#hanagumi

Takarazuka in a Nutshell Takarazuka is a musical theatre company in Japan which only has female performers. It’s kind of like a reverse kabuki that way. It’s located in the city of Takarazuka (hence the name) and is over 100 years old! Which is awesome!

Takarazuka’s actresses are generally known as Takarasiennes (sienne or jenne for short), and are divided into women who play men, and women who play women. This division is made when they first enter the company based on the performers preference as well as their height (there is a minimum height for male-players). Many siennes come from ballet or theatre backgrounds and they audition for the company quite young, and can stay there for a long time.

The siennes who play guys are called otokoyaku (male role players) and ones who play women are known as musumeyaku (daughter role players, yes we know it sounds uncomfortable) and sometimes within the fandom and by other siennes onnayaku (female role players).

The company is divided into 5 troupes - hanagumi (flower troupe), tsukigumi (moon troupe), yukigumi (snow troupe), hoshigumi (star troupe) and soragumi (cosmos troupe) that perform to a schedule you can see on this page on the company’s website. They each have a speciality and character, and generally consist of anywhere between 60-80 members. There is also senka (or senior members), which is a group of some 20 older siennes who no longer perform in a troupe or in every show, but are specialists that are sent along to the other troupes as needed. You can find profiles for all of the current (and many, many past performers) on the fan-made website takawiki.

The Topstar System Each of the five troupes have a Top Star and a Top Musumeyaku, who perform the lead roles in most of the plays their troupe puts on. This couple is the ‘main’ couple of that troupe, and they tend to stay anywhere between 1-5 years depending on a variety of factors, before they retire and are replaced by the people “next in line” – this is a very hierarchical system in which performers climb up the ranks starting from their time in the Takarazuka Music School. Siennes can climb up the ranks by being given important roles, given leads in smaller theatres, or otherwise gaining prominence and popularity through stuff like fan engagement, merch sales, etc. This means also that casting is not generally done by audition and that there is a very limited pool of performers available for each play; you stay in your troupe (unless you're transferred) and you perform with them. Roles are assigned primarily by rank, as well, so you will not soon see a very new performer have a bigger role than someone who has been there for a long time (this is oversimplified, but that what it's an intro for).

Last and current top combis (topstar and topmusumeyaku) & troupe vibes:

Hanagumi Current Topcombi: Towaki Sea and Hoshizora Misaki Previous: Yuzuka Rei and Hoshikaze Madoka

Hanagumi is the oldest troupe of the company (established in 1921), and often considered it’s most traditional because of that. They are specifically known for the coolness of their otokoyaku, and their general aesthetic. Under Yuzuka Rei a lot of focus was placed on dance, and now with Towaki Sea we see a focus on darker stories.

(top: Towaki Sea's 'Castlevania', bottom: Yuzuka Rei's 'Top Hat')

Tsukigumi Current Topcombi: Houzuki An and Amashi Juri Previous: Tsukishiro Kanato and Umino Mitsuki is just about almost as old as Hana (also 1921), and known for their comedic and western musicals, as well as their strong vocals. They were also the first troupe to perform ‘The Rose of Versailles’, which is one of Takarazuka’s flagship shows. Tsukigumi has multiple topmusumeyaku that started out as otokoyaku and switched later in their career (including current topmusume Amashi Juri, and previous topmusume Manaki Reika)

(Top: Houzuki An's 'Golden Liberty', bottom: Tsukishiro Kanato's 'Great Gatsby') Yukigumi Current topcombi: Asami Jun and Yumeshiro Aya Previous: Ayakaze Sakina and Yumeshiro Aya/Asazuki Kiwa*

Yukigumi is the troupe that focusses most on acting, and that is known for their performances of more traditional Japanese shows (nihonmono). In the modern era, they are also most often the troupe that does Manga adaptions (such as Lupin III, City Hunter and recently Berubara). *Ayakaze had two different topmusumeyaku partners, each for 3 shows, and Yumeshiro Aya stayed on with the next topstar after Ayakaze retired.

(Top: Asami Jun's 'Robin the Hero', bottom: Ayakaze Sakina's 'Bonnie and Clyde') Hoshigumi Future: Akatsuki Chisei and Uta Chizuru Current Topstar: Rei Makoto Previous Topmusumeyaku: Maisora Hitomi** Hoshigumi is known for their strong drama and stars with a lot of personality, as well as their focus on aesthetic and costuming. They do a lot of dramatic big-budget musicals and are currently very much the French Musical troupe.  **Hoshigumi is currently in the middle of Rei Makoto's retirement (she just finished her final run in the Takarazuka Grand Theatre and will still perform in Tokyo), but her topmusumeyaku Maisora Hitomi left before her. The next topcombi has been announced, but they have not yet performed a show togeter, and because there is currently no Topmusumeyaku, Akatsuki Chisei is playing a female role in Rei Makoto's final show.

(Top: Rei Makoto and Akatsuki Chisei in 'Ashura', bottom: Rei Makoto and Maisora Hitomi) Soragumi Current topcombi: Sakuragi Minato and Haruno Sakura Previous: Serika Toa and Haruno Sakura***

Soragumi, the youngest troupe by far, is also the most experimental. They have the tallest siennes and also often the most non-traditional shows. Their musumeyaku are often considered slightly less traditionally feminine.

*** Haruno Sakura is staying on as topmusumeyaku. They have only just switched topcombi, so Sakuragi Minato's first show has not yet started.

