An Archive of Our Own, a project of the Organization for Transformative Works
I wrote a Rin/Saber one shot because I've lost control of my life.
"Five years after the Holy Grail War, after finally recreating a miracle. Rin Tohsaka takes her first steps towards a new life, and new ambitions at the clocktower. However she isn't alone, she's ready to make this a new home with her familiar, and lover, the great Artoria Pendragon."
If you wanna watch them being cute in London, go for it.
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The space around him bore the signs of hasty transitions and endless duties: reports, ledgers, and tomes stacked unevenly on the once-immaculate oak desk, a bookshelf crowded with the discarded training daggers heâd only gotten halfway through re-sharpening, the faint smell of stale tea lingering from the cup abandoned by the window â the Front Deskâs assumption that he shared Farahâs fondness for the stuff.
Saul and his students try to navigate a new era of Alfea as he takes on the role of interim Headmaster
read on ao3
My 2024 @winxsource Holiday Exchange gift for a brilliant artist and Saul Silva enthusiast, @astrid-v. Wishing you a happy holiday (and a happy birthday!!!) and I hope you enjoy! xx
can i please request rivusa + first i love you? đ»
Epiphanies were funny things.
You could never really plan for them, nor could you ever really predict what they will be. They can spring on you at any moment. They can happen at any time. Hell, they were one of the most unpredictable and nonsensical things that Riven could ever imagine.Â
They seemed as stupid as miracles in his head, if he was being completely honest with himself.Â
He thought they were bullshit. He didnât waste his time thinking about them. And he certainly didnât count down his days until he had a magical epiphany that would make everything in his life just click together and make sense.
Until now.Â
Out of all the fucking moments the universe could have pickedâout of all the minutes in the day and days in the yearâit had to be this very fucking moment where Riven was hit with the realisation so hard that he could have sworn it winded him.Â
Because amongst the chaos of clashing swords, screaming soldiers and roaring monsters, there was one thing that just felt so abundantly clear.
He loved Musa.Â
He really fucking loved Musa.Â
He was in love with Musa.Â
âRiv, your left!â
It was purely instinct and years of training that had his body moving before the creatureâs claws swiped at him. That had him raising both swords and swiping them downwards until the creature screamed in agony and burst into dust.Â
âStay focused!â Musa barked the order at him, her hair sticking to her sweaty skin and her chest rising and falling with quick pants. Her armour was stained with the blood of their enemies, her cheeks flushed with the rush of battle and he honestly never thought she looked prettier.
âI love you!âÂ
Musa froze before whirling around to face him, lips parted and eyes wide. âWhat?âÂ
âI love you,â he repeated once again, his heart thumping wildly in his chest that he was scared it was going to jump out. But he said with everything he had, he said it like he had never been more sure of anything else in his life and maybe he hadnât been until now.
âRiven,â she said his name in a sigh before she stomped over to where he stood, staff tucked against one side before she reached for his face, pulling his head down until their lips met in a messy but passionate kiss. âYou have shitty timing and Iâm starting to question if you hit your head but I love you too, dumbass.âÂ
His eyes lit up. âYou do?âÂ
âYeah, so survive this so I can tell you again, would you?âÂ
Riven had always fought battles for survival. But now he fought them so he could live, he fought them so he could live with her.
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 1/1
Fandom: Fate/stay night & Related Fandoms
Rating: Teen And Up Audiences
Warnings: Graphic Depictions Of Violence, Major Character Death
Relationships: Original Female Master/Original Female Master, Victorian Era Makiri/Tohsaka
Characters: Original Female Character(s), Original Master(s) (Fate), Matou Zouken, Maxwell's Demon (Fate), Original Male Character(s), Guinevere (Fate)
Additional Tags: Holy Grail War (Fate), Second Holy Grail War, Summoning Circles, psychosexual toxic lesbians, Medical Trauma, Bugs & Insects, Middle Aged Virgins, (kind of), Victorian Attitudes, zeniko is just a bitch who thinks shes better than everyone bc shes nobility/a mage, Emetophobia, someone throws up and its kind of described bc its not actually puke
Summary:
The second Holy Grail War: one so notoriously disastrous it warranted the Church stepping in to prevent similar tragedy.
Zeniko Matou, a disgraced academic seeking to reverse the rot settling into the Makiri name, flees to Japan with her children to be with her role model grandfather who founded the ritual she'd suddenly been selected to take part in. Upon arrival in Fuyuki, she finds that Zouken had accepted an alliance on her behalf with the architect of the war herself: Tsuru Tohsaka.
Zeniko may be a Matou, but Tohsaka is a monster.
===
This is kind of like the first episode of my hgw project! There's more to it than just these two, just saying
Hey folks! As always, Tumblr gets the update first. Time to make a break for Chaldea. [Fate/GO AU â The Kid (pt: 1, ⊠22,23, 24, 25, 26, ?)]{Some spoilers for original Grand Order run/through Temple of Time, vaguer situational spoilers for later arcs}
-
âHowâs it coming?â
I glance up at the beautiful dark-skinned queen above me. Her head is tilted, eyeing the makeshift workshop Iâve essentially pulled out of a steamer trunk.
I wish Iâd gotten the chance to know you better. I guess I should be thanking my lucky stars one of the people here seems to know me at all, though.
âPretty good!â I say, which is true mostly. I bite through a thread, and hold up a little white jacket. âI donât have time to make it very versatile,â I add, thinking about the last one of these I made. About how many. About the first one, too. About the little girl who wore them, and is out there right now, about to wear one for the first time again. âReally, there was only time to focus on its ability to help focus precise magical energy. Iâd prefer to give her something better, but, I guess Iâll have to wait on that.â
Queen Makeda smiles.
âIs it weird?â I ask, genuinely curious.
âProbably,â she agrees happily, âBut which part?â
âThe seeing the future. Thatâs one of the few Caster skills I donât possesses in any form,â I say, âBut, you just looked at the next two weeks. Did you already have this conversation?â
She looks at me very quietly and very thoughtfully. Maybe it was a dangerous question for me to ask? She did say even talking about what is seen, even seeing it, can change the outcome.
But, she blinks, and the smile comes back. âNo, not this conversation. This one is new. âŠIt is weird,â she adds, âwhen I go through one that is not.â
I bet, I think. Huh, so in the events she saw, I didnât ask. She must have said something different afterwords, about not wanting to share too much, which prompted me to ask, whichâMmm, this kind of magecraft makes your head hurt. Best to drop it, for now.
âThey about ready?â I ask, standing up with my coat. For all of this conversation being new, she didnât show up until I was on the last stitch of my mystic code, so some of whatâs happening must be in line with what she knew to expect. ThatâsâŠprobably a good thing, I decide, favoring some optimism.
Queen Makeda nods. âMemory partition went smoothly. That Archer was a caster in life, so while heâs not really good at this, and hasnât done it before, it was easier to explain the theory of the process to him, and get it done, than it would be with your standard Archer.â
âI wonder if he could be summoned as one?â I wonder as I straighten up to follow her, âA caster, I mean.â
âHm. I guess he could,â she says like she doesnât expect it to happen, âHeâs not a normal heroic spirit, though. He belongs to the Counter-Force, so, the rules might just not really apply like they should.â
âSpeaking of,â I say, eyeing the area around us, and finding it blissfully free of other heroic spiritsâI guess theyâve gone to try and help Roman and Ritsuka, âI know why youâre hereâor, on the throne, I guess I should sayâbut what are you going to tell him?â
Queen Makeda eyes me, then looks straight forward. âThat I canât explain it yet.â
âMmmm,â I agree with a smile, âPassing the buck to future you. Godâs best temporary solution.â
That merits a little chuckle.
âAnd you?â she asks. I feel her eyes on me, but keep mine ahead.
âIâve told him I think as much as I can. Right now, anyway. Maybe more of the particulars will help as we go, but..." But I have no idea what the fuck is going on, I think in my head.
Obviously, this didnât happen the first time. Which means this isâŠan alternative timeline? An alternate reality?
Why? I guess I know why Iâve still got my memories, as almost impossible as that is, but. âWhy do you remember?â I ask Queen Makeda.
