#gthings

The good ol rrat: Reimu’s part of the mess lol

Me:

I enjoy watching the news but honestly the whole situation in Gaza is leaving me emotionally exhausted….

There’s so much destruction and death and there’s just no end to it. Isra*l (governments)s bloodlust is never ending.

Families have been decimated, children murdered and just…

The international response has been nothing short of a joke and there’s a lack of action towards this on-going genocide. It frustrates mw to know that despite so much information being right there, there’s no action to demand a ceasefire from Isra*l nor further assistance to Gaza’s people.

My pain is nowhere close to the parent’s who just lost their children nor the children who lost their parents.

I’m just…. Exhausted at not being able to do anything about it from my own hellhole.

Regardless of how my life turns out to be?

I do hope that if there’s such thing as a “next one”, it be as full of joy as the one I currently have.

Hopefully not ...

I don’t mean to be mean but LIKE has been terrible.

I’m no professional critic/writer but I feel like this series tried to grasp too many themes at once and just failed miserably.

1) Like is all about DIVERSITY yet most of episodes:

Focus on those 5 characters

When it comes to the token L(GB)T students they’re mostly writing them trying to get into someone’s pants?? . I discussed this with a bi friend of mine and she couldn’t be more sick of the “they’re 

I may love my son Mauricio but like... WHITE PEOPLE REPRESENT SUCH A SMALL % OF OUR POPULATION. DON’T EVEN GET ME STARTED ON HIM “Growing up in the tough ‘hood” BECAUSE HIS ASS LOOKS LIKE YOUR USUAL MARKHAM COLLEGE KID 

2) Racism??

They used blackface in an episode and I still can’t forget about it

The way they use the “foreigners not being able to speak the language fluently” as sort of a comedic point??

Also this might just be me... but the constant use of the word geisha when referring to Annin just pisses me off.

3) FUCKING ANTONIA

THERE’S ONLY SO MUCH I CAN TAKE OF ROBERTA’S SCENES