Slayer put out one more record before announcing their farewell in 2018, but their true end came almost a decade earlier with World Painted Blood, as it was the last time all four original members played together, to say nothing of it being Jeff Hannemanâs last record.  And although Kerry King claimed that the late guitarist was barely involved in the recording of most Slayer records, usually only recording his solos, there was no denying Hannemanâs value as both a writer and a counterpoint to Kingâs composing style.  As a result, even a track like âSnuffâ, which was written solely by King, was a bit more focused than, say, Christ Illusionâs âFlesh Stormâ or âCatalystâ: it offered Kingâs classic blend of hardcore and thrash, but didnât flail aimlessly, and there was no doubt that Hannemanâs more deliberate writing style pushed King to work a little harder, especially since World Painted Blood was largely driven by Hanneman. Beyond that, âSnuffâ was representative of late-period Slayer, with all the good and bad that entailed, since Greg Fidelmanâs production followed Josh Abrahamâs work on Christ Illusion and tamped down the ferocity in Dave Lombardoâs drumming, while Tom Arayaâs shouting occasionally felt like a panicked attempt at recapturing the wrath of old.  At the same time, Slayer was incapable of not kicking ass, and the track didnât deviate from the course, even if Terry Date wouldâve delivered a far more powerful production and Araya couldâve used a longer break from touring before recording his vocals.  In truth, one could only expect so much from Slayer by this point, and when grading on a curve, âSnuffâ raged with a fury that could only come from this particular group of individuals.