Out of the corner of my eye, I see her turn her head and raise an eyebrow, and then she faces forward like me as we walk, voice low, so no one we pass might hear. âI put myself on the throne. I make my own rules.â
A simple answer. I canât know her details, but itâs true she chose to become a heroic spirit. Gave up an afterlife of freedom to join us in the shit, because Solomon was lost. I guess itâs easy enough to believe she could at least cut herself a better deal. And if sheâs lying for some reason, and I canât see why she would, I guess it doesnât matter now anyway. If there is one single thing I can count on from the Queen of Sheba, itâs that as long as Iâm with Archaman, sheâs not against me. Something we have in common.
âSo.â I stare forward, let out a breath. One of us has to say it. âWhat is this?â
She pauses in her step. I wait a pace, for her to match my stride again, and she does. She doesnât look over.
âI donât know.â I can hear in her voice she doesnât like the answer. âI shouldnât be here yet, and neither should you. Itâs not our timeline. NoâŠitâs notâŠour first timeline.â
Not our first?
I guess thereâs the semantics of real and not real if you look at it as ours or not.
âSo. An alternate reality?â I hazard. âA singularity?â God, I hope not.
ââŠâ
I steal a look, and the line of her mouth is set. I didnât expect her to look any specific way at all, I think, but somehow, it still wasnât like that.
ââŠIn our worst case, I think we have to consider it could be a LostbeltâŠâ she says finally, voice bitterly sad.
âA what?â I ask, glancing over, brow knit.
She looks back genuinely surprised, and then like sheâs mentally kicking herself. âOh, of course. You died before- âŠâ She lets out a breath, and stops walking. âCould youâŠ?â
I throw up a bounded field for sound, and across the plane of swords, just barely in line of sight, I see Mozartâs head shoot up, and him give me a look. God damn that little Caster is adept at sensing things.
âThe singularities you repaired? The ones Goetia caused? They were made to make the timestream unstable, to destroy things with pinpoint attacks at major events in history. A Lostbelt is a similar concept, but instead of a specific time targeted for its significance, made to cause massive damage to the flow of time and the world as it was, itâs more likeâŠYou know how the basic theory of time itself, is that we stand on a point in a river? Time behind you is set. Youâve done it. But ahead of you, it splits, into billions of possible little streams.â
âEntropy,â I agree, âPeople misdefine it as the state of extant decay, but itâs not. Itâs the lessening of futures, in a sense. Of potential futures. The more defined, final state of something, the lessening of potentials, as the energy of an object is spent from the potential, into the concrete.â
âExactly,â agrees Queen Makeda, âTime can be viewed, in a sense, as just another object experiencing Entropy, experiencing a lessening of potential futures, as the energy for them is transferred from potential, into the existing world around us. A decision tree becoming set. A Lostbelt, is what happened when you died. Itâs a calculated attack on the Earthâor, the original Earthâour Earth. OurâŠeverything: history, lives, everyone who ever lived, everything ever gained, or lost, or sacrificed for, experienced, made. All of it. By going back to an earlier branch on the decision tree of time, as it were, andâwith massive magical costâdiverting the flow of time into a different branch. A âLostbelt.â A world that was lost, that shouldnât be, grown out of a decision that wasnât made.â
ââŠAnd like timeâŠâ I say.
ââŠOnly one branch can, in the end, be chosen,â she finishes with me. Our eyes meet, and I see the weight of it all.
It hurts. I wish to God I was still with Ritsuka. Iâin a sense, no, in two very real senses, both here and there, I am. But, in a sense that hurts me right now, Iâm also not. Not for either of them.
ââŠYou think thatâs what this is?â I ask, gesturing to the world around us. Shit, if it is, thenâŠ? What do we even do? Try to destroy it? IâŠ
I can see Roman, up ahead, talking to Ritsuka. Congratulating her, tapping her shoulder, all excited and goofy and somehow full of hope still, after all the world has put him through. All he knows is waiting ahead, for it to ask of him and take. I canât stand it. Sheâs a baby again, like when I first saw her. Not the young woman I left, whose last expression was horror and pain, who I left alone. The kid, the one who looked at me with the same surprise this one did, when I first met her, and then gave me a grin. Not broken yet.
Theyâre standing by Emiya, and I am struck by the look in his eyes. He must be exhausted. He usually hides it well--âŠhid, it well, in Chaldea. He made food for people. He was like a mom to the kids. But occasionally, in the worst of it, Iâve seen this look on him before. He had it when he was first summoned, and he had it at the Temple of Time; again, in Shinjuku, looking in a broken mirror. Itâs a look like heâs trying to beat himself over an anvil into a shape that can hold up, hold out, just one more day. Something alive and dead, more than any heroic spirit Iâve ever known. I am struck by the look, because I have seen Ritsuka wear its shadow too, after the Temple of Time. I didnât think about it before, but watching her now, without a hint of it on her face, I see its absence in his shadow.
I canât, I think, an agony in my chest, I canât kill them. I wouldnât stand against my own, either. If they were attacked, I would protect them. ButâŠto work againstâŠany Roman, any Ritsuka. I justâŠ
Could the universe really be so cruel? I wonder, knowing the answer, Would you dare to give me such a task after the last one? Could you really do that to him, to her? I look at Roman, Makeda.
ââŠNo,â says the Queen of Sheba.
I turn to her.
ââŠ'Noâ?â
She shakes her head. âI canât rule it out. I know itâs possible, butâŠItâsâŠwrong, too.â
Wrong? âHow so?â I ask, hope starting to spike.
She gives me a sorry smile. âIâm really not sure what specifics itâs safe to tell you, so Iâm not going to share most until weâve made that death-defying jump in your Shadow Border. All I can say is that I donât think itâs a Lostbelt. I donât know, because I only looked two weeks in the future, butâŠâ She considers, bites a lip. âPeople areâŠmissing.â
âPeople are missing,â I echo, trying to guess.
âAnd other peopleâŠare here. Who shouldnât be. Not in a âthis is another time,â or âanother version of time,â way either. ItâsâŠspecific. Targeted, almost. LikeâŠ.â Whatever itâs like, she doesnât say. She looks past me, at some of the civilians, and I turn to look with her. It hasnât even occurred to me that they might be significant, beyond me being glad we saved some people, of course. But, sheâs picking specific ones out of the crowd one by one at lightning speed like sheâs checking her answers on a math problem, and her expression says whatever she expected, she was right.
She turns back to me.
âIâm sorry. Iâll talk to you more, eventually, but.â She shakes her head.
âRight. The jump.â I agree. âWe do need to survive that part.â
She puts a hand on my shoulder. âFor what itâs worth, I donât think this is Lostbelt. I donât think itâs a Singularity either. I think itâs something very, very different.â
âNot an alternate universe then, old fashioned, pure and simple?â I ask hopefully.
She shakes her head, then hesitates and tilts it, thinking. âMaybe, but not pure and simple, if it is.â
âCan youâŠif not with the why, give me a hint at least to the what?â I ask.
She has taken a few steps already, but right at the edge of the bounded field I threw up, she pauses and turns to look at me. She thinks, and thinks again. Then meets my gaze with an expression I donât know a way to describe. âIn a word, âLife.ââ
ââââââââââââ
âYou said that this wholeâŠeverything happening early, you think itâs simultaneity?â says Da Vinci with a grunt of effort on the last word.
Together, she and the Doctor lift a piece of armor plating, and I hold it in place at the top, from on the roof of what weâve got of the car, as Robin attaches it.
Iâm amazed at how strong she is, after the effort all four of them in the memory-transferâŠwalkâŠwhatever it was, expended that hour they did it. Iâve never seen pure concentration leave anyone looking so drainedâfor his part, Emiyaâs barely on his feet. Heâs still going, waving his hands, summoning piece after piece after piece of this thing, with no end, but he looks like heâs about to throw up, and we spirits arenât really supposed to do that anymore.
When theyâd just finished, Da Vinci didnât look a whole lot better, and neither did our two Masters, but sheâs bounced back, hard. So has the Doctorâor, well, heâs putting a really brave face on and doing pretty well at least. My lord has insisted on helping, despite how much we tried to make her rest, but she looks even worse than Emiya, so sheâs been asked to sort the smaller bolts and wires and circuits. Which sheâs doing, with the dedication of a woman restoring a priceless painting.
Sheâs really something, I think, watching her carefully sort parts of the dashboard Emiya has made, hands shaking, but not dropping a single bolt.
