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targeted breath 🫁🌬️
when meditating on the breath, focus can be on the head (the nose & throat), heart (the chest), and/or stomach (the diaphragm).
i have been focusing on these zones, taking three breaths, as a simple mindfulness exercise recently.
i've also used this in a sustained form to enter trance.
excerpt from Anatomy of a Witch: A Map to the Magical Body by Laura Tempest Zakroff:
To seek mental clarity and connect with others, breathe into your head.
To gain emotional balance and focus on the task at hand, breathe into your heart.
To foster healing and promote physical well-being, breathe into your belly.
dividers by @strangergraphics
hedgewitchery techniques 🧹🌙
i've been instructed by my spirit guides to not share too much detail about my hedgecraft, but i've been given permission to share some of my recent soul-flight (AKA astral projection) journey as well as describe my practices that i utilize during hedge-crossing and soul-flight. this is not a comprehensive post about hedgewitchery, more so just a collection of thoughts!
The Old Ways Book Review
I've been curious about Joanna Van Der Hoeven's books in the past, but, since they've been about Druidry for the most part, I haven't prioritized them. This book claimed to be about living life as a Hedge witch (hedge riding and spirit flight being arguably the same thing), I thought I would get it since I had birthday money to spend.
⛧─── ⋆⋅☆⋅⋆ ───⛧
Contents:
Synopsis
What I Liked
What I Didn't Like
Overall Thoughts
Conclusion
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"Our cultures offer no guideline for the pioneers of mind-exploration, and this has a very curious effect. When people are expected to produce a trance but have no cultural script that tells them what they should experience, they have to make the trance up. They have to invent a suitable state of mind. Luckily, the deep mind is very good at inventing new consciousness states. Given the right stimuli, it can invent a lot of fascinating trance experiences for you. This is exactly what happens when you experiment with a new trance-technique. Part of your experience will be defined by what you expect and believe."
Seidways, Jan Fries

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"Then, there is the timing of the rite. In Radloffs account, and in the descriptions of other scholars, the shaman first enters a rather wild trance state. Then he picks up the drum and proceeds with the ritual. Uno Harva, quoted after O. Rinne, gives a similar tale from the Burjati people:
The condition of a new shaman grows steadily worse. He ceases to eat and sleep, in the evening and at night he is haunted by ills. He trembles, leaps about and gnashes his teeth. Then his relations hand him the shaman's drum, as accords the old custom, so he may receive the ecstasy of the spirits.
This may surprise some new-age shamans, who tend to assume that shamans drum themselves into trance before they set out to perform super-human feats of healing. Assuredly some shamans may do that, but on the whole most accounts describe shamans who go into trance by means of shaking, swaying and mad behaviour before they even reach for the drum. May I propose that the shamans use their drums to drum the patient and the audience into trance? Certain rhythms are well known to ease the onset of trance in people who listen passively. More so, there is some evidence that patients who enjoy a light trance state recover more easily and that the immune system works better when the patient dozes, day-dreams or floats around in half-sleep. In this sense, the drum, or better, the rhythm, can be considered as a tool that helps the patient into a state where healing happens more easily. I would like to emphasise this point, as certain new-age shamans place far too much importance on the role of the healer. They pretend that the shaman - generally a person who owns a cowboy hat and an ethnic drum - uses the drumming to go into a trance state, in which condition s/he proceeds to work miracles, such as sucking diseases out of the patient or restoring a lost soul. In this model, the god-like shaman heals a patient who has nothing to do with the procedure. Well, a shaman in trance may be well and good, but more important is a patient in trance who gets a chance to reform thinking and belief."
Seidways, Jan Fries
I am a little early with this, but I like to write something about the Rowan tree. The Rowan trees have where I live most of the time their blossoms in May. Later on you see those bright orange berries. I harvest them from a tree that is standing nearby a little stream. We have 4 little streams/crooks here, and if you read history they have always been. I cannot stress you enough to study local history! One day you find out that it fits in your craft. How is up to you, but you will see some day the bigger picture.
For me it is a the Rowan very helpful for protection against spirits and especially when hedgecrossing. Every year I make a new necklace of dried berries on a natural string (I have cotton) for this purpose. When I have a new one, I burn the old one exept one berry. In october/november I bring that one litte berry back to tree and bury it while express that I am thankfull for another year of protection. After that the tree needs some winter rest........When I exactly make a necklace is up to Mother nature: I harvest when ripen and make my necklace.
For doing so I already bring in this time a little offer to the tree, selfmade liquid Bokashi. I return every new moon to bring some and tell why I am bringing my offer. When the berries are ripe, orange and fleshy I harvest just enough for my necklace. I put the berries on a tray and dry them in the sun. Every day I give the tray a little shake with a little incantation. I can't share that, every witch needs to make that on hers/his own. When dried I put a thread to a sharp needle and make a necklace..... and there you have the protecting necklace and hopefully found another ally!
Years ago I was in a little cabin in a wood, la Vosges, France. I stayed there for the night with one of my brothers, we were hiking. It was very small, had a ladder to the first floor and it was one of those huts with a little wood stove.
That cabin stood model for my magic cabin that I have back in my mind. Other witches make a magic circle, I never did. Instead I go after grounding and centering in my mind to that cabin where I changed over the years some things to use it better as my own sacred magic place. It takes some time to change things, in the first months I went every other day to my hut, just before sleeping. At first it is all visualization, but after a while things in your sacred grove starts to get a life of its own.
The door is on the north looking out on a large rock, there are two windows on east and west and in the south there is my wood stove with fire. On the left, in the west is outside a little stream with ice-cold water. If I want to meet an entity I just open my door to invite. At the attic I have 2 chests with books. So I have the elements with me. It became a wonderful place to ride the hedge and learn more. Some potions and magic drinks found their origins over there in my cabin.
Here a muled wine I make sometimes middle in the winter when there is cold and snow:
1 bottle of very tasty red wine, 3 to 6 shot glasses of caster sugar to taste, 1 large stick of cinnamon, 3 sage leaves preferable from your own garden, 6 juniper berries, 1 little biologic orange in slices, 400 ml elderberry juice, 3 shot glasses of cognac, optional 1 shot glass with tea from magic mushrooms
Simmer the elderberry juice to concentrate it. After a while add the wine, the sugar, the cinnamon, the sage, the juniper berries and the orange slices. Simmer it for 15 minutes to half an hour, stir every few minutes. Adding the shot glass with tea is optional. Add the cognac just before serving the drink, serve it hot. I never sieve it but that is optional. You can decide if you stir deosil or widdershins, it is up to you.