May 3, 2016
PULPED premiere poster
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PULPED premiere poster
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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RECIPES FOR DISASTER: SPLICED CRASHES
In this video I have continued to analyse the different steps of a common action events in film; in this case, the car crash. I have divided the different stages up, and will follow up with a key explaining what these stages are.
“PERFECT” MOVIE: VERSION 2 (CROSS-FILM NARRATIVE)
Here I have tried to apply some of the criteria from my “perfect” movie list when sourcing clips for this video; these criteria are: gradual suspense of belief (the film becomes steadily more absurd); adapted from a book or play (all clips included are from films which were); as well as the protagonist demonstrating that they are required to overcome both physical and emotional problems.
“PERFECT” MOVIE: VERSION 1 (”HEATHERS”)
In this video I applied the narrative structure implemented in Michael Hauge’s work, in only a five minute video. This was mainly to test how his theory worked; but I feel this would work better with the use of a Cross-Film Narrative. The film in question does not necessarily possess all (or even many) of the attributes I listed previously in order to make a “perfect” movie.
THE “PERFECT” MOVIE
I compiled a list of characteristics of financially successful movies from data on the internet; these are the guidelines I used to create short 'perfect movies'; movies which possess all of these formulaic characteristics.
THE 'PERFECT MOVIE'
- heroes have two problems to solve: one is more obvious and physical, the other inner and emotional.
- the plot becomes increasingly fantastical (builds up suspension of belief)
- likely to be r-rated
- likely to be adapted from a play/ book, or based on a true story
- unlikely to be a comedy/ musical/ sequel/ remake
- not a summer release
- not a first-weekend box office success
I focussed on only a few of these criteria at a time for each movie, in order to see which ones worked together.
I also worked on a list of characteristics which would be possessed by the 'worst movie'.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
BLUE & ORANGE SPLICING
Following on from my research, I sourced clips in which orange and blue are the predominant colours. This was a predecessor to my beginning to look into how I could try and make a “perfect” movie, and what criteria would fit into this. As colour and not narrative is the focus of this video, it perhaps does not fit with many of the other explorations I have made.
MOVIE FROM OUTTAKES: “PRETTY WOMAN”
This was an experiment in which I attempted to recreate the narrative of “Pretty Woman” using only deleted scenes from the film itself, in a sort of filmic use of negative space. Having used only what was not shown in the film itself, this was also a consideration of ways of getting around copyright laws; would my use of footage be persecuted in the same way were it not from the official cut of the film?
SPLICED SMOKING: VERSION 2
While I previously structured my smoking splice to move through the process of smoking a cigarette, this one manages it more comprehensively, and, I feel, is edited more successfully.