I smile. ItâŠfeels a little odd on my face, after the lastâŠIâŠI have no idea how long I was in there, I realize. Time blurred so much with half a neck, I couldnât even guess. But surely weeks, maybe months. Still, everyone else is bouncing back from hardships so dedicatedly, I have to try and not let them down. And, I do feel more and more like my old self. Itâs strange, to be part of a team this big as a heroic spirit, but I am used to it very much from my time alive. It makes me happy to be able to do it again.
âKotarou, can you attach this to the top?â calls up Billy. He tosses some kind of antenna my way, and I catch it, pretty easily find the slot where itâs meant to go, and give him a nod.
âWell,â manages the Doctor, out of breath, as the piece of plating he was securing is welded in place and heâs free to let go, âItâs the only thing that makes senseâwell, no, it still doesnât. But, itâs the closest I can get.â
âI understand that,â says Da Vinci thoughtfully, turning and looking for her next part, and crying out an âAh-ah-ahhhh!â of extreme dislike as she sees Cu Chulainn going past with what I guess is a really delicate piece, and she snags the crystal-looking device from his hands and hugs it to her chest. He sighs in annoyance at her, but shrugs, and goes back to get something different. ââbut,â she continues, turning back to the Doctor, who is on his way now to attaching a hubcap to one of the wheels, âThatâsâŠwell, it isnât how simultaneity works.â
âOh?â says David, sliding half out from where heâs welding part of the undercarriage.
âYes.â She turns back to the Doctor. âSimultaneity doesnât work in events causally connected.â
âThatâs what I thought,â says one of the human civilians. The doctor and Da Vinci both look at her in surprise, having forgotten she was there. I didnât. There were only a few of the humans who had skills that they were able to talk their way into being considered both useful and trustworthy enough to help in building this car, and who Queen Makeda OKâd from her look into the future, and sheâs one of those few. She was also the girl who brought Miss Da Vinci a sketchbook to work on when this plan was pitched, and I noticed back when she did that that there were a lot of schematics drawn on the pad, meaning she must do some kind of scientific work. Sheâs been awful quiet since being handed transistors to affix to part of the cab, but I can tell sheâs been listening.
I donât really think sheâs a threatâI mean, I donât think any of the humans here are. Even if they ordinarily might be, it would be hard for any of them to have an allegiance counter to continuing to be alive. Just, itâs my job to protect my lord, so itâs better to be careful and not need it after all, than ignore potential threats no matter how unlikely, and later wish you hadnât.
âWell,â says the doctor, stopping what he was doing and wiping his forehead with a sleeve. I guess he and Da Vinci reached the same conclusion as me, regarding the young woman because neither one seems deterred in talking by being reminded she exists. âAs a theory, yes. But not if an active force faster than the speed of light is in play.â
The human girl tilts her head, thinking about that.
âDid you catch her name?â I ask Billy and David mentally, since theyâre the two close enough to know who Iâm talking about.
âNoâsorry,â says Billy sheepishly, and a half-second later David very proudly says, âWell I didâIt was Adele.â
Adele, Adele, I think, committing it to memory with the face.
âOkay. SureâŠâ says Da Vinci slowly, considering the point as Doctor Romani goes back to work, âBut in that case, what would that force be? It canât simply be anâŠaberration in perspective, you seeing, or, experiencing events two months before they happen. Either you would have to beâŠliving, or something, at a speed faster than the natural state of existence itself, or he and you would have to be traveling normally, but the incineration itself, would have to be happening at a speed so much faster than light thatâŠâ
He's nodding.
âButâŠthis didnât happen the-â She stops mid-sentence and rolls in her lips in with a whoops look on her face.
He turns his head to watch her.
She gives a âhaha ^u^' â look back. I donât know what either of them are thinking, but after a moment, she sighs, and says, ââŠYou know Iâm from a time in your future. I know from you, that this isnât the way it happened.â
âŠButâŠthen.
ââŠSo, something changedâŠâ he says with interest, brows furrowing. He sets down his wrench and turns, still sitting, to face her.
âNot just one thing. Unless it changed quite a while ago, and it butterfly effected a lot,â she says, voice lower. I can hear her from up top, and David can, Iâm sure, from under the car, but Iâm not sure anyone else could at all, even Adele â maybe Billy though.
ââŠYou couldnât say what?â he asks her.
She thinks, then slowly shakes her head. I am very sure itâs the truth, because she looks so genuinely annoyed by her answer.
âMaybe not as much as I think,â she offers after a moment, letting out a breath. Absently, she tosses the crystal in her hands from resting most of its weight in one palm, to the other. âFor all I know, it felt like this to anyone caught outside in the incineration of humanity. It took a whole year the first time, for it to finish, from Chaldeaâs perspective, once it began. Maybe the only real difference is that you werenât in the same place.â
The Doctor thinks, then nods. âI hope youâre right,â he says, offering her a slightly worried smile, âI think thatâs the best case answer for us all.â He goes back to his work on the tire, and then adds, âI wouldnât worry about the displacement itself as being the root issueâthe entire incineration is based on disrupting time. Of course some things would, or at least could, get severely broken. I think weâre better off trying to figure out the why here. Thatâs the part that worries me.â
Da Vinci nods to herself. She glances at him and watches him fondly, like a family member, and then smiles. âWell, you gave me a lot to think about. Thank you.â
âKeep me posted, if you figure anything oââ
ââOy, lovebirds! He seems fine with a walk and talk, but you gonna stand there with an engine component all day, or get back to it? Weâre on a schedule,â snaps Cu Chulainn as he passes Da Vinci, deeply peeved.
As interested as I am in their conversation, I think Iâm with him on this one. Iâm not sure how much longer Emiya can hold out, and I donât want to find the answer to that the hard way. My Lord looks so hopeful and calm right now, working on her part of the Border, but I still remember the look on her face when we thought it was a bomb, back in the city, and there was nothing we could do about it. I donât want to lose again. Not for this Master.
âSor-ry for breathing for thirty seconds,â says Da Vinci, both very wrong about the amount of time that took, and clearly not actually mad at all. She hefts her crystal and vanishes inside the border after him.
Itâs a lot of work, finishing the border, but with all three of the casters working together, the initial memory-transfer went fast enough that at least we arenât under a time crunch. I meanâw-we are, but, not a worse than expected one. All told, thereâs a lot less panic than I expected from the situation.
I mean, I know Iâm off my gameâIâm still trying to, in an almost literal sense, put my head back on straight. I almost wish the throne took memories passively during a summon right now, because Iâd love to spend less time thinking about the last monthâitâs slowing me down, and I canât be like that. I have to be at maximum efficiency always, for any lord worth serving. And with the entire world at stake?
It'sâŠterrifying. I mean, thank luck itâs not just me, not by a long shot, but this? âŠHeroic spirits are used to threats, but aside from maybe the Counter Force agent, we mostly donât get called in on retainer for End of the World on this scale. I really want to do a good job. And yet, itâs not as bad or as terrifying, as it should be. Maybe because itâs so many of us? I think that at first, but, no. I donât really think thatâs it either. As the Border comes together, and I watch, and work, I think itâs for a lot of reasons. Itâs likeâŠwatching a weaver finish a blanket, pulling on the loom, threads lining up and winding together just right, to make the correct image when itâs finished. Doctor Romani is capable and calm, friendly, a little bit humorous. Itâs hard to imagine a more likable man to follow, even if he doesnât always exude battle confidence. That makes sense to me though, I mean, heâs medical staff. His job is a good bedside manner. His job is to heal.
Wait, thatâs not right, I think, helping Robin lower the last part of the engine into the front while Billy starts to secure it, Heâs not. Not really. But then again, yes, he is. Heâs just a lot of things, now, I guess.
I should be reassured to have what (although he hasnât mentioned it) if my memories from the throne are right, and despite how ruined my head is right now, Iâm pretty sure they are, a Grand Caster with us. Even without his spirit origin, his knowledge alone should be the most comprehensive a person could wish for. But, funny enough, that knowledge is not whatâs helping the most. It helped, sureâhis memory partition idea worked wonders, and the Border, a chain summonâbut itâs his demeanor thatâs making this run smooth. Itâs the Doctor-ness. And he and his new casterâor, Da Vinciâthey work like two shoes in the same set. Even though he doesnât know her, her knowledge of him seems to be enough to find a rhythm immediately, and I guess, him being a former spirit, a relationship only one party remembers being picked up again is hardly news.
