited, especially if we accept that he MIGHT have been the right age to fight in the American Revolution, but, now, as at LEAST a colonel of a regiment? He isn’t going to go for it.) So….it just isn’t INSTINCTUAL for him. He isn’t really used to being touched or having any degree of warmth, and he’s genuinely shocked when he finds himself leaning into Ronan when he cuddles with him. 

2. What do they depend on each other for?  

They both depend on one another for stability as the tension in the streets escalates. Had Ronan survived, they would have relied on one another increasingly for that. (Especially if both had survived past 1794 and the downfall of Danton, Desmoulins, and Robespierre. Ronan would have needed SOMEONE to cling to, and Lazare would have been mourning the Ancien Régime.

Lazare relies on Ronan for affection and emotional intelligence, Ronan relies on Lazare for having someone to pull him back when he threatens to go overboard. 

3. Who forgets everything so the other leaves notes all around the house?

Ronan forgets, Lazare leaves notes, though they don’t really do any good. 

4. Who tells the other they look beautiful everyday?

Both of them routinely go “…whoa,” at times when they see each other. Neither one of them has really LOST that novelty, and there’s very much this sense of “This is my person, I am with them, HOW?” That being said, Lazare tends to keep his admiration for Ronan to quiet moments, generally when he wakes up before Ronan or Ronan falls asleep before him (which is often), and he gets to stroke Ronan’s hair and back while he sleeps, or when he catches Ronan in another rare quiet moment (he would think, years later, how stunning he had been on the Bastille, that last day, sun-glinting off his rifle). He doesn’t outwardly EXPRESS it, not in words or really in any way that is tangible, though Ronan still knows. Ronan’s stupid, yes, but emotionally, of the two of them, he’s smarter, and in some ways, I think he knows Lazare’s emotions better than Lazare does. (And in other ways, he doesn’t, especially relating to Lazare’s complex relationship with the Army/Royal Family.) 

Ronan, though….he KNOWS he married up. Not just in terms of a peasant being with a count (that…doesn’t really compute to Ronan in terms of their relationship. Not that it doesn’t IMPACT them, but in the sense that Ronan doesn’t feel unequal or like he should necessarily be grateful to The Count de Peyrol for “choosing” him. Other people would be flattering, fawning over Lazare and doing everything to stay in his good graces. Ronan doesn’t. Which is exactly why Laz chose him in the first place), but in terms of “Holy *Hell* he’s hot. And smart. And capable. HOW?” It’s like…he thinks of everyone that he could have been with, had he stayed in the Beauce or if he’d gone for someone Camille in Paris, and Lazare is just…several steps above, even if he’s stuffy and formal and emotionally constipated and anal about everything being in order. And he has no restraint telling Lazare what a handsome officer he nabbed for a lover. (Lazare is kind of ???? because…it isn’t necessarily that he has low self esteem, re: his looks, just that they’ve literally never mattered to him before. His main concern has always been “How intimidating can I be?”)

5. Who get stressed out and the other has to calm them down?

Lazare doesn’t SHOW his stress, in the sense that he doesn’t have a paper bag that he huffs into, but he gets much more disturbed when things move outside of what he considers normal. He gets very irritable and stressed if things don’t fit into his special place for them, and he has the tendency to become absorbed in his job. Ronan tends to be the one to bring him down. Generally via what he considers “subtle” seduction. (It is not subtle. At all.) Though a lot of the time, really, that seduction is just wandering over to Lazare’s desk, putting his arms around his midsection, burying his face in his neck, and groaning “Come to bed” like a recently re-animated zombie. After which, barring a national emergency, Lazare will eventually put down his pen and dutifully cuddle with Ronan until he goes to sleep. Ronan’s actually picked up the habit of playing with Lazare’s hair/scratching his head when he’s stressed, which generally does wonders for relaxing him. 

6. What makes them a good couple?

In some core areas, they actually are very compatible. Both of them are in a relationship for the long run. The initial execution might be brief, but when it comes to “Do we actually want a relationship? Or are we going to change our minds a month in?” the answer is yes for both of them (and a “no” to the last question). They’re both committed, like that. Regardless of their arguments, at the end of the day, they are each other’s significant other. Ronan gets into a fight with Lazare, yeah, he might scowl, get drunk, and sleep in a drain somewhere, but he isn’t going to cheat on him out of revenge, and Lazare, at an absolute low, might bluster about how it was a mistake to go for a peasant who couldn’t understand, but he isn’t going to bring someone new in, either. After they’ve both slept on it, they’ll be back in the same room, patch things up, and they’ll be fine. (And Lazare will spend some time making up for the mistake comment.) 

