#future homes

Salisbury Autistic Care: Creating Inclusive Communities for Individuals on the Autism Spectrum is putting its best foot forward by designing homes best suited for autistic individuals. Efforts are made to provide an environment where those on the autism spectrum can thrive and feel at ease.

In this discussion, we'll explore how Salisbury's real estate sector is designing homes with the latest innovations that prioritize the safety concerns of these individuals.

Let's discover together how the latest innovative homes are reshaping the landscape of inclusive living.

Smart Home Technology: Real estate is focusing on installing homes with smart home devices that can be controlled remotely or automated to perform tasks autonomously. It includes devices like voice-activated assistants (like Amazon Alexa or Google Home), smart thermostats, lighting systems, and security cameras that can greatly improve the autonomy and comfort of individuals with autism. These technologies can be programmed to adjust environmental factors according to the individual's preferences, providing a sense of control and reducing sensory overload.

Communication Apps and Devices: Many autistic people face trouble in communication. However, integrating communication apps and devices within the property can facilitate effective communication. It will help them by assisting in conveying their message to their caregivers. These may include augmentative and alternative communication (AAC) apps, picture exchange communication systems (PECS), or specialized devices that support speech output.

Safety and Monitoring Solutions: Autistic individuals are not much aware of their safety in the surrounding environment. As a result, they may unintentionally engage in behaviors that could put their well-being at risk. Technology can play a crucial role in ensuring their safety. GPS tracking devices, door alarms, and wearable sensors can alert caregivers if a resident leaves the property or enters restricted areas, allowing for timely intervention. Additionally, smart locks and security systems can enhance overall safety within the property.

Sensory Regulation Tools: Many individuals with autism are sensitive to sensory stimuli. The real estate must focus on designing calming sensory rooms with soft lighting, comfortable seating, tactile objects, soothing music or sounds, and visual projections. Interactive projections or immersive virtual reality experiences can provide engaging and customizable sensory experiences, allowing individuals with autism to explore different sensory inputs in a controlled and therapeutic environment.

Data Collection and Analysis: Homes installed with smart sensors can help in tracking daily behavior patterns like sleep patterns, activity levels, or emotional states, providing valuable insights about the individual. This information can be used to create personalized care plans and interventions.

Educational and Therapeutic Resources: Integrating educational and therapeutic resources within autism care properties empowers residents to engage in meaningful activities and skill-building exercises that support their development and enhance their quality of life. Smart home technology helps them to have access to educational and therapeutic sessions that promote learning, growth, and self-confidence for individuals with autism.

Conclusion

Medina Station’s interior was explored as a rudimentary part of The Expanse show, and more is discussed in the books and the upcoming comic series. 

However, as a science writer with a background in physics (and who has an interest in gardening), I wanted to explore more of this possibility of a self-sustaining ecosystem that serves as a crossroads of empires, galaxies, and everything in between. The prairie and fields of Medina’s interior, to say nothing of the residencies that we will explore later on in Far Past the Ring, 

Why are they in a cylinder? Medina Station’s structure is not fan made, it is the actual design that started in season 1 of The Expanse. Originally designed as the LDSS Nauvoo, it was created as a generation ship for the Latter-Day Saints to eventually find a new colony. The ship was designed so that thousands of LDS members could live and survive in space for over a hundred years, until they made it to Alpha Centauri. Things happened, and now it’s a station.

 But the station itself was created, similar to an O’Neill Cylinder (https://en.wikipedia.org/wiki/O%27Neill_cylinder), to create both artificial gravity and a structure that would allow the colonists to farm and live as they traveled.  This is a common trope in many advanced science fiction pieces (you might recognize it from Interstellar and Mass Effect), Additionally, by constantly tilting, it creates not only gravity, but a stronger force, which, though it doesn’t seem like much, does allow for humans to receive adequate amounts of gravity, thus negating the effects of low-g on their bodies that many Belters have faced for generations. 

(Image taken from the subreddit, r/StableDiffusion, an artist's interpretation of Cooper Station from 'Interstellar')

Children born on this station will, most likely, not have the same effects on their bodies that they would in a place with less gravity, which has affected Belters for generation, so much so that many can not survive on a regular planet. This may play a bigger role in the series…you’d better keep reading to find out!

What is the ecosystem like? One of the things Klaes Ashford says that I found especially rueful was the comment about ‘they invented the most advanced spaceship so they could farm like savages’, regarding the LDS settlers who commissioned the construction of the LDSS Nauvoo (which would eventually evolve into Medina Station). Never-freaking-mind that is how humanity has survived for thousands of years: many times, the simplest solution is the best (You’d think Ashford, the most Belter of Belters, would know that!), especially in regards to crop production. 

According to my research–as well as my own personal experience working with indigenous land practices during my time as an AmeriCorps volunteer–creating an environment that nourishes the soil would be best on a landscape in which the most amount of cereal crops can be produced (https://www.fs.usda.gov/inside-fs/delivering-mission/apply/study-prairie-strips-integrated-row-crops-growing-momentum).

(Photo from Sand County Foundation. As a Midwesterner, I can literally SMELL this picture from my computer. It's amazing!)

