#germanexpressionist

The monochromatic living room in the Cohen House (1934) on Old Church Street in Chelsea, London, designed by German Expressionist architect Eric Mendelsohn and Russian-born architect Serge Chermayeff. Photo by Ken Kirkwood * #cohenhouse #chelsea #london #1934 #oldchurchstreet #ericmendelsohn #germanexpressionist #sergechermayeff #modernism #modernarchitecture #streamlinemoderne #artdeco https://www.instagram.com/p/B2EX0eTCHpY/?igshid=jnla96nyj5q9

Augustuss Macke- Watercolor -Gwateerman expressionist

#germanexpressionist #cityscape courtesy of the #olympus714pro zoom #nottingham #march #2022 #olympus #omd #em1 (at Nottingham, United Kingdom) https://www.instagram.com/p/CeuNvsaszpx/?igshid=NGJjMDIxMWI=

Max Beckmann, “Film Studio”, 1933 @stlartmuseum #maxbeckmann #filmstudio #germanexpressionism #germanexpressionist https://www.instagram.com/p/CNpwQzCF1r4/?igshid=xezjds8jdsk8

"Die Mütter (The Mothers) from the series, "7 woodcuts on wood" 1924 by German Expressionist artist Käthy Kollwitz. #diemutter #themothers #lacma #losangelescounty #losangelescountymuseumofart #california #californiaart #germany #germanexpressionist #germanexpressionism #kathykollwitz #museum #art #exhibition #vacationmode (at Garvanza, Los Angeles)

Not just #Kadinsky’s broad, #GabrieleMünter was an artist in her own right and one, like so many other #womenartists, is finally getting her due. The #German artist with artistic roots in #Denmark and creative + familial roots in the #US, was also more than a #GermanExpressionist, and more than a #painter. #Prolific #Fearless #Feminist

#Repost @themuseumofmodernart with @repostapp ・・・ The #GermanExpressionist Max Beckmann was born on this day in 1884. Several of Beckmann’s paintings were included in the Nazis’ 1937 "Degenerate Art" exhibition, a show of modern #painting and #sculpture condemned by Hitler. Although Beckmann rarely explained the iconography in his paintings, the triptych "Departure" is commonly regarded as an artistic response to Hitler’s rise to power. ... See more of #MaxBeckmann's work in our collection: mo.ma/maxbeckmann #MoMACollection ... [Max Beckmann. "Departure." Frankfurt 1932, Berlin 1933-35. Oil on canvas, three panels. Given anonymously. © 2017 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn]

#FridayFeature Roy Lichtenstein, The Couple, from the Expressionist Woodcut series, 1980 — Lichtenstein's interest in the German Expressionist theme was inspired in part by his visit in 1978 to the Robert Gore Rifkind Collection of German Expressionist graphic art in Los Angeles, where, in addition to studying the prints, he had a lengthy conversation with the collector about printmaking. Lichtenstein began exploring the vocabulary of German Expressionism in painting in 1979. Lichtenstein used dots sparingly in these compositions, because their effect is not expressionist. Work on the print series began during the winter of 1980. It was Gemini G.E.L.'s first major woodcut project. Lichtenstein remarked, "I want a mechanical image in my prints. But after a while, I was able to achieve that technical quality too easily. Woodcuts resist that. I like the way you have to fight against the bock to get the image you want...It's a real feat to see if you can make a woodcut without getting a woodcut quality.” - Mary Lee Corlett, The Prints of Roy Lichtenstein: A Catalogue Raisonné, 1948-1997, 'Expressionist Woodcut Series', Hudson Hills Press, New York, 2002, page 163 — Artwork information: Roy Lichtenstein, The Couple, from the Expressionist Woodcut series, 1980, woodcut with embossing, 40 1/8 x 36 inches, edition of 50, signed and numbered — #lichtenstein #roylichtenstein #woodcut #expressionist #germanexpressionist #gemini #geminigel #thecouple #couple (at Leslie Sacks Gallery)