Contemporary theories (part I): turn to design and turn to culture (reading)
Turn to design – G. Cockton: Designing Worth is Worth Designing
Author introduces worth-centred design (WCD) and states clear distinction between fuzzy value(s)-centred design and value-sensitive design which are different and sometimes confused. WCD seeks better solution and uses concept of worthiness, i.e. customer’s motivation to invest time, money, effort etc. After definition of VCD, WCD and key concepts, both, individual and collective discourse, are presented to understand worth.
Because of explicit focus on different types of design and its development one can say the paper is clearly connected to this turn in theoretical development.
Turn to culture – T. Alsheikh, J. A. Rode, S. E. Lindley: (Whose) Value-Sensitive Design? A Study of Long Distance Relationships in an Arabic Cultural Context
In this case study, researchers take ethnographic approach to study how technology is used to maintain partner relationships when one partner is apart from other in larger distance. Sample includes both Christians and Muslims who are living/staying in Arabic countries and abroad. Two phases of semi-structured interview took place using messaging or VOIP service. Second phase of interviews was supported by diaries or their communication behaviour, emotions etc. After description of practices authors are using specific feminist interpretation of results to approach and carefully present context of Muslim culture.
Focus on cultural issues including role of technology and interactions, using Islamist feminist standpoint, implications for value-sensitive design are the main arguments for conclusion this is excellent example of turn to culture.
This research paper was crucial for me in sense of finding research focus in field. After 100 papers and previous modules I cannot clearly say whether I should put this study to HCI, LIS or new media studies. However, I do not see it as disadvantage anymore. This vast and complex environment seems fruitful now.