Thus, a prairie, similar to the ones found in places like Illinois, Wisconsin, and Minnesota–some of the top producing farmland on Earth–is necessary for Medina Station and the colonies that it supports, to survive. This drier climate also allows for lesser amounts of rust and moisture to occur within the station, while the plants still allow for air to be properly filtered. Coincidentally, the aforementioned states are the homeland of the Anishinaabe/Ojibwe people, which will be discussed below. 

Why a prairie? This comes out of my own background, with a brief panache of narcissism. As Naomi mentions in Sky Prairie, Part 4, having a prairie in lieu of trees makes sense (https://www.nationalgeographic.org/encyclopedia/prairie/#:~:text=The%20prairie%20grasses%20hold%20the,wheat%2C%20rye%2C%20and%20oats). The plants are more conducive to creating a richer and more complex soil, necessary for growing crops in space. Additionally, they can still produce a significant amount of oxygen and water, vital for life in this universe and beyond. Finally, by cycling the crops, including that of prairie grass, the soil can continue to be nourished in a fashion that will not exhaust it. This is another reason why cows are forbidden on Medina Station, and even smaller dairy ungulates, such as sheep and goats, are given a bit of side eye from the administration. 

This is also a personal objective for myself, and should be addressed. I am a settler, but I was born, raised, and now live on the historic lands of the Anishinaabe/Ojibwe people, who have lived and worked in this ecosystem of mixed forest and prairie for thousands of years. Interestingly enough, Cara Gee (the actress who plays Camina Drummer) is of Ojibwe descent herself. 

(Image from the Star Tribune)

Although it is not officially canon in the world of The Expanse, in my mind, the Drummer family is of Ojibwe descent themselves. I hoped this would be reflected in multiple aspects of this story. First, the professions of the women–where one is a healer (Tanke Drummer, a physician), one gathers plants (Sjael Drummer, a chemical engineer), and the other is the guiding spirit of her people (Camina Drummer, the president). All are fierce defenders and patriots of the Belt.

Taken from the Keweenaw Bay Indian Community (an Ojibwe community in the Upper Peninsula of Michigan): “Self-discipline, survival skills, loyalty, solidarity, and respect within family are above all individual interests”...a sentiment that is surely reflected in not only the Beltalowda, but amongst Clone Force 99 as well. 

You may also find additional Anishinaabe/Ojibwe words and references throughout Far Past the Ring, such as the names of Camina and Tanke/Sjael’s fathers (‘Aki’ = Ojibwe for ‘Earth’ and ‘Anang’ = Ojibwe for ‘Star’), Tanke’s title amongst her family (‘Niimama’ = Ojibwe for ‘my mother’), and the eagle feather tattoos on the necks of those in the Drummer family who have served the people as either warriors or healers. Certain characters wear embroidery and flowers similar in the fashion of the Ojibwe people as well. 

There could always be healthier representation of indigeneity within science fiction, and I would like to think I’m doing my best here. 

Why are all the buildings made of stucco/adobe? I’d like to think Naomi Nagata does a good job of explaining this, but here’s some more detail.

Stucco is cheap and easy to make, and works very well in a dry environment, like Medina Station’s interior. As metal and plastic might not stand the climate within the station, stucco and adobe, made of the earth from the Hub itself, is a better material to use. Additionally, by being fireproof, it is a safer option to use when the fields need to have prescribed burns on them, a dangerous but necessary step that requires multiple hands on deck, with the watchful eye of Timon Chapelle on top of it all).

The structure’s design is not aesthetic in mindset, to be honest. The Hub is a nucleated settlement (https://en.wikipedia.org/wiki/Nucleated_village), made to not only save the most amount of room for farming and cultivating crops, but also to foster a better sense of community and continuity amongst  the residents within.

(Photo from https://opentext.wsu.edu/)

Ultimately, the Hub is envisioned to look like the Taos Pueblo (https://en.wikipedia.org/wiki/Taos_Pueblo), which, while not a prairie habitat per se (though those have existed–thanks Frank Lloyd Wright!) offers solid dwelling in terms of heating and cooling, ease of supply creation, and a more organic feel to housing that, for many Earthers, is assuring, and for Martians and Belters, a new experience that helps them reconnect with their Terran roots. 

(Photo taken from WTTW Chicago)

The Ziyaret, meanwhile, is also constructed of adobe, but, due to the transitional nature of its residents, does not have the intense communal aspect of the Hub. Instead, it is a reflection of the Islamic roots of the term ‘Medina’, and the nature of movement in human history, making it resemble one of the many mosques and madrassas found within Mali (https://en.wikipedia.org/wiki/Djinguereber_Mosque), constructed as places of safe haven along a perilous trade route. 

(Photo taken from The Guardian)

This Futuristic Complex Will Feature Indoor 'Mega-Trees' And 1,000 Luxury Apartments

CONTENT SOURCED FROM BUSINESS INSIDER

An apartment, retail, and office complex with an abundance of greenery is going up in Cairo, Egypt. Designed by Vincent Callebaut Architectures, the complex - dubbed The Gate - will feature nine cylindrical structures covered in plants, which the designers call “mega-trees.” Construction began in 2014 and will be complete by 2019, Callebaut told Business Insider. The project was commissioned by local developer Abraj Misr.