George Walker (1922-2018) - Three Songs
Performed by Phyllis Bryn-Julson (soprano) and George Walker (piano)
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George Walker (1922-2018) - Three Songs
Performed by Phyllis Bryn-Julson (soprano) and George Walker (piano)

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Bert Williams and George Walker, ca. 1898. “Williams and Walker,” the most successful comedy team of their time and the first Black team to star in a Broadway musical.
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Aida’s early career was characterized by her long and fruitful period of collaboration with Bert Williams and George Walker, the dominant black vaudeville/musical comedy team of the era. Around the time of Aida and George's marriage in 1899, Williams and Walker began to concentrate on writing and performing full-length musicals rather than stand-alone songs and sketches in the vaudeville tradition. Aida Overton Walker would go on to perform in all the Williams and Walker musicals and ultimately adopt the role of choreographer for their theater troupe.
Bert Williams, born Egbert Austin Williams in 1874, was a celebrated Bahamian-American entertainer, renowned for his work in vaudeville, early musicals, and silent film. He gained widespread fame as a star comedian in the Ziegfeld Follies, becoming the first person of color to achieve such prominence in the show. Despite his success, Williams faced the harsh realities of racial prejudice in America, experiencing segregation even while headlining one of the most popular shows of the time.
Early Career and Partnership with George Walker:
Williams began his career in vaudeville with his partner, George Walker. Together, they achieved significant popularity, particularly for their performances in the musical In Dahomey.
Breakthrough in the Ziegfeld Follies: Williams joined the Ziegfeld Follies in 1910 and quickly became one of its biggest stars. He was the first Black performer to achieve such a prominent role in the show, breaking down barriers in the entertainment industry.
Confronting Racial Prejudice:
While celebrated on stage, Williams faced blatant racism offstage. He was forced to wear burnt cork (blackface) to conform to the prevailing stereotypes of the time and had to deal with segregation in hotels and other public spaces. Despite this, he managed to infuse his performances with humor and style, subtly challenging the stereotypes he was asked to portray.
Impact and Legacy:
Williams's success in the Ziegfeld Follies was unprecedented for a Black performer. He became a cultural icon, admired for his talent and resilience. He was recognized by figures like Booker T Washington, who acknowledged the profound impact of his work in bridging racial divides through entertainment.
Later Life and Death:
Williams continued to perform and star in films, including the unfinished Lime Kiln Club Field Day, which was later restored by the Museum of Modern Art. He struggled with ill health in his later years, particularly with hypertension and lung problems, and died at the young age of 47.

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George Walker (1922-2018)
George Walker (1922-2018) - Sonata for Cello and Piano
0:00 Allegro passionato 7:12 Sostenuto 12:25 Allegro
Sterling Elliott, cello & Evren Ozel, piano
George Walker (1922-2018) - Lyric for Strings
(Chineke ! Orchestra, Kevin John Edusei) ?