In a Chinese metropolis in the throes of feverish growth, three artists who came to paint on the facades of the buildings talk about themselves and explain springs…
In a Chinese metropolis in the throes of feverish growth, three artists who came to paint on the facades of the buildings talk about themselves and explain springs and impulses, visions and desires that give shape to their imaginative designs. Run, Hitnes and Jiamin are three international murals, this time named for the 2018 Architecture Biennale in Shenzhen, a megalopolis with 15 million inhabitants and an ancient fishing village in full metamorphosis. The city is their mirror, the container of inexhaustible visions, the hyperspace of unexpected encounters. Painting in its free and mythopoietic trait amalgamates everything, enters into a relationship with signs and symbols, with humanity frantically engaged in work and with popular beliefs rooted in the smoky slums. Until state censorship arrives invisible in the shadow of skyscrapers and crashes against a non-aligned message, so as to derail the story of "What I do" on unexpected vectors.
