'I have made two separate versions of this edition – not because it’s worth saying twice – although it is, but more evidently to do with the colours of two paintings I made on the same subject: one blue, one yellow. I made them some years ago now, experimenting with how colour changes the way in which you read a text: pink for instance suggests levity, same subject in green has more gravity. These of course are primal responses to colour, but hopefully the colours in these editions will combine to create their own context – be it obvious, in which or under which, y’know like a flag, you’ll read the painting in the intended way… And while flags suggest collectivity, the text will have personal associations… of course. And without contradicting myself I hope we can come together here as individuals to say, ‘OK, looks like hate may not be out of date, But this, this is how we feel about it.'

'I have made two separate versions of this edition – not because it’s worth saying twice – although it is, but more evidently to do with the colours of two paintings I made on the same subject: one blue, one yellow. I made them some years ago now, experimenting with how colour changes the way in which you read a text: pink for instance suggests levity, same subject in green has more gravity. These of course are primal responses to colour, but hopefully the colours in these editions will combine to create their own context – be it obvious, in which or under which, y’know like a flag, you’ll read the painting in the intended way… And while flags suggest collectivity, the text will have personal associations… of course. And without contradicting myself I hope we can come together here as individuals to say, ‘OK, looks like hate may not be out of date, But this, this is how we feel about it.'