Last prom photo before the end of the world (@lesbianranmaru)

seen from United States
seen from United States

seen from United States

seen from United Kingdom

seen from Spain

seen from TĂĽrkiye
seen from United States
seen from United States

seen from United Kingdom

seen from Netherlands
seen from United Kingdom

seen from United States

seen from United States
seen from TĂĽrkiye

seen from Spain
seen from China

seen from Finland
seen from TĂĽrkiye

seen from Italy
seen from Japan
Last prom photo before the end of the world (@lesbianranmaru)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Same.
[Image ID: A digital illustration of Esmeralda, a teenage girl. The drawing is in warm colors. She has red swirls on her cheeks and a buzz cut with star pattering. There is a simple doodle of her on the left and a detailed one on the right. On the left, she has 6 green fairy wings. She has two antennas with green stars at the end of them. She wears a red hoodie with skeleton patterns. She has baggy brown pants and black boots. The stars in her hair are blue. She has orange zigzag patterns behind her.
On the right, she sits on the floor with her right hand covering her mouth. Her visible fingernail is painted purple. She has tiny red dots along her arms. Her eyes are red with green stars. She is wearing a red shirt with lighter red stripes along it and baggy green pants. She has red converse. The stars in her hair are red-orange. She has yellow swirl patterns behind her. The background of the drawing is orange with slightly darker colored wavy lines. /End ID]
everyone say i looooooove you esmeralda
3-2-1-Awwwwwww
A weighted blanket is grand The contraption can give him a hand But Sherlock likes best When he's close to John's chest In a hug that makes his heart expand
Notes on ao3!
The Problem of Thor Bridge Pt 1
Feeling very Temple Grandin in need of a hug machine today
Talk about a niche post

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
When I asked her why one should seek to submit oneself to such pressure, she told me. When she was a little girl, she said, she had longed to be hugged, but had at the same time been terrified of all contact. When she was hugged, especially by a favorite (and vast) aunt, she felt overwhelmed, overcome by sensation; she had a sense of peacefulness and pleasure, but also of terror and engulfment. She started to have daydreams—she was just five at the time—of a magic machine which could squeeze her powerfully but gently, in a huglike way, and in a way entirely commanded and controlled by her. Years later, as an adolescent, she had seen a picture of a squeeze chute designed to hold or restrain calves, and realized that that was it: a little modification to make it suitable for human use, and it could be her magic machine. She had considered other devices—inflatable suits, which could exert an even pressure all over the body—but the squeeze chute, in its simplicity, was quite irresistible.
Being of a practical turn of mind, she soon made her fantasy come true. The early models were crude, with some snags and glitches, but she soon evolved a totally comfortable, predictable system, capable of administering a “hug” with whatever parameters she desired. Her squeeze machine had worked exactly as she hoped, yielding the very sense of calmness and pleasure she had dreamed of since childhood. She could not have gone through the stormy days of college without her squeeze machine, she said. She could not turn to human beings for solace and comfort, but she could always turn to it. The machine, which she neither exhibited nor concealed but kept openly in her room at college, excited derision and suspicion, and was seen by psychiatrists as a “regression” or “fixation”—something that needed to be psychoanalyzed and resolved. With her characteristic stubbornness, tenacity, single-mindedness, and bravery—along with a complete absence of inhibition or hesitation—Temple ignored all these comments and reactions, and determined to find a scientific “validation” of her feelings.
Both before and after writing her doctoral thesis, she made a systematic investigation of the effects of deep pressure in autistic people, college students, and animals, and last year a paper of hers on this was published in the Journal of Child and Adolescent Psychopharmacology. Today, her squeeze machine, variously modified, is receiving extensive clinical trials. She has also become the world’s foremost designer of squeeze chutes for cattle, and has published, in the meat-industry and veterinary literature, many articles on the theory and practice of humane restraint and gentle holding.
While telling me this, Temple knelt down, then eased herself, face down and at full length, into the V, turned on the compressor (it took a minute for the master cylinder to fill), and twisted the controls. The sides converged, clasping her firmly, and then, as she made a small adjustment, relaxed their grip slightly. It was the most bizarre thing I had ever seen, and yet, for all its oddness, it was moving and simple. Certainly there was no doubt of its effect. Temple’s voice, often loud and hard, became softer and gentler as she lay in her machine. “I concentrate on how gently I can do it,” she said, and then spoke of the necessity of “totally giving in to it. . . . I’m getting real relaxed now,” she added quietly. “I guess others get this through relation with other people.”
It is not just pleasure or relaxation that Temple gets from the machine but, she maintains, a feeling for others. As she lies in her machine, she says, her thoughts often turn to her mother, her favorite aunt, her teachers. She feels their love for her, and hers for them. She feels that the machine opens a door into an otherwise closed emotional world and allows her, almost teaches her, to feel empathy for others.
After twenty minutes or so, she emerged, visibly calmer, emotionally less rigid (she says that a cat can easily sense the difference in her at these times), and asked me if I would care to try the machine.
 — An Anthropologist on Mars (Oliver Sacks, 1993)
Brantley: *help help I’m being ambushed!*
Also Brantley: *trying his hardest not to smile*
I like Happy Oliver