#graphigeek

Whales, dolphins, seals, sharks and a variety of other wildlife that are possibly on the brink of extinct thrive in the gentle blue watercolors cascading on her paper.

Fleur’s drawings reveal the gentle beauty of these creatures, their sheer size mistaken for aggression, and paints them with a curious and playful rendition.  Frolicking in clear blue hues, depicting the sea and sky, the form of these animals become clear. Fleur revels in their majestic stature, while journalling the unique species of whales, dolphins and other aquatic wildlife has become the artist’s speciality.

Jurek creates an elaborate and seemingly endless network of white capillaires that create a mesh of perforated flesh. The fabric becomes the skin and skeleton that holds the artwork upright in its structural composition. Undoubtedly, the architectural framework, at first glance seems spontaneous- the veins reaching out hungrily and spontaneously into each other to become a fibrous monstrosity yet each form is characterized by its the muscular trenches that form at certain points to become a pure reflection of a real limb.

Apptly titled as “Natura Insects”, in this compilation, she composes flower arrangements in the form of various insects, found all around us. The result of using  delicate blooms and leaves is very brightly colored arrangements, exuding  a sense of joy. The best part about her series it that it will remind you how it is now summer and that spring too shall arrive soon, a time of rejoice and effervescence in the natural world.

Animated  GIFs on the internet has been our source of entertainment for the last few years, its endless loop making our eyes stay glued to the screen. But, few GIF creators have decided to take the game one step ahead by making them in 3D.

By carefully placing a couple of white vertical lines, to the moving images, an incredible three-dimensional effect is made. It will make you feel as if the characters are moving from the background to the foreground in the blink of an eye!

The artist creates adorable toast art from colorful ingredients, painting sushi, bananas, cherries, caviar and many more on the spread itself, using jam, mango paste, sesame seed for the desired visual effect. Mori has just began making toast art earlier this year, and has since fallen in love with the process.

Unique to his own signature style, the artist has captured the intense fight that fans of the show are expecting to see next season, where each of the houses are armed and prepared to wage in an epic battle. In the first of the series, Daenerys Targaryen, the mother of the Dragons is depcited with her allies and friends;  she is accompanied by her Dragon, her trusted adviser Tyrion Lannister, Sir Jorah of the Andal, Grey Worm and the others, all sitting on her throne, waiting to take what she claims to be hers.

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In the second, Sansa Stark and Jon Snow, joined by the houses that have sworn to be by their side are seen. To oppose them is standing Cersei, the Queen Regent of the Seven Kingdom, backed up by the Royal Army. And the last digital art has been dedicated to the Night King and his foreboding Army of the Dead, ready to wipe off anyone on their way.

The 19 year old from Malaysia sees the world as if it is a giant blob of magic, where everything and anything is possible. A lone explorer surfs the simultaneous wave with the gigantic whale, where he and his aquatic friend are seen enjoying the tide against the scenic sunset. In another composition, the dots on the deer’s skin are scattered into the night sky, becoming one and the same with the stars shining bright. It is as if Ong is urging us to escape into the otherworldly scenes and to take on the whimsical ride where the line separating surrealism and reality are blurred into one.

Didonato style involves rearranging the regular physique, to be disjointed and dysfunctional from its current reality and then cleanly spliced into the environment. Without expression and interaction, her subjects become props and furniture - an interesting furnishing to trees and walls around the lens.  The notion of the human psyche, without the emotional eccentricities, becomes a far fetched and terrifying existence in Didonato’s visual narration.