JK FLESH
Last Friday at The Bug's Pressure night in Gretchen, Berlin
Photos Kevin Martin
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JK FLESH
Last Friday at The Bug's Pressure night in Gretchen, Berlin
Photos Kevin Martin

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Gorgonn -Â Six Paths - absolutely crushing bass music from solo project of Goh Nakada
In Japanese Buddhism, it's believed that when someone dies they are ushered down one of six paths depending on the karma accumulated during their previous lives. A being might end up in the world of humans, animals, demigods, or celestials, but it's also possible to end up reborn as a pitiable hungry ghost, doomed to an existence of insatiable desire, or even worse - be sent to hell, or jigoku. Ruled over by the Japanese lord of death Emma-Ĺ, this hell isn't quite like the Christian hell, it's closer to purgatory, and cleansing the karma can take hundreds of millions of years of excruciating torture in extreme cold or immense fire. Japanese bass alchemist Gorgonn takes these themes as the basis of his debut album "Six Paths", assembling a spiritually weighty set of futurist dubs that consider the possibility that our mortal domain might be closer to hell than we realize. Gorgonn describes himself as a Japalien exile. He left the country of his birth almost two decades ago, and since then has been working tirelessly to formulate Jamaican dub, noise, techno, and no-wave into a sound he calls "sci-fi steppas". If you've not come across his name before, there's a good chance you've heard his reverberations. An established sound tech who's worked with The Bug, Hype Williams, Seefeel and others, he's part of G36 with Kevin Martin, Dokkebi Q with Kiki Hitomi, and a former member of Devilman with DJ Scotch Egg and Bo Ningen's Taigen Kawabe. Just last year he released the acclaimed "Disentegration Dubs" full-length alongside JK Flesh, the veteran producer who's best known for masterminding Godflesh. All this experience blesses Gorgonn's productions with remarkable sonic force, and "Six Paths" is his most crushing display yet, smelting cannonball bass and osmium beats into sharp-edged soundsystem weapons. Voice on track 4 by Koichi Yamanoha Artwork and layout by Akihide Monna All tracks written and mixed by Goh Nakada in Berlin except track 9 mixed by Goh Nakada and Martin Maischein
Gorgonn - Six Paths
Gorgonnâs Six Paths
New JK FLESH date
July 17 â Berlin â Gretchen

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Gorgonn - Floridan Lover / Giant Water Bugs
Just got the is video from the factory in France.... G36(The Bug + Gorgonn ) vs JK Flesh  - Disintegration Dubs has now been manufactured. It ships to the distributor next week, and into the shops asap.... Enjoy the dirt
From The Bugs twitter Â
OUT NOW â G36 vs JK FLESH "Disintegration Dubs"
Heavy as f-ck and deep as hell, this devastating split album gleefully corrupts and corrodes dubâs sunshine reflections. Celebrating rhythm & noise in its dank echo chamber, these demolition dub tracks are built from obsessive studies in distortion, overdrive and seriously ruff textures, amongst an absolutely insane amount of sub-bass level.
âDisintegration Dubsâ is a three way low end collision, between G36 (The Bug aka Kevin Martin/Gorgonnâs rig torturing beat project) and JK Flesh (Justin Broadrick, of Godflesh / Jesu etc). As the album title suggests, this instrumental pile up of floor crawling, sound system crushers, is a clearer sign than ever, that these three producers crave their dub cuts to be mutant and heavyweight, totally damaged and completely atomised. Dub as sonic obliteration.
Anyone previously smitten by Techno Animalâs deeply psychedelic face off with Porter Ricks, on the long out of print âSymbioticsâ, or who worshipped Zonalâs recent rhythmic wreckage via Relapse Records, will surely gorge greedily on âDisintegration Dubsâ. Likewise, newbies, who have snapped up this yearâs âFireâ by The Bug or âNew Flesh in Dubâ by Godflesh, will find endless pleasure within these dread-tech, annihilated dubs and industrial strength steppas rhythms. Echoes of Basic Channel, early Iration Steppas, Public Image Limited or even Andy Stott can be heard within this collectionâs haunted atmospherics and bulldozing rumble. Yet, these three individual producers have obviously found their own recognisably original sound, within these monolithic grooves, and what makes this album so utterly refreshing, is just how well the three disparate sound manipulators complement each other fully, as they collectively set their sights on some shared, relentlessly futuristic sci-fi vision, for a new form of dub. Obviously, Martin as The Bug, and Broadrick with his colossal dubs of Godflesh and his filthy back catalogue of JK Flesh releases, have both long since subscribed to the genre, aesthetic and fragmentation of dub. Meanwhile relative newcomer, Gorgonn, is The Bugâs long time, live soundman, and former bandmate with DJ Scotch Egg in Devil Man, as well as having formed Dokkebi Q with Kiki Hitomi (ex-King Midas Sound), so he is no stranger to the art of deviant dubs eitherâŚ
G36 dropped their appropriately titled debut EP âFloor Weaponsâ, in 2018, on PRESSURE, as well as providing the backing riddim for the first ever release from Jamaican MC phenomena Nazamba, with his startling debut, âVexedâ. Alternately, Justin has previously released seven albums solo, as JK Flesh, that systematically contorted, distorted and completely bastardised techno for labels such as Hospital Productions, Hydra Head and Speedy Jâs Electric Deluxe⌠(Next year will also see a full JK Flesh album on PRESSURE too!)
Mastered by Stefan Betke aka Pole, at Scape Mastering. Artwork by Simon Fowler (Earth, Sunn O))) and Boris art designer). Vinyl release in early 2022 distributed by Cargo UK.