On top of that, Ritsuka is great, not just as a master, but she is spending a lot of time working with the civilians. They were angry, and scared, and who could blame them for it? Now, the ones who can help are attaching drive chairs to the Border, and the ones who canât are helping take care of the injured, or keeping the few kids here calm, working out a shift schedule for sleeping, handing out food. I think my new lord would make a great community organizer.
Probably most important, and largely because of her and the first young civilian man who started trying to help her out there, whom I've heard her call Patxi, their mood has changed. Or, maybe their outlook. In only a few hours, theyâve become hopeful, and united. Itâs a real sight.
And then, of course, thereâs the other spirits. It would always be reassuring to have a reliable seer, so the Queen is very welcome, as is her assurance weâre going to make it through this. But the others? Itâs funny. Like they mentioned right before the world ended, they seem to have, except for me, all come in sets. It canât be coincidence. I believe in chance and fate both, a give and take of free will and destiny at war, but I know enough to know when something was happenstance for sure, and when it definitely wasnât. One or two of us would be nothing, but the entire set? Thatâs too much coincidence to be coincidence. Especially with the Doctor pulling his own set immediately here. The Archer, Emiya, and his Lancerâthey know each other. Despite their bickering, Cu Chulainn is like a hawk, trying to make sure the man stays alive, and Emiya always relies on him first, if anyone, in battle. I think maybe they were rivals, based on the sort of strangeâŠfrenemyship, that they have going. Billy and Robin are best friends, excited to be together. And then of course, Salieri and Mozart are tied by life and death both, even by nature, on Salieriâs end. It would be hard for anyone to be more connected, except perhaps David and the Doctor, by blood.
It has been helpful, in a way that cannot be accounted for in any other means. There is a trust that doesnât need building, at least within sets, the ability to predict and work together has at least halved our difficulty and time on most of what weâve been trying to do.
Which leaves me.
I am not at all unhappy to be hereâI am very, very lucky. Not just to be rescued, but, to be working with someone like Miss Fujimaru. ButâŠI donât fit. Iâve met Robin, once, but I donât remember it. I think it must have just been a mage ritual, and probably one of us killed the other. It was nothing of significance. Nothing with grudge, or friendship. Business, and fast, and impersonal, and not one that left anything but an echo on either of our memories. So thenâŠwhy?
As the hours slip past a full day, and into the second, I keep wondering this.
I feel likeâŠthere must be an answer. How can everyone come in sets, but me? How can everyone have a clear purpose here, but me? I see the two new Casters whispering together some, and I hear the Queen of Sheba say something about fate, like a pattern, like a game of chess. I donât hear the context.
But I think. I am always thinking. It is my duty, because I have someone to keep safe.
So, if it is a tapestry someone wove, like my instincts told me, then what thread am I? If it is a game of chess, if there is a reason, or a pattern, or fate. If there is anything at work here, but chance, and I feel so, so deeply certain in my gut that there is, thenâŠwhy me?
I cannot find an answer. I look from every angle. Connection first, then purpose. Billy was the first. Emiya had the reality marble, and got Ritsuka her crest. Robin Hood I am told by Billy, kept Ritsuka alive by figuring out a way to make her invisible, and Cu Chulainn kept everyone alive at Ur Shanabi. Doctor Romani has knowledge. King David saved his life. Mozart made the summons here possible. Salieri saved Mozart. Sheba and Da Vinci are saving us now. So, why me?
I helped, in Mercuryâs battleground. I am helping now. But, would they have needed me? Besides which, if I hadnât been at Mercury, they wouldnât have needed me for help with the aftermath at all. Everyone else was at Ur Shanabi. I was the only reason they went to Mercury. So why? Why me?
Itâs not someâŠfeeling of inadequacy. Iâm an assassin; I know Iâm weaker than most classes, and thatâs okay. I am what I am, and I have my strengths as well as weakness. We all do. Itâs justâŠIâm afraid, that if there is a reason, which there must be, Iâm missing it. And that that is a mistake. That because of it, I will make someâŠerror, in someone elseâs cosmic chess game I just canât quite make out, and it will cost the best master Iâve ever had. ItâŠdisquiets me. So, I keep thinking. I keep thinking, and thinking, and thinking, but I donât find.
A few hours before the borderâs completion, which should land a good ten hours before our deadline, still lost in these thoughts, I feel a tap on my shoulder.
âSorry. Am I in the way?â I ask Da Vinci, who stands behind me.
âYeahâif you could scoot a little,â she says, reaching over and past me onto the dashboard, affixing a screen to it. I duck out of the way and take a step back, reminding myself to finish connecting the wires I was halfway through whenever sheâs finished.
It takes a few seconds, and she straightens up and turns, and as she does she glances at me, then gives me a long once-over.
ââŠWhat?â I ask a little nervously, all things considered.
âNothing,â she says, what sounds honestly, âItâs just interesting.â
Interesting? âMe being here?â I guess.
She begins to step past me, then pauses, glancing past, to the people in the back of the Border, attaching seatbelts to the many, many rows of seats. Maybe, I think, looking for people she doesnât want to overhear.
âYeah,â she says, satisfied by who she sees, or, doesnât, âI told you I know all of you, except the Avenger.â
I give a nod. âIâmâŠsorry,â I think to add, after a second, âThat I donât remember you.â
She smiles. âEh, it hasnât happened to you yet. I donât think you could. Although Iâll be very offended if you forget me now.â She preens happily.
I smile on impulse. A very interesting woman.
âOkay.â Ritsukaâs voice, from outside, and a second later, she steps in. âI think all thatâs left is the protective coating, and the seats, right?â she asks, spotting Da Vinci.
Da Vinci gives a nod. Ritsuka beams, relieved. âWell, and a few wires and such on the dash, but itâs easy stuff left,â adds Da Vinci.
Right. I step past her and resume my own work.
âWhat else can I do?â asks Ritsuka, âShould I help with the seats, or mapping out where people are going to go?â
âMmmm,â considered Da Vinci, âDo mappingâyouâve talked to the civilians probably the most, so youâve got a good idea of family units thatâll put up a fight about being separated.â
âYou got it,â says Ritsuka.
She starts to go, and out of the corner of my eye, I see Da Vinci watching her. âRitsuka,â she calls, when my lord is almost out the door. Ritsuka pauses on the step up, and glances back. âWhat would you say is the reason everyone is working so hard here? You too?â She sounds as if sheâs puzzling something big slowly out in her head.
âThe reason?â echoes Ritsuka, brow furrowing. She starts to answer, but then, seeing the look on Da Vinciâs face, she pauses to think harder about the answer.
Watching her, I feel a flicker inside my head, and Iâm suddenly getting memories that arenât mineâtheyâre hers. I have no skill like this. Maybe itâs the mystic code Da Vinci made for the memory transfer, that sheâs still wearing, linking up on accident somehow, or maybe sheâs thinking so hard sheâs thinking at me on accident, with the link between Servant and Master, I-I donât know, but either way, I see a sudden flood of thoughts like a flurry of snapshots and six second clips.
I see Patxi, who was the first of the civilians inside Blade Works to start helping her, offering her a hand and telling her to stand up and fight for it. I see her memory of Cu Chulainn ready to go ahead and die, because he was free, and Emiya pushing for them to get the Doctor to save him. Salieri, and Mozart, and the things they say to each other all strung together, heavy and light and a little jarring. The way Billy reacted, to what must have been finding Robin in Ur Shanabi, pistol whipping someone into a wall and sliding to a rest by the bed. And then I see her point of view of the way Billy talked to me. It makes the bottom of my stomach drop out, seeing my head half off in that trap in her memory, but she remembers it so much clearer than I do, and thereâs something Iâm deeply grateful to see, in the way Billy looks sick, taking a knee by me. She thinks of what I said to her, when she freed me, like itâs as important as these other memories. I see someone I think is the cowboy, in a trap very different from mine. Then memories of mages, things they said to her at Ur Shanabi about us being dead familiars, followed by a pile of memories of the ways we talk to each other, and to her. It almost breaks me, to see it like this. I donât know if Iâve seen anything as beautiful, since I died, as the way this girl remembers us.
