â my mother said i could be anything i wanted â but i chose to live. â (alec)
alecâs house is a lot nicer than her tiny apartment. he keeps inviting her back here. thatâs good, because she would panic if he had to see her apartment. itâs made for her and no one else -Â the boxes of film, the bottles of chemicals to develop film in her approximation of the c-41 development procedure, the plastic tubs and the scattered plants that keep dying on her and the mugs from when she canât bring herself to clean but can bring herself to make tea and the empty plastic water bottles from when she canât even bring herself to do that much. and it isnât that alecâs film is less messy or cluttered.
itâs just that thereâs a difference between a sort of homey clutter, which is what surrounds her now, and the kind of desperate inability to function that pours through in everything she does. florence hasnât done anything how people should since she was young. over time that strangeness has gotten stronger and stronger but sheâs also gotten better at hiding it. now she can project certain things to the outside world. sheâs just anxious, not terrified. she just likes films. she doesnât obsess over it, of the idea of framing everything she can.
and sometimes she thinks alec sees through it. the persona of who florence devall is, something that is both authentic but watered down because it was that or die. in the privacy of her own apartment she can think all the things she sometimes toys with during the day. okay, her brain supplies. it feels like a weight in the back of her skull. okay but what if and hear me out, i promise this isnât as bad as it sounds, but what if you donât think you deserve it? like thereâs choosing but what if you just â
florence stares down at her mug of tea, catching bits and pieces of what might be a reflection in the dark surface. âyou know, back when i was still going to college in boston,â she finally says, and maybe that says enough, still going and boston lifting the statement up, holding implications in their meager syllables, âi had a really bad time. things were bad. i was pretty bad. like iâm not great or anything now but things were worse. i was in a dorm and i couldnât⊠like, leave? i know, i know, depression or whatever, but it wasnât just that. i was keyed up in all the wrong places. or something. itâs hard to describe.â
she could describe it maybe as an image, as a color (the greyish-brown that everything seemed to be, beige and inoffensive but also nothing) or a sound (air conditioning running forever with the same quality, somehow, as static) but not as a word or a sentence or even a book. her sense of self sometimes fails her, here more than anywhere.
she picks at her nails. nervous. âsorry. i donât know why i needed to tell you all that. the, uh, point is, right, that i guess thatâs really brave. to choose that. because i was not choosing that for a while and it was easy to just like, lay there and not choose that? but also not choose anything else. itâs like youâre the caregiver for someone who isnât there any more except the someone is your life and youâre just watching their chest move up and down but the person isnât there any more. and i can say from experience that itâs really hard to bring yourself back from that. so youâre a good person. i guess, or good at being a person.â
she laughs. prods at the knee of her jeans. âsorry. i just said a lot of shit and it usually goes nowhere. iâd probably kick me out after rambling like that so if you do that, i wonât blame you.â














