#green reflections

Hey, Heron. Kyoto Garden, 2025 taken by @herlastnamepage ☕ ko-fi

Photobomber. (I was trying to take a picture of the great cormorant behind) London, 2025 taken by @herlastnamepage

There is a huge intersection between the ambient and the classical music. I have no clue why that is so, although it could be that many ambient musicians studied the classical music, but then they abandoned that in favour of the idiom that Eno established. We have already seen that by William Orbit's Pieces In A Modern Style, yet the same soundscape, only journeyed through different means of sonics, can be heard in Biosphere's Shenzhou. Geir Jenssen's project that evolved from your usual house outfit to a frost in the form of a chill-out remained in the latter with the already mentioned release, but it added the ingredients, taken from the pieces by Claude Debussy. Unsurprisingly, they fit the mood of Biosphere like a glove, since Geir Jenssen's tunes always had some traces of classicism in them. We could actually call them the symphonies of the nature, to be honest.