Amanda Brugel opens up about her new film "Flashback," as well as what fans can expect from "The Handmaid's Tale" moving into Season 5.
Amanda Brugel Dishes On Her New Thriller Flashback
Now, Brugel is back with her new film "Flashback." Prior to the pandemic, the film was slated for a 2020 release, but the state of the world had other plans. After a long wait, fans can finally dive into the time-bending mystery thriller, which also stars Dylan O'Brien as Fredrick Fitzel. Brugel snagged the role of Fred's ever-understanding boss Evelyn, who watches Fred go down the dark path of a mystery drug called mercury — and possibly time travel.
Looper spoke to Brugel for an exclusive interview, during which she dished on working with O'Brien in "Flashback," revealed how they passed the time on-set, and offered her theory on some of the film's murkier aspects. She also teased the Season 4 finale of "The Handmaid's Tale" and revealed where she wants her character to go in Season 5.
Dylan O'Brien: Defying Hollywood stereotypes
"Flashback" is a wild ride and such a cool movie. What drew you to the role of Evelyn?
I mean, Chris MacBride's script was wild, like you said. I think that's the best way to describe it. And I at first was slightly confused, but also exhilarated, and it was really interesting and I'd never seen anything like it. So really, that was the reason I first wanted to just even talk about doing it. And then I was in L.A. for the Emmys, and Chris called me on the phone, and we just had the most beautiful conversation about the film about life and death. And we shared such similar thoughts on parenting and life and death and losing parents and sort of losing time that I was like, "I have to do this."
What was it like working with Dylan O'Brien?
Dylan is the best. I miss Dylan. I didn't know what to expect. I had seen a couple of the things that he had done, but I didn't know if I was going to get this like, too cool for school Hollywood, young, hot guy. He's so the opposite. He's so generous with his work, generous with everyone on set, and the crew. And he's so funny. I didn't expect him to be that funny, and he really took the material seriously and really wanted to put everything that he could into it. I was so impressed with him, and I didn't really have a lot of time with him. All my scenes are with him, but I didn't. They blocked me out in such a short amount of time that I just, I still miss him.
What the heck is going on with Fred?
This is probably Dylan's most psychological movie yet. And Evelyn is one of the few characters who really tether him to reality. So what was it like getting to watch Fred sort of spiral from a reluctant, moderately well-adjusted office employee to this drug spiral tinged with these fantastical layers?
Well, you know, like I said, a part of my draw to it was that the script was so complex and so complicated, but then having to actually go do that, to be able to achieve the time jumps was incredibly difficult and took a lot of scheduling. So we would ... Poor Dylan would have to change costumes or change whether or not he was broken down or if he was very put together. Because we shot in a very tight amount of time, we would flip back and forth between future to present to sort of some of his hallucinations all in a period of three hours. Dylan was a pro — I'll say that first and foremost. There were a couple of times we both accidentally changed into the wrong costume. We just had to run and change into something else.
And that was stressful. But the parts where he would sort of break down and really spiral were some of the best acting I've seen. There was one part where I almost called cut because I was like, "Is he okay?" Like not the character. Is Dylan okay? He really went for it. And Chris would let him sort of improv and let him roll takes and let him really get to the heart of where he needed to get. So it was exciting to watch. But if you care about your co-star, you are also concerned for their mental wellbeing.
Finding humor during intense scenes
Right, yeah. That was a rough progression. Can you remember anything specific that might've been ad-libbed or added in the moment?
I don't know how much of it I'm trying to think made it in. Just when he flips out in the office, and then he sort of flips out. He threw things. He moved furniture. He screamed at people. He ran about the room, and so every take was different. And so it was great. It was very helpful for my reaction and everyone else's reaction because I genuinely didn't know what Dylan, therefore the character, was going to do. So every reaction was authentic every time.There's a part where I jump, and I genuinely jumped because yeah, I didn't know what he was going to do.
Did you or Dylan do anything between takes to lighten the mood for these intense scenes?
Absolutely. We would go outside. We were shooting in, I think it was a hospital turned into a ... I'm not even sure what it was, but it was just a very cold, large sort of office building. And the two of us as artists, I don't spend a lot of time in offices, so we would go outside and gossip about — I can't tell you what we gossiped about, but we have a lot of friends in common or some friends in common. And so it was nice to sort of just be able to discuss stuff outside of the heavy material that was the movie and also bond and get to know one another and trust one another. So when he had to go to those places, he had a friendly face in the room.
Right. Can you think of anything that might be in the blooper reel or something like that?
Oh, my goodness sakes. No. For myself, when I got scared, I ran into a wall twice, but I don't think that made the blooper reel. I just tried to get out of his way and I ran directly into a wall. But I'm hoping that I didn't make the reel.
I would like to see that.
So would I, because I did it twice. Not once.
That's funny.
Twice and it was the same wall.
The next question contains significant spoilers for "Flashback."
The subtle subtext
So I was getting a bit of a "Game of Thrones" vibe at the end of the movie. Is Cindy supposed to be Mrs. Fitzel? Can you say? Do you have a theory?
I think so. Yes. I personally think so. I think that's why my mentioning the conversation with Chris just about like motherhood, and sort of that is a very strange cycle that has happened throughout his life that I personally think so. I'm not sure, but that's how I read it, and that's how I interpreted it. And when I watched it, that's what I was left with and happy with. Very good, though. I'm glad that you picked that up.
I had to go rewatch that scene three times, and I'm like, "Am I just hallucinating this? Or is this intentional?"
No, I think it was very intentional, but not so obvious that there are audience members that would be disappointed with that or not so obvious that it forces audiences to have one conclusion. I think the thing that I like the most about Chris is that he allows audiences to go away and sort of apply their own story or their own theory to his projects. And I think that's really generous as far as an artist is concerned.
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