which of the triumphs and defeats, the epics highs and lows of Xavier Dolan at Cannes main competition do you most relate to:
2014 - Golden Child Emperor: impressing everyone with your youth and talent, you get sweet kisses from Teutonic titwillow Daniel Brühl.
2015 - Problématique Fève: sitting with the cool kids at the jury table, openly lusting for Jake Gyllenhaal in the most cringe-inducing ways
2016 - Cyberbullying Martyr Icon: facing the most disproportionate and weirdly petty backlash since that time Lana was on SNL, having a meltdown under the perplexed gaze of Mads Mikkelsen
2019 - Forgotten and Ignored: going through a slump, but this time you can't even get anyone to care :(
2023 - Monstre Sacré: going back to universal acclaim, newly annointed short king of la croisette with a Palme d'or-winning Canadian AU self-insert remake of Phantom Thread about a high maintenance artist with mommy issues who encounters a country boy (Orville Peck) who becomes his lover and muse.
Jesus this is art. If only Xavier Dolan were as talented, amirite
Idk though, is it not the entire arc that's devastatingly relatable? Like what's more poignant than starting out as the enfant terrible of the Croisette, getting universal critical acclaim even though at least one of the Coen brothers hates you, getting into an embarrassing internet fight with the same reviewers a few years later as they inexplicably turn on the same material they praised earlier, being inadvertently mocked by Mads Mikkelsen, never really recovering aside from Julia Roberts Cartier commercials and Adele music videos? Is this literally not the human condition?