(top and bottom: pictures from Serika Toa's 'Razzle Dazzle/Takarazuka Love Songs')

The Sumire Code Something which you will run into fairly quickly when you get into the Takarazuka Fandom is the Sumire Code, which is an unwritten set of rules or guidelines for both siennes and fans regarding how to interact with one another. I have a longer explainer of this here.

The basic gist of it really is about respect, specifically for the performers, and also regarding their safety. There are a lot of differing opinions on certain aspects the Sumire code that I won’t get into now, but in general the foreign Takarazuka fandom does try to keep it in mind with regards to their online behaviour. One of what I personally think is one of the most positive aspects of the Sumire code (regardless of any of my other opinions) is the fact that it is intended to protect the privacy of the siennes, and that we as fans are not supposed to bother them or dive into their real lives. Those are their own, and we have no rights to them.  

One important aspect of the Sumire Code that is relevant to online fandom, is that the Hankyu Company is extremely diligent in controlling and protecting their copyright. The blurays are very expensive to buy and if material is posted in public places online, fans can get into a lot of trouble if stuff gets shared around. This can include takedowns on video platforms and other ways in which fans are locked out of being able to engage with the company. This doesn’t only go for video material, but also for the various types of print items the company produces. This results in all of us being careful with what we share, where we share it, and with whom. I know that to some, that can feel a little gatekeepy, but it’s important to understand that it’s really not that we want to keep new fans out, on the contrary, a lot of people here on tumblr and other platforms are doing their best to reach out, it’s just that the way this works limits the easily publically available material for new fans. 

That’s all Real Fun Info, but I Want to Watch Some Shows! Right, so you’re really here to watch some shows, fair enough! Where do you go? I know this in particular can be quite confusing, and sometimes a little difficult.

DVD/BLURAY First of all, you can buy a lot of the discs (dvds or blurays) of musicals that you like, which is imo kind of amazing since we’ve all been collectivel begging broadway/west end to do that for YEARS, so that’s cool. Of course, you don’t just wanna drop a ton of money - but in order to get an idea of whether or not you might like them, you can go to the Takarazuka YouTube channel (see link below) and watch their trailers, info videos, and clips. However, of course you might not have the money to spend on an expensive Bluray or DVD, not everyone has that kind of disposable income, so what else can you do? If you want more detailed info on where to purchase blurays or dvds, there is another explainer for that on @eralkfang's page right here.

SKYSTAGE Takarazuka also has its own TV channel called ‘SkyStage’. Here, they broadcast shows from their vast library of content, and produce a number of behind the scenes features which can be very fun, but unless you live in Japan this is pretty hard to access. Luckily there is, nowadays, a pretty good solution for this! If you ARE however in Japan, I can sincerely reccomend it.

TKZ ON DEMAND You can use Takarazuka On Demand, an online service through which you can rent shows quite cheaply and easily. You do need a credit card and probably a VPN, which I know can sound a little scary, but it doesn’t have to be. The process is relatively simple, and if this is something you want to set up there’s tons of people around that are happy to help you (but don’t ask me, I am technologically challenged and a friend had to do it for me).  Takarazuka On Demand also has a good deal of SkyStage stuff, which means you can find behind the scenes material here too!

FAN STREAMS Finally, if you don’t want to do any of these things, there are a number of us here on Tumblr who are happy to answer your questions, or if you want to see something that you don’t have access to - stream our shows for you. This is generally done in private locked stream rooms, for our own safety, as the company is specifically very strict on content sharing and we would rather not get in trouble. However, if you dm someone politely they will almost certainly be happy to help and to try and arrange a stream in your timezone if at all possible. I know dming strangers can be scary, but I promise we don’t bite. 

However, when you do talk to us, please do so respectfully, and please respect the space you are in. As much as we would love to shower you in glitter, we are not slot machines that can give you content, and we are careful because the company has nuked accounts in the past.

Peoples files and their translations have also been stolen in the past, and when things get spread across the internet nilly willy that can have seirous reprecussions for us.

TL;DR Welcome! Here’s a whole bunch of Takarazuka resources that I bundled so you can find them in one place, please have fun. Please do know that everyone is welcome here! We want people to come hang out, join us, watch things. That’s why we like to stream, we just ask that you treat us with kindness.

Takarazuka is a really fun hobby to have, even if it seems a little complicated. You’ll get the hang of it, and there’s lots of options to watch things in various ways! 

All that to say: Welcome, and enjoy the glitter

Resources https://www.takawiki.com/tiki-index.php Takawiki is an absolutely fantastic resource where you can find information on shows, performers, terms, and a variety of translations!

https://www.takawiki.com/tiki-index.php?page=Glossary+of+Terms Takawiki’s glossary of terms where you can look up a lot of really helpful info to help you wade through all the random Japanese people toss into their posts here.

https://www.takawiki.com/tiki-index.php?page=Sumire+Code The summary post for the Sumire code.

https://www.youtube.com/user/TRCofficialchannel Takarazuka’s official youtube channel, send them some love!

https://kageki.hankyu.co.jp/ Takarazuka’s official website! Here they post news, you can buy tickets if you’re in Japan, ad find out a variety of other pieces of information. They have an English version of the webpage, but the information is a little more limited on there.

https://kageki.hankyu.co.jp/schedule/index.html The yearly performance schedule.

https://www.tca-pictures.net/ This is the Takarazuka merch store online, you can buy merch for shows, programs, magazines, photos and other stuff here.

https://www.tca-pictures.net/skystage/ This is the website of Skystage, you can look around here a bit to kind of see how it works.