She thinks then of what must be her mom and dad, and a brother, they look so much like her. Eating a meal, fishing, her and the brother play-fighting over a game. And she replays moments of fear, again and again. Some of them I havenât even heard the other spirits talk about. I see monsters, of all kinds, and humans with guns, mages, and threats, and I feel pain as her hand breaks, and sheâs thrown back, as she falls, and the overwhelming terror she felt in the city, when the skyline began to dissolve.
And still. Those memories are tempered, by memories of everyone else here. Of their fear, and of their hope. Adele with her sketch book running up to help, with no idea what monsters who ruined her world we might be. Of Patxi helping her organize. Of the people sharing snacks, and bandaids, and ripping up shirts to hold a broken bone in place with one of the sheathes of a sword from this empty reality marble holding us up as the last bastion on earth.
The moment of connection breaks as she refocuses on Da Vinci, and I cannot look away, nor do I want to. There is a feeling in my chest I didnât know before.
âIsn't it obvious?â says Ritsuka. âTo live.â
.
âââââââââ
.
âPreliminary systems, online!â calls Da Vinci.
ââŠDid you really have to put that right here?â I ask, feeling the most uncomfortable I think Iâve ever felt in my life.
âYES,â comes her absolutely untruthful reply.
I do my best not to look at it as I flip the last of the ignition switches, and slide forward to lock the captainâs chair into jump position. To help power the borderâs calculations, and to operate a jump with as much precision as possible, Da Vinci has constructed and entered some horrible human-sized tank of bio-gel and hooked herself up to this massive apparatus, and the biometrics-to-mechanics streamline I get, but why she had to bolt the damn thing to floor literally three feet from me so thereâs a giant glowing blue vat of scantily clad genius woman looking down on me at all times, I cannot begin to understand. Honestly, at this point, I think she and Makeda both are just having fun kicking the shit out of my walking corpse.
Well, I think, closing my eyes and trying to regain a little composure, At least if we all die in a few seconds, you can look her in the face and say something snippy with your last breath.
Weirdly comforting.
âWonderful! And weâre almost ten hours ahead of schedule!â says my father happily, sliding into the co-pilotâs seat and swiveling it into the lock position beside me.
âGet out of that. Itâs for Makeda,â I say.
âWhat? Why?â he asks, trying so hard to look hurt, âShe canât have any more experience driving a modern vehicle than I do.â
âThe only heroic spirit here with any experience driving modern vehicles is Emiya,â I say flatly, âMakeda can look into the future.â
He clicks his tongue in disappointment and, when he canât figure out how to un-lock the seat, just unbuckles the strap and crawls off over the top.
I put my head in my hands.
âThere, there,â comes Makedaâs voice.
Dammit. Didnât want her to see that.
I feel her hand on my shoulder, a reassuring squeeze, and then she taps the unlock on the seat, and slides into place on my left side, reaching up to flip her array of switches in the same sequence I just set mine.
âThis is your technical advisor speaking,â comes Da Vinciâs voice through the P.A. system sheâs using while inside the biogel vat, âWeâre about to take off for Zero Sail. Everyone, if you could please take your seats, buckle-up, make sure all carry-on objects are stored in the proper bins, and lock your tray tables in the upright position.â
âThat last partâs a joke,â I say, tapping the P.A. button myself, âThere are no tray tables, but please do buckle up.â
The border is using a very basic, but sturdy, space warping spell to be bigger on the inside than its shell. This thing is massive and built like a tank, but itâs hardly a size to accommodate our over 200 passenger loadout, so thank heaven that was already part of the original design.
Beside me, Makeda checks a screen on the console, watching an array of 196 passenger seats to make sure they all indicate safety measures met, plus one in the back, and eight up front, for the heroic spirits and Ritsuka, the captain and co-captain seats for Makeda and me, and then of course Da Vinciâs weird little gel tube. Two-Hundred and Eight. Thatâs all of us, I think as I watch all but the last one, Emiyaâs, lock one by one into flight ready.
âWeâre sure about this?â I ask Makeda, even though I was the one who made this call in the first place.
She nods. âYou could leave him, and have Ritsuka use her last command seal to call him after us, but you donât need it. Running out of energy to sustain a reality marble causes it to end, as does any other means of countering it, such as breaking the userâs cast, or countering it. Dragging the caster into the void sea is an unusual way to do it, but itâll break the cast, and it wonât break the cast until weâre all out of it, because being out of it is what will cause him to drop the reality marble. Just like you said.â
I take a breath. At the very back, I see the light indicating Emiyaâs seatâs flight readiness turn green.
âI saw it, too,â says Makeda, knowing what I was hoping sheâd say.
Itâs weak to want that kind of reassurance. I know it. But the day Iâve hadâŠ
âThank you,â I say, meaning it, and I give her a shaky smile. She returns it, hers like a sunbeam.
âAaaaalright!â calls Da Vinci over the P.A., âPlease stay calm, and at no point try to leave your seats until the ride is over. Keep in mind, this is a hell of journey weâre about to take, and it involves an unrecommended amount of screwing with physics and magecraft, so it is absolutely imperative that if you seem to see yourself leaving your body and floating up, you make the conscious choice to go back down into it! Itâs your body folks. Just keep thinking that, and youâll all be fine.â
âYeah,â I click on the P.A. myself, âUh. This is the resident doctor speaking. Please, do your best to focus on your breathing, and the reality around you. If you feel inclined to shut your eyes, think about the sensation of your hands against the armrests, and focus on that. Please ask the names of the people immediately to your sides, and if they begin to look unwell right after the jump, say their name until you get a response. So long as we do that, I promise, everything is going to be okay. This will be a little bit bumpy, because weâre driving a tank over a hill of swords, but donât worry. Thereâs no physical obstacle ahead. Just stay calm, focus together, and itâll all be alright.â
I feel eyes on me and glance over as I turn off the P.A., and I see Da Vinci looking happily down at me.
Itâs so strange. I truly canât doubt her account that she knows me. Everything about her makes me sure itâs true. But, itâs still strange. Even as a heroicâwellâhaving been a heroic spirit, still, the sensation of someone knowing you deeply, when you donât know them, itâs not a thing you can encounter enough for it not to feel strange to you.
At least it seems like I made a good impression, I think, and I start the ignition.
âHere we go,â I say to Makeda.
âHere we go,â she echoes with considerably more enthusiasm, closing her hands around the co-pilot steering wheel.
I flex my fingers once, then do the same, and hit the gas.
We take off with enormous speed, zero to one-hundred, and I hear shouts and screams form behind me, but itâs surprise, not fear. Theyâre holding together wellâamazingly well, for what theyâve all been through.
The adults are, at least. A few of the children seem to not be taking it so well. I--I wish Iâd had something to give them, to make it easier. If weâd had more time, I-
âOooooH, the wheels on the bus go round-and-round!â a boyâs voice starts to sing at full volume.
I think itâs the Russian boy whoâs been helping Ritsuka so muchâPatxi. The song is absolutely too young to be the mood choice for the age of the kids with us, but every one of them knows it, and after a second, I hear several terrified childrenâs voices, and motivated parents, join in just the same. The space behind me becomes just a blur of sound to me after a few seconds as the engine kicks up a gear and roars, but I can tell itâs worked, and Iâm glad for it.
Thereâs a sudden calmness with the thought. I almost laugh.
She was right, I think, glancing at Makeda as we near our target speed, tearing through these mountains of sand and sword, Of course we were going to make it like this.
âSpeed!â I call to Da Vinci.
âUnderstood! Expanding Void-Reality Observation Device: Paper Moon!â calls Da Vinci through the P.A., âDestination: Chaldea Base, Antarctica! Expanding Logic Formula on the Shadow Borderâs external armor; removing existence verification for Reality Spaceânow! Future Prediction: hypothetically prove mirror world plane in twenty seconds! Relaxing space-time friction decompression for 0.4 seconds. Systems all Green.â
This is it. I close my fingers hard around the wheel and focus on my own existence with every fiber of my being.
âShadow Border, untether from reality! Void Space Dive, Zero Sail: unfurl!â
There is a sensation like one gets if they drive over a hill to quick, or drop fast on a roller coaster, but not just in my stomach. It comes from every direction at once, like a wave of queasiness, and I see myself floating above my body and force myself to focus on going back in. Not. How. Iâm. Dying!
