#forster_em

E.M. Forster, A Passage to India

(1910s English girl confused by experience of the Raj)

Between Two Worlds

Ruth Prawer Jhabvala, Heat and Dust  (Englishwoman contrasts modern India with her aunt"s 1920s experience)

James Clavell, Shogun  (American becomes samurai in 17th-century Japan)

John Le Carre, The Perfect Spy  ("autobiography" of ipper-echelon British spy - and double-agent, trying to discover where his loyalty lies)

Henry James, The Ambassadors  (rich 1900s Americans take "culture" to Europe, find it more civilised than they expected)

Confused Emotions

R.K. Narayan, The Vendor of Sweets  (devout Hindu in rural India dismayed by son"s "progressive" ways)

V.S. Naipaul, A House for Mr Biswas  (Indian Hindu in Jamaica caught between dependence on his wife"s all-engulfing family and his longing to lead his own life)

L.P. Hartley, The Go-Between  (small boy in 1910s England carries love-messages, emotions he only dimly understands)

Paul Theroux, Fong and the Indians  (Indian shopkeeper struggling to survive in rural, tribal Africa)

Willa Cather, My Antonía  (daughter of 19th-century Bohemian immigrants growing up in rural Nebraska)

Imperialism, Good and Bad

Timothy Mo, An Insular Possession  (blockbusting novel about English imperialism in Honk Kong)

James Blish, A Case of Conscience  (should mineral-rich planet be exploited at expense of native inhabitants" life and culture?)

James Blish, A Case of Conscience  (should mineral-rich planet be exploited at expense of native inhabitants" life and culture?)

Rudyard Kipling, Kim  (adventures of Anglo-indian boy in heyday of Raj)

Twilight of Empire

Paul Scott, Staying On  (plight of English in India after independence)

Peter Vansittart, Three Six Seven  (Romanised Britons watching advance of barbarism after 4th century collapse of Roman power)

Morris West, The Ambassador  (Us ambassador in Vietnam, appalled by his country"s action there)

Gerald Seymour, Field of Blood  (underover SAS officer hunts IRA suspect in present-day Belfast)

British novelist (1775-1817)

Austen loved the theatre, and the nearest equivalents to her novels, for pace and verve, are the social comedies of such writers as Sheridan or Goldsmith. The kind of novels popular at the time were epic panoramas (like those of Sir Walter Scott), showing the human race strutting and swaggering amid stormy weather in vast, romantic landscapes. Austen preferred a narrower focus, concentrating on a handful of people busy about their own domestic concerns. Her books are about the bonds which draw families together and the ambitions and feelings (usually caused by grown-up children seeking marriage partners) which divide them. Her plots fall into ‘acts’, like plays, and her dialogue is as precise and witty as in any comedy of the time. But she offers a delight available to no playwright: that of the author’s own voice, setting the scene, commenting on and shaping events. She is like a bright-eyed, sharp-tongued relative sitting in a corner of the room watching the rest of the family bustle.

PRIDE AND PREJUDICE  (1813) Genteel Mr and Mrs Bennet and their five grown-up daughters are thrown into confusion when two rich, marriageable young men come to live in the neighbourhood. The comedy of the story comes from Mrs Bennet’s mother-hen-like attempts at matchmaking, and the way fate and the young people’s own inclinations make things turn out entirely differently from her plans. The more serious sections of the novel show the developing relationship between Elizabeth Bennet, the second daughter, and cold, proud Mr Darcy. Although secondary characters (henpecked Mr Bennet, snobbish Lady Catherine de Bourgh, Elizabeth’s romantic younger sister Lydia, the dashing army officer Wickham and the toady Mr Collins) steal the limelight whenever they appear, the book hinges on half a dozen magnificent set-piece scenes between Elizabeth and Darcy, the two headstrong young people the reader longs to see realizing their love for one another and falling into one another’s arms.

Austen’s completed novels are: Northanger Abbey (a spoof of romantic melodrama, unlike any of her other books), Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma and Persuasion. She also left a number of unfinished works, including The Watsons (completed by Joan Aiken) and Sanditon (finished by Marie Dobbs).

READ ON

Emma (about a young woman so eager to manage other people’s lives that she fails, for a long time, to realize where her own true happiness lies)

Mansfield Park (a darker comedy about a girl brought up by a rich, charming family who is at first dazzled by their easy brilliance, then comes to see that they are selfish and foolish, and finally, by unassuming persistence, wins through to the happiness we have hoped for her) see also pathway

To Pride and Prejudice : Mrs Gaskell, Wives and Daughters Emma Tennant, Pemberley (ripely romantic sequel, not terribly Austenish but fun for Elizabeth/Darcy lover)

To Mansfield Park : Joan Aiken, Mansfield Revisited - the best of many attempts to use Austen's characters and equal Austen's style

To Austen's work in general : Anton Chekhov, Short Stories E.M. Forster, A Room with a View Alison Lurie, Only Children Katherine Mansfield, Short Stories William Makepeace Thackeray, Vanity Fair

The 'taming' aspect of Austen's plots has inspired a library of lighter fiction by others. The best by far -- on occasion (eg in Regency Buck or The Grand Sophy) rivalling Austen's books themselves - are: Georgette Heyer, Regency Romances