Lazare is high intelligence, in terms of things like common sense and caution, along with more conventional markers like math, geometry, history, etc. (though he isn’t as well education as people, especially Ronan, tend to assume). That being said, he’s stunted in terms of his socialization and has never really LIVED outside of his career. He’s numbed emotionally, and sometimes, I think he doesn’t really know what he’s feeling. I think he knew he felt SOMETHING for Ronan from the beginning, but I’m not sure that he was really, concretely aware that it was attraction and then love until Ronan more or less jumped on him. Ronan is….well, low intelligence in just about…everything, he’s impulsive, but he gets Lazare out of his shell, and he is, generally speaking, more emotionally intelligent than most people give him credit for, and he’s quick at making connections. (Remember how he was able to guess that Olympe worked for the Queen and that the guy he dueled was Fersen, even after about a week of torture? Yeah, he’s not smart, but he’s QUICK.) And Ronan is very, very affectionate, which…for someone as touch starved as Lazare…on one hand, it can definitely be overwhelming and Ronan doesn’t always know his boundaries, but on the other hand…it can be exactly what he needs. He has, basically, a lifetime of touch to make up for. 

Ronan livens Lazare up and can make him act when he would have otherwise been cautious (for better or worse), while Lazare can hold Ronan back; they balance one another out. 

7. Who takes pictures of random dogs and sends them to the other person?

Ronan sends them to Lazare, probably in a not-so subtle attempt to get Laz to adopt one for the two of them. (In the end, he does, and despite claiming that it’s “Your dog,” guess who the dog insists on sleeping with every night? And who can be found stroking it in his lap as he does his morning coffee + newspaper reading. It ain’t Ronan.)  

8. Who laughs at the lamest of jokes?

Ronan. RonanRonanRonanRonan. He both tells the bad jokes and laughs at them. Sometimes, he gets Lazare to quirk a smile, and every single time, it feels like his heart’s going to explode. (It’s an ongoing quest of his: Make Lazare smile.) 

9. Who likes to drive at night?

Lazare. It’s calm at night, less traffic, less noise. It’s easier to concentrate, and it’s easy to simply exist when it’s just him and his meticulously chosen driving playlist. (Depending on whether or not Ronan’s collapsed in his seat yet. Ronan has two modes: “Off” and “On.”)

10. What does their bedroom look like?

Lazare’s own style is naturally very austere and dark. He can survive with a bed, endtable, writing desk, and some place to store his (very limited, for an aristocrat) clothes, and his color scheme tends towards dark blues and silvers, very cold colors. But, once Ronan moves in, things start changing, since Ronan’s style starts coming into play. So, you get that odd mix of those austere colors and then BOOM a vibrant orange chair by the fireplace. Lazare actually had to buy a new bed when he moved Ronan in, since before that, he’d been perfectly content to sleep in a single bed, so they ended up with a four poster, canopy style bed (Laz does like the canopy, because it gives him some privacy). 

Ronan, of course, wanted one like this:

He was, tragically, vetoed, though the lining to the bed IS a vibrant yellow, and the blue is much, much brighter than you’d generally expect from Laz, even if it still looks like something you’d find in Elsa’s ice castle. 

Also, even though they’re very little used, they do both have their own beds. Lazare’s experience of domesticity, as much as he’s ever known it, has been that aristocratic model of the married couple having their own rooms, and it isn’t something he’s REALLY given up for Ronan. Lazare loves Ronan very, very much, but sometimes, he needs his own space.