âHolding!â calls Da Vinciâs voice, âZero Sail successful! Emerging again from void space in thirty seconds! Everybody hang tightâweâre almost there!â
This has got to be the most agonizing thirty seconds of my life, I think, trying not to vomit. Despite the abject terror, I feel a strange thrill with it though. Iâm no adrenaline junkie, so it kind of shocks me. I think it must just be that as backed into a corner as I am right now, Iâve felt this way for years now. And this is the first time Iâm jumping into hell with a group of people I trust, to rely on. Somehow, even in the middle of this, that feels good.
Behind me, I heard the song stop when we jumped, and shouts with it, but there is sound from our citizen passengers again. Theyâre doing what I told them. I hear a lot of voices calling a symphony of names and reassurances. I hear Ritsukaâs voice, and Kotarou, just behind me, among them.
Beside me, I look up and see Da Vinciâs eyes practically glowing, a grin plastered on her face. Of course, I think, weirdly reassured by that, How else can a genius get her kicks? Makeda doesnât look any more normal, though. When I glance at her, sheâs also beaming adrenaline rush at the dashboard, fingers dug into the console and eyes sparkling. Aaaand how can a prophet get hers.
I sigh. Well. Weâre doing this.
And somehow, that must be time, all together, because I hear Da Vinci call out:
âAnnnnd, four, three, two, one! Begin jump out!â
The Border makes a horrible sound, but seemingly encouraged by it, Da Vinci calls, âActivating Paper Moon! Initiate planet navigational chart plus/minus convergence. Commencing Shadow Border docking sequence into reality boundary: disengage mirror world plane voyage! âThough the stratum divides, I continue to exist. Reapplying timeflow attraction from Reality Space. 0.09 second difference between target coordinates and current recognitionâhell yes! Almost perfect! Here we go people; Emerging from Void Space! Ten seconds to arrival in Reality Space again!â
There is a flash of light so intense I have to shut my eyes, and the same sickening stomach-drop all along your body sensation as when we went in, and the next second there is a physical thud, and Iâm opening my eyes and fighting for my life to pull the border even as it hits solid ground and drifts, hard, exiting into reality at speed.
âZero sail complete!â comes Da Vinciâs voice, âReality Space entered successfully! Congrats everyone, we lived!â
âAH!â I scream, Makeda with me, as we are greeted with the sight of conference room wall coming up on us at almost two-hundred miles an hour.
WEâRE INSIDE! FUCK! OF COURSE WEâRE INSIDE!! THERE WAS NO WAY TO KNOW THE OUTSIDE IS INTACT! DAMN IT!!
I slam the gas to get traction as I yank the wheel. âTHE DOOR!â I call to Makeda. She gets it and drags her wheel with me, and we barely make the conference room door, flattening six tables and any number of chairs in our way, taking half the door frame with us, and shooting out into the hallway at the most horrible speed possible. We slam the breaks with some room to do it now, but the end of the hall is coming up too fast, and I call out, âLEFT!â as I spot a hallway branch up ahead. We hit it with so much speed weâre driving on the wall for a second as we pull almost a ninety-degree turn to keep from going through the wall, tire tracks on the blue-white, sterile Chaldea Security Base walls. I hear all kinds of sirens going off in the building, and shouts, from inside and out. Oh God, help.
Having foresight I forget in the moment, Makeda slams on the horn as we tear down the hallway, and I see three staff members physically fling themselves through doorways to avoid being roadkill. Shitshitshitshitâ
Weâre down to almost eighty now, and slowing. Where are weâthink! Oh thank heavenâthatâs the hall to the command room up ahead.
âLAY ON THE HORN!â I call, swapping sole driver control to my wheel and dragging us left, hard, and then through a sturdy pair of double doors that thank God arenât locked, and blow open, before slamming the wheel to the side as hard as I can and pulling the break, letting the border drift to a stop in the center of the massive room, destroying two work stations and a massive screen on the way as I wince.
Finally, the horrible thing stops, in the literal smoke of its rampage, on the center of the command room floor.
ââŠDid we survive?â calls Amadeus from behind me.
âYes!â I manage, looking over my shoulder, and then at Makedaâs screen. Seats all still green. âAnyone hurt?â
Thereâs chatter, but no âyes,â so I take that as a good sign, and collapse in relief against my console, turning the engine off.
Thereâs a whoop from Billy, and the entire machine erupts in cheers behind me.
âCongratulations on a successful voyage everyone! Welcome back,â comes Da Vinciâs exceptionally pleased voice from the P.A.
Collapsed and glad to be, I feel Makeda put a hand on my shoulder. âThanks,â comes my muffled voice from through my arm.
âTold you weâd make it,â I hear her say proudly.
Yeah. You did. Have I ever been this tired before? No, I donât think so. We really made it. I stay in my puddle of relieved, exhausted nerves, until I hear someone say, âCan we go out?â, and everything terrible reboots at speed and I shoot up.
âNo! Noâwait!â I call, tripping over myself in my hurry to unbuckle. I get caught going over the seat and have to hop to right myself. âHang on! We uhâwe just tore through the indoor halls of a security organization in an unregistered, military vehicle that sort of teleported inside a bounded field! Let me go out firstâthey know me. I can, uh, talk them intoââ I had been going to say ânot shooting usâ, but thereâs 196 scared civilians staring at me, so I manage, âUhâcooling off about that. Give me a second.â
I hold up a hand towards the passengers, glance back at Makeda and my new Technical Advisor, then walk to the side door.
Oh, Olga Marie is going to have my head for this. I wish Iâd thought about that part and what to say, just a little.
Taking a breath, I open the door.
To my absolute lack of shock, there are about fifty staff members with guns trained on me.
âWait wait! Itâs me!â I call, hands immediately up.
ââŠDoctor Archaman?â call one of them.
He lowers his gun, and I recognize him.
âDuston?â ask, taken aback. W-What is an engineer doing securityâs job fo- âŠ
No, I recognize more than just him. As the others slowly follow suit, I realize I know almost everyone here at a glance. Four of them work in the medbay.
âHow did you get-?â asks Dustin, looking from me to the Border, âWhen did you getâŠ?â
âWhat is going on?â I ask genuinely, taking a step out, âWhere-â
Immediately I am doubled-over by an immense pain in my head, a wave of thoughts and images and feelings that arenât mineâorâthey are? A-Are they? W-what---what isâŠ?
I must have fallen, because the next thing Iâm aware of is my father holding me, trying to help me up, Dustin a foot away now, asking if Iâm alright. I donât know how either of them got where they are.
Whatâs happening, I think, blinking, trying to clear my head, That canât have. W-Which canât haveâŠ?
I look up, and no, my fatherâs really here. That must haveâŠhave all happened. Heâs holding my arm. Behind him, I see the Shadow Border, see Makeda at the top of the steps, with Ritsuka. But then. âŠ
âWhereâs Mash?â I manage as I make it back to my feet, leaning on my father.
âSheâs in her room, resting after the Rayshift,â says Dustin, âLike you told her to.â
Oh no. But. That canât. Thatâs notâŠ
Whatever hit me before, I feel it building up in my head, and I almost lose my footing, dig my fingers into my fatherâs arm to keep upright.
âRayshift?â Da Vinciâs voice. Still wet and barely dressed, I see her in my periphery stepping off the Shadow Border behind me.
I give her a panicked look, kind of hoping somehow she can explain to me what just happened, because my mind is failing to pull an explanation.
âI donâtâŠunderstandâŠ?â says Dustin, looking from me, to the Shadow Border, then at the staff around him. âWho is thatâwho are they? AndâŠSir?â
The pain swells in my head, a barrage now. It feels like the jump in the Border did, when I was looking down at my body, but in reverse. Like Iâm too much jammed in at once. I know whatâs happening then, and simultaneously, I donât.
âI-Iâm sorry.â I manage to find my fatherâs face through the way my head is swimming, and I focus on him. Do my best to lean into him. âI can't explain fast enough. Iâm going to be alrightâI wonât die; donât worry. But I think I am going to faint now, and I might be out for a couple of hours. Thank you.â
I go out with the words like a light, my last thought how hard the floors are here, and that I sincerely hope he will catch me.
Blood tastes like nothing in my mouth; I only know it from its smell:
Sharp, harsh, and routine.
