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Tech N9ne – "MORE FEAR" (Revisión del EP)

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Este es el séptimo EP del veterano Tech N9ne de Kansas City. Acaba de estrenar su vigésimo segundo largometraje ENTERFEAR que acaba de lanzarse en abril y resulta que se grabó tanto material para este álbum en particular, que N9na consideró oportuno lanzar algunos de estos cortes en el primero de 2 EP.

Después de la parodia de "Heist", la primera canción…

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Like a horror film with the third act taken out, Sebastian Hofmann’s “Time Share” throws pebble-sized commentary at a Disney-like conglomerate known as Everfields, imagined right here as a soul-sucking resort in Mexico. It begins with an unsettling picture, of a resort actions coordinator initiating a sack race for a bunch of blissful households, solely to break down in a state of trauma. Leap to 5 years later, inside a shuttle bus taking household man Pedro (Luis Gerardo Mendez) and his spouse and youngster to the identical resort. The title seems in brilliant letters, as if it had been greater than only a title but in addition a punchline. 

“Time Share” takes a much less instant tone after this, regardless of a periodically creepy string rating, ominous pictures of an actual, large lodge, and the overall air that one thing is off. Loads goes incorrect right here for Pedro in contrived methods: his villa has been overbooked with a household of 4 meant to look comically trashy and gross, and he can’t get the kind of respect he paid for when giving this resort his particular time along with his household. The film is just like the fleeting nightmare of an individual who had a horrible expertise at a resort, after which was mortified once they had been supplied a time share. 

Scene by slower scene, “Time Share” unravels all of its promise, with a scope that’s unclear (we’re not likely positive what the resort actually presents, if it is a Disney sort of behemoth or what) and a metaphor about time share soul-sucking that alternates between weak and heavy-handed. Tackling the story from each Pedro’s perspective and that of a employee named Andres (Miguel Rodarte) supplies little momentum, as if the script opted to lose a tighter, singular POV in order that it may double-down on how evil Everfields is to employees and tenants alike. Whereas some odd visions happen (comparable to flamingos, or a blood-soaked laundry machine within the basement), the narrative struggles to construct. The film peddles in paranoia, however is simply too tedious to make a long-lasting impact; even the resort itself appears too poorly operated to be nervous about. 

This regular decline is all of the extra disappointing due to the strong filmmaking and appearing, of which there are impressed moments all through. The camerawork expressively bins in monotonous employee Andres each time it might probably, and Mendez depicts a palpable thought of a world gone mad apart from him, although the plot stretches to make his trip much more terrible. Even RJ Mitte is a pleasant shock as a sort of resort figurehead, his casting underused regardless of a few monologues. The film itself tries to promote you on one thing that it’s not, making for an expertise with little optimistic recollections to take with you.

Coming from Argentina, “The Queen of Worry” is an inventive disaster undertaking, during which an actress is placing on a one-woman present, of which she doesn’t know what will probably be about, although the premiere is days after which hours away. That’s a skin-crawling sufficient idea, a sort of excessive stakes enterprise that appears reckless and curious, however the thoughts of Tina (author, co-director Valeria Bertuccelli) is clearly elsewhere. When her weepy housemaid calls her proper earlier than rehearsal she dashes off; when a long-lost buddy is recovering from most cancers she travels to see him; when an influence outage downside persists and makes her suppose that she’s damaged into, she provides somebody a key to guard her. Her life is in flux, seemingly largely by her personal incapability to seize maintain of her tasks and keep centered. It’s a relatable thought to make sure, however on this case it would not add as much as a notably attention-grabbing movie. 

Written and co-directed by star Valeria Bertuccelli, the film takes on a tedious nature because it supplies little for the viewers to hold onto. Her character Tina is proven to be a strong actress, a lot that she will be able to open a one-woman present with out anybody understanding what it’s about, however we don’t get the sense that she is a good artist, or that her inventive procrastination is value us ready for. It’s like Tina goes by the identical fly-by-night nature of Guido pulling a film out of his ass in Fellini’s “8 1/2,” however Bertucelli doesn’t tie collectively her character’s varied anxieties in the direction of something of specific revelation or fascinating creativity. Bertuccelli herself is extra attention-grabbing in idea than execution as she initially shows a hyperactive thoughts, however settles right into a tedious character. 

A shoulder shrug of a film a couple of shoulder shrugging artist, it will make extra sense if the film itself had been the product of such a flippant manufacturing schedule, with actors not advised what they had been doing till they confirmed as much as set. However “The Queen of Worry” stays so devoted to Tina’s particular anxieties, and it has a pointy sufficient eye, that it’s extra like a rant that doesn’t know tips on how to categorical itself.