In 1921, Marinetti metaphorizes about the armored car: the overman is over-grafted, an inhuman type reduced to a driving--and thus deciding--principle, an animal body that disappears in the superpower of a metallic body able to annihilate time and space through its dynamic performances. Vain attempts have been made to fit Marinetti's works into various artistic and political categories; but Futurism in fact comes from a single art--that of war and its essence--speed. Futurism provides the most accomplished vision of the dromological evolutionism of the 1920's, the measure of super-speed!
Paul Virilio, āSpeed and Politicsā (1977).
