âGot another one not burned out just yet.â The voice is casual, and close, but clipped too. Mercenaries, or military, something with practice and rank and an order. I know heâs talking about me.
âLeave it,â says the leader, âThe more juice we get out of this, the better.â
âYou sure?â asks the first man. I feel a boot nudge my right shoulder. Despite the injury there it aggravates, it doesnât even rate in my head as pain against the background of everything else. âCanât be too careful with a Servant.â
âItâs an Archer,â comes the second voice again. Closer. âTheyâre just like this. Burn out slower than the rest, without a source sustaining them. Itâs not a skill to be worried about. Heâs wonât get up and shoot you.â A gun fires, and I feel a bullet shatter my right shoulder. Usually a human weapon shouldnât do that to me, but heâs not wrong. Iâm all but dead already. And that one, I do feel.
âSee?â comes the leaderâs voice again. âCome on. Weâre breaking camp. Just leave the system up and running. Weâll skim off what we can on the way. Weâll probably get a decent amount, even if theyâre up less than another half hour.â
There are more orders barked, unimportant exchanges, sounds, and a small group moves out around me and leaves.
It becomes almost quiet.
Minutes pass. Just the sound of trees somewhere lush and a little humid. Bugs, some small creatures in the underbrush. And the churning, loud, irritating thud of the engine in their magecraft machine kicking over and over, the thrum of the stakes still operational.
Itâs not just mine, I think slowly, trying and failing, like I have been since waking, to get my vision to clear.Itâs been three fourths of an hour, but still, I can hear the thrum of stakes other than the one through me. He said âanother.â But how many now? I listen, try to hear it past the much louder machine. Focus on frequency. âŠThree. I hear three distinct, operational stakes. There are two more of us still breathing.
Almost as I think it, though, I hear a whir, and a thrumming stake winds down.
One more.
Me, and one other.
I can barely remember what happened. We were summoned into the middle of it. Chaos. Like being materialized into a woodchipper. Sounds and light, magecraft resonating inside my head. I canât imagine what it even was, or why. This isnât supposed to happen. How can they have known?
Itâs what I keep thinking. They didnât summon us. I know, because I didnât accept a contract. I heard no order given to a single one of us, no command seal, no nothing. It was Alaya. I was brought by the world, by the Counter-Force. We all were. So how. How could they possibly know when and where it would drop us?
It isnâtâŠit canât happen. But I canât ignore the fact it has.
And every last one of us, weâve failed.
Me and the other poor bastard here still bleeding out too.
I donât even know who the others were. I didnât have time to know.
They canât have known. You canât set a trap like that at a summon you didnât create. How. How?!
The Counter Force has one fucking job. I am angry with it. It failed here.
Thereâs no point in cursing it, but there is nothing left to do but curse.
How was it so effective?! As many of us as there were, how did that trap account for everything Alaya brought? How can they have known?
Thereâs no point in wondering that either. Thereâs no point in anything. Even this clinging to life.
And still.
Still, wonât any living thing try to survive? Even half living. Even un-alive?
I guess I donât really need a point. I donât usually have one anyway.
I am on my stomach, a rod the width of a tank barrel, clear through my back, about six feet up and another four at least past me into the ground, pinning me. There are sigils in it, sigils in the carved lines on the ground, diverting the magic it leeches out of me to whatever machine is making the thudding fifteen feet off. I canât even turn my head far enough to see past a few inches off the ground. I can only see part of a tent, and two empty poles, where things like me have already died and vanished. The last of us is past my feet, and no matter how I contort myself, there is no way to turn my head to see them. I could call out, I guess, but what would be the point? We will both die anyway. We will both forget this ever happened in a few minutes. I canât even be sure theyâd be awake to hear me in the first place, and the effort would only kill me sooner.
No point at all.
The second to last hum is gone, then, and any decision beyond that is made for me.
Just me, I realize with an emptiness as the air here grows closer to silence and I feel a presence fade completely.
At least once I am gone, it will be quiet here.
For a moment, I blearily watch my arm and hand, the deep gold crackles along darkened skin, like some sick joke, the way it could evoke kintsugi in the mind, and is the opposite.
What was ever the point?
Obstinate despite the impossibility for some reason, I take a breath and reach up behind me with my left arm, until I find the stake. Agonizingly, I force myself to lift the now badly damaged right arm too. Torn up from the summoned, clinging to materialization by a thread, I just barely get both hands up behind my back, and wrap them around the edges of the pillar sucking whatâs left of my materialization away. Itâs sharp. What does it matter, I think, and I pray the kind of prayer someone who doesnât believe in praying anymore gives when facing the barrel of a gun, and I dig my fingers into the cool stone and rip up with all my might.
The pillar slices through my fingers.
I cry out and drag my hands back down, shaking. I feel the tears like a heartbeat in my hand, sharp and ragged. My right hand is severed, only a thumb I can feel left on it now, and as I drag my left back into focus by my head, I see on it the stubs of four fingers and the thumb, cut clean through, and lacerations across the palm that almost sliced it in half completely. I no longer have the appendages to try again.
That really is it, then.
Exhausted, I relax the muscles I still have, and I wait, the thudding of the machine sucking my last dregs of energy away impossible to truly turn out.
My vision blurs, and I let it. Thereâs no reason to expend the energy now, to try. I canât get free, and I canât win a fight. Itâs time to let go.
Itâs only death, I think. Death is hardly a friend, but it is old, and I know it better than even myself at this point. So, I wait as the blood pools.
âŠand wait...
The curse of being an Archer class persists. What must be another quarter hour slips through me, before I begin to see the half a hand I have left turning transparent at last.
Thank God, I think in nothing but exhaustion.
It is then that I hear something coming through the trees. Itâs east, from behind and to the right of me. Before, I could have turned my head, but even that much effort now would kill me. That shouldnât matter, but I am too tired to care.
I wait, and listen.
Movement, branches and leaves, and then footfalls. Not before. Before, it was flying or riding. But about fifteen feet off, it begins to walk.
I can feel energy too. Whatever is coming, itâs strong.
It approaches me from behind, and stops by my back for a moment, then a bare foot steps into my twelve inches of blurry vision, and then another. There are intricate spirals of gold wound around the ankles. I try to look up at their owner, but I no longer have the strength to lift my head.
âOh? Well look at that. Youâre still alive after all. Thirteen heroic spirits, and youâre the last one standing. You must be pretty tough, to survive that long like this, in spite of how you look.â
A womanâs voice.
She takes a knee, and I see dark hair, and find the energy to force my head up by an inch. I still canât see shit, and despite all my effort, I cannot lift my head higher. She reaches down and takes my head in her hand and tilts it for me then, and itâs no longer an issue.
âMm. Youâre in some trouble here, huh?â she asks carelessly.
I glare at her. If I had the strength, I would spit. Sadly, I do not.
âOooh, what a scary look!â says the woman who looks like a blurry, glowy nothing to me with the sun behind her and my eyes failing. Sheâs having fun with this. I really wishI could spit. âYou know, you should be a little more courteous. I was planning on helping you, if you were nice.â
I hate that I feel a twinge of hope at that.
Iâm not stupid. I know sheâs fucking with me. Kicking me around because Iâm helpless, and it disgusts me, but hope is instinctive. Even in me, occasionally. Something in my expression must betray me for a microsecond, because I see the blurry shape of a face smile.
I swallow, which hurts, and give her the most withering look I can, which probably isnât much, about to black out.
âWell, as fun as you are to play with, I think youâre going to vanish if I really take my time. âYou can hear me, yeah? I know youâre basically a walking corpse, but-â She wipes some of the blood on my face back with a palm, leaning closer, and then stops mid-sentence.
Iâm too tired to try and react at all.
âH-Hey, donât actually die, okay! Here.â
I donât really process the words.
She takes my discorporating, shred of a left hand, and I feel something smooth and resonating against my palm as she forces whatâs left of fingers shut around it.
âOkay! No more time to waste messing around!â I hear her voice like an echo as she stands. There is a sudden sharp, awful pain in my torso, and then I yell with a voice I didnât think I still had as the pillar is ripped out of me and up. I hear it thud after enough time to mean she must have launched it several yards somehow, but I canât put more meaning to that past the pain and instinctive jerking of body parts trying to work with a substantial piece of itself missing. I roll onto my side and curl up, fingers closing around the thing placed in my palm and crushing it until I feel it shatter, shards of glass or rock digging into my palm. A massive bust of magical energy accompanies it, rocketing up my arm and into my chest. I feel my about done-in core re-stabilize, body parts re-construct out of new ether, pain subside. And with it, as it repairs itself, my head clears.