Ronan doesn’t really understand it, himself, since…again, he’s used to being with his family CONSTANTLY in their old home, but…there is Something in knowing that his relationship with Lazare doesn’t just depend on him being ready and available every night. Like, I think that his worst nightmare, relationship wise, would be turning out to be an expendable toy that Lazare only spends time and money on for a little while after everything Ronan’s kind of put in and sacrificed to be with him (namely, his ongoing guilt at being with the man who killed his father + betraying the revolution by being with him), and this is very clear evidence that, regardless of whether Ronan wants to sleep with him on a given night, they’re together. It isn’t Lazare playing with him, he isn’t a momentary distraction that’s only good for a few nights, they’re living together, and he has this space that’s His that’s totally separate from his relationship with Laz. It’s also where, had Ronan lived, he would have gone every July 24th, when he felt the anniversary of his father’s death hit him head on. For a week or two leading up to that…he loves Lazare, he DOES, he’s utterly devoted to him, but he can’t be around him constantly when his father’s so heavily on his mind, when there will always be those thoughts of “If it hadn’t happened, he would have been 45-50-55-60, he would have been happy” and the loss hits him square in the chest. When he has to reconcile the man he adores with the man he left for Paris to take his revenge on.

Richard/Emma

Because motherfucking Tango Korrupti

1. Who cuddles up to the other when they are cold?

My mind says Emma, because it seems like it’s been ages since her last relationship and she’s probably starved for any real, genuine touch she can get, but my heart says Richard, even if he’d deny it. He just....moves towards her while he’s sleeping until his head is tucked into her neck. 

2. What do they depend on each other for?  

Emma does need Richard to make the cut throat career decisions that she normally wouldn’t make but that are necessary to survive in Hollywood. Also, you can bet that when she’s sick, when she’s on her period, when she’s just in one of those moods that are less than glamorous, less than Star-Like™, Richard’s right there to cover up any tiny smudges and make it seem like everything’s normal. And Richard, for better or worse, is FIERCELY protective of her. And yes, this often goes to extremes, but he does protect her from some of her more adrenaline seeker tendencies, and in an ideal world, that would be toned down to him making her rethink it without necessarily trying to control her. And if a director ever tried to use the casting couch on her or, for example, DO a Quentin Tarantino and force her into an unsafe working condition, I do think Richard would go down their throats. Yes, he wants the money and the prestige, but he can’t get that if Emma’s hurt or traumatized. (Or, at least, that might be what he tells himself at first.) 

In short, Richard can use his innate Karen powers for the cause of good. 

I discuss it a little below, but, Richard can naturally get carried away and become....well, a miniature, American Napoleon. And when he does, Emma’s there to bring him down. He needs her for her star power and her glamor, yes, but he does need her to keep him in line as well. And, it’s odd, but I do feel like Richard himself might need a little bit of a break from Hollywood himself. And he wouldn’t REALIZE it like Emma would, because he’s normalized it. I don’t necessarily want Emma saving him, and I’m not sure that there IS a way to “save” Richard without utterly destroying him as a character, or whether I would be interested in Fully Normal Richard. I do suspect that he could do with some loosening up, if he was willing to take it, and if, while Emma’s trying to find that compromise between Emma Carter™ and Adele Waldvogel, she drags Richard into eating pizza on the living room floor cross-legged, that’s fine with me. 

3. Who forgets everything so the other leaves notes all around the house?

They both leave notes. When they’re having an argument, they can get VERY passive aggressive. 

4. Who tells the other they look beautiful everyday?

Richard. At first, Emma thinks it’s professional (Hell, RICHARD thinks it’s professional, because Richard is an utter MASTER at self deception, see: Macho Macho’s entire existence.) But then as time goes on, it’s like “....Oh, he actually. Does.” Rochard gets PERSONALLY offended if anyone suggests that Emma’s lost it as a star or that there’s anyone else that can take a role. Emma has actually gotten him to change his mind a few times by saying “Yeah, and they said that if they couldn’t get me, they would go for Florence Pugh or Charlize Theron” and Richard just goes into “How DARE they?” mode. 

5. Who gets stressed out and the other has to calm them down?

They both have various ways of getting stressed out, but Richard is canonically always around one step away from an outright panic attack. She keeps a stock of paper bags on hand. 

If they ever have a child....Richard outside the waiting room would be...

6. What makes them a good couple?

This is actually I struggled with, because in canon, as they’re presented, they distinctly WOULDN’T be. Or, rather, at least, not necessarily a healthy one, which doesn’t mean they can’t be entertaining to watch. Richard’s too controlling, while Emma is feeling increasingly disconnected from HER, which Richard has every interest in destroying in favor of her embracing a superficial life, even to the extent of hurting her to do it. 

Now, I’m not saying this in order to ravage it, because I chose this ship for this ask BECAUSE I love it. Simply laying out why it’s difficult to pinpoint why I think that they could actually work, if you rearrange a few things. 

In a world where Emma accepted the Tango Korrupti, where she didn’t get warm and fuzzy feelings awakened by the promise of brown bread and an alps skiing trip, it would be the kind of relationship where they both WORK with one another and what they want. 

Maybe Emma would still fall in love with Josi in this timeline, but they would simply be incompatible, because Emma likes Hollywood, the glitz and the glam, and she can’t manage a long distance relationship with Josi at the same time. So, it comes to her career or him. And she loves him, yeah, but she doesn’t love Adele Waldvogel, or the situation that she left behind, and even though her relationship with Hollywood is complicated, that doesn’t mean she inherently wants to leave it ALL behind. 

Richard’s controlling, and that’s something that would need to be discussed as far as “If I take you back on, I do my own thing. I’ll listen to your advice, but I’m my own person. Take it or leave it.” And there would be quarrels over it, when Emma wants to do something risky (Disneyland nearly gives Richard a HEART ATTACK), but they could reach an agreement. And, in that scenario, it would work, because Richard is cut-throat, he can be ruthless, and he would look out for Emma’s best interests. It would be a case of “us against the world” or, at least “us against Hollywood.” Sure, Emma could become engaged to Pablo, maybe even have a few more relationships on page after the inevitable divorce (though they remain good friends), but in the end, the one who she could really trust would be Richard. Emma herself has a sardonic edge to her, as shown in “Bussi, bussi,” where she freely takes the piss out of LA society, so I can see her and Richard standing on the sidelines to some party, making catty comments. 

And Richard....I actually don’t see that he would necessarily WANT to fall in love with Emma, because she’s a client. That’s bad for business, especially when he needs to advise her on the best relationships to bring in the cash. And Richard’s top priority has always been his money. (Also, I feel like before this, Richard 100% believed he was gay and then it was like “......Bisexuality is an OPTION?”) But Emma’s smart, she’s funny, she’s stunning, and she puts up with no bullshit, and on some level, he HAS to know her better than anyone else does. (He was obviously there for her first breakup, and even though I’m not going to sanctify Richard, because he’s, canonically, a prick...I do like to think that at least a PART of his concern over her being with someone new wasn’t just jealousy or a concern over his money, but him genuinely seeing how much she was hurt.) And Richard probably has seen Emma at some of her least glamorous as well, because his job is really to invent the glamor when it’s not naturally there. 

7. Who takes pictures of random dogs and sends them to the other person?

Emma sends them to Richard, who at first is concerned because what if she’s allergic? What if she wants to get one now? Where would they GET one? What about the mess? And who will let the dog out? After all, if she goes out walking with it, that gives the paparazzi a chance to swarm. Emma points out that dogs are EXCELLENT publicity. 

It’s an Austrian Pinscher, though Richard would SWEAR it bore an uncanny resemblance to Josi. Emma’s thrilled because it’s just like one she used to have as a child. 

8. Who laughs at the lamest of jokes?

I started off leaning towards Richard and ended up on Emma. I feel that when Emma is more relaxed, she has a much, much dorkier sense of humor, it’s just that Emma Carter™ the brand can’t really be seen laughing at lame jokes, she has to laugh at the right ones, usually said by powerful people, and not too long or too hard. I think that the sound of her own, genuine laugh actually surprises her because it’s been so long since she’s heard it. 

9. Who likes to drive at night?

Richard gets very antsy when Emma drives at the best of times, though Emma will point out that people have gotten into car crashes with chauffeurs just as easily as if they’d been driving themselves. LA is hypnotic at night, lit up by all the billboards and late night places still open, palm trees dotting the roads, and it’s easy to think about how far she’s come. When SOMEONE isn’t being a backseat driver.

10. What does their bedroom look like?

For some reason, judging from what I’ve seen of Emma’s design choices as far as her clothing in the musical, I kind of like the thought of her going for black and white designs, with the black serving as a lining to the white. A FEW geometric designs, but nothing over the top. 

Basically, like this, but I do see Emma having a few pink accents in there, possibly swapping out those white pillows for something in hot pink. (The poster would, obviously, be a Quentin Tarantino one.)