After a few seconds, the hole in me closes, and I roll onto my back and take a shaky breath, staring up at cracks of bright blue sky past palm fronds.
âWow, you made it after all,â comes the womanâs voice, pleased.
Iâm exhausted, but with my broken shoulder only cracked now, I push myself up onto my elbows and turn to look.
Sheâs tall, pale, --Japanese, I think, with massive dark brown, almost black hair that floats around her in a nonexistent wind, and glowing gold eyes. She has summoned something like an intricate floating gold longbow the size of a kayak, and is sitting on its curve as if it were a mount.
âHm.â She smiles at me, very proud of herself. âSo, can you walk yet?â
I spit out some blood.
She laughs and flicks a wrist, summoning a glowing red gemstone, which she slings at me with the casual force of a baseball. I catch it on instinct and look down. There are shards of one just like it still embedded in my hand. I can see the shards shrinking as my fingers re-grow, a transitive alchemy. I know what this is, then.
âWhy?â I ask, lowering the hand with the gemstone brimming with magical energy.
âI want a bodyguard,â she says carelessly, leaning forward on the tip of her bow, âAnd you seem capable enough, so long as youâre not dead.â
I raise an eyebrow.
âYouâre a servant. Those jerks with the guns killed all the other ones, and itâs not like I can just go and pick another one up at the nearest mall. My options are limited.â She makes a casual gesture with her hand, all confidence. âYours too, for that matter.â
âYouâre a heroic spirit,â I say. I was too dead to sense before what exactly she was, but I can now. And a high class one, by the feel. Divine, at a guess.
âSo?â she says, âAll that matters is Iâve got enough magic to keep you, me, and a couple more going, if I wanted to. Iâm independent. You need a master.â
âIs that an offer?â I say, a little taken aback. Not unheard of, but itâs not exactly standard for a spirit to bind another spirit to itself.
âObviously,â she says. She hops off her bow and walks over, crouches down with her arms on her knees, and tilts her head at me, hair billowing out behind her. She studies me a few seconds, and her eyes flicker, turn a deep red, and thereâs something about them that I feel strangely towards. Strangely and intensely, like I canât even remember feeling before, ever. Then theyâre gold again, and she breaks her eye contact and shrugs, and Iâm left completely unable to tell what just happened. âSo, are you ready to go?â
I wonder if I even can walk yet.
Probably, if I have to. She wasnât kidding about the quantity or quality of magic in the gemstones sheâs packing, at least.
âWhat makes you so sure Iâll follow you,â I say dismissively, pulling myself up off my shoulders to sit at her level. Ow.
She snorts. âOf course you will. Itâs not like you have any better offers. Plus, you want revenge on the people who did this to you, donât you?â
Yes.
âYou need me at least as much as I need you.â She becomes suddenly flustered. âYou need me more!âI donât need a bodyguard, I just want one! But you, you need not to be dead. So?â
I watch her. SheâsâŠfamiliar, somehow. But I have the memory of a block of wood, now. Even day to day. I wish I at least had a better impression if it was good, bad, or neutral familiar.
âWell?â she prompts, crossing her arms in a huff after about ten seconds of silence.
âYou did a bad job of that. If you wanted to make me be your servant, you should have forced me into a contract before you gave me the gemstones,â I point out.
She clicks her tongue and snorts in disgust. âAnd what kind of bodyguard would that get me? If I made you a thrall, youâd be chomping at the bit to stab me in the back at the first opportunity you could survive! No. You donât want someone with a dagger to their throat as the guy protecting you; the only kind of bodyguard worth anything is one who actually wants to take a blade for you. Or at least is willing to. Anything else is a waste of time. Â Iâd rather have someone owe me a debt any day, than be holding a loaded bow to them. A bow only works until you mess up. A debt sometimes works even after you do.â
There is an inarguable logic to that. Itâs an unusual thing for a person to say, admitting to pragmatism rather than acting out of the goodness of their heart, but then, I guess sheâs not trying to make me feel indebted. Sheâs talking about debt as if itâs a physical object, like the stone Iâm holding. And in its own way, I guess sheâs right. Whatever else is true about her, I think she means what sheâs said, and my personal way of thinking or not, itâs a level of candor I can deal with it. And, I do owe her. Her pointing that out doesnât change it.
âFair enough,â I decide.
I drag myself to my feet, a little unsteady, and she hops up and reaches out a hand like she might catch me, then sighs and deflates as I steady my stance and blink down at my damaged limbs.
âNo wonder youâre taking so long. You donât just hold the gem. You either focus on it and suck the magic out, or you crush it to activate it.â Sheâs pointing to the gem Iâm still holding. âJust holding it wonât do anything.â
I glance down at the red stone, pulsing slowly like a heart in my palm.
ââŠâ When I look up, sheâs watching me carefully. âI have more,â she says, almost a smile playing across her lips this time, âIf you want to hold onto one for insurance, in case you have a reason to ditch me later, thatâs fine, but use one of them so we can get going. Jeeze.â She summons and tosses me another little gemstone, a blue one this time, but with much the same feel to it in my hand. This one, I crush.
The energy surges through me like the pulse of an AED, just like the first, and I feel less severe wounds close, stiffness lift, senses sharpen.
âGood boy,â says the woman, very visibly pleased, âOkay then. Follow me.â
That would usually piss me off to a violent level, but the woman doesnât reek elitism when she talks. Just a careless, playfulness, like this is a game we are both playing, and she is quite enjoying. She floats back up to her giant bow, and begins to ride it casually. I decide to let being talked to like a dog slide, all things considered, and fall into step just behind and to the side.
Very strange, how things turn outâŠ
âWhat do I call you,â I ask after a moment. Thatâs strange, too. Usually, I wouldnât feel the need to ask someone that. MaybeâŠmaybe I did meet her before, on another summon. It wouldnât be a surprise. I barely remember any of my own life. Iâm lucky to know my name. Every summon is a blur. All but one, which I wish I could forget. Still, I donât have nothing. Even I get echoes here and there.
âIshtar,â says Ishtar, glancing at me, âOr âMy Goddess,â or âMy Lady,â would do too, I guess, or âLady Ishtar.â âQueen of the Heavens.â âGoddess of War. Justice. Fertility. Love, Law.ââ
I get it, okay. What a pain.
ââŠAnd you?â
I look over in surprise, but of course thatâs the natural thing to be asked here. âI donât have one,â I reply.
She double takes and stops walking, or, floating, and crinkles her brow at me. âYes you do.â
? âNo,â I say, âNot anymore.â
âWell, Iâm not calling you nothing,â she huffs.
âIâm an Archer,â I offer.
âSo am I; Iâm not calling you my own class,â she says in even more disgust, arms folding over her chest.
I sigh internally. Okay. Then⊠ââŠIâm an Alter,â I offer after a moment of consideration.
She is about to shoot that down too on instinct, but then thinks it over, and sighs. âThatâs the best you can do? You wonât give me, your Master, your True Name?â
You havenât made me forge a binding contract yet, âMaster,â I think, but I say, âI donât really have one to give anymore.â
âThatâsâŠdepressing.â She looks me up and down again. âWhat happened to you? Not the mage trap thing. Before that. I have literally never seen a gallu look so burned out. You look like if a heroic spirit had to solo bottleneck the exit to Kur for a thousand years.â
Thanks. I shrug.
âYouâre not much for conversation, huh?â she says, genuinely disappointed.
I almost laugh.
She can tell, I guess, because she smiles at me. âWell, I will for both of us then, âAlter.â But youâve gotta get a better name sometime. I wouldnât even call my dog just, âDog.â Everything deserves some kind of a true name.â
I gesture to the jungle ahead, and she gives a sigh and starts moving again.
It occurs to me then.
âWhere exactly are we going?â That youâd want or need a body guard for, too?
âOh! Right.â She looks over her shoulder at me with those glowing gold eyes, and they flash like the sun itself for an instant. âHunting.â
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An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 1/?
Fandom: Fate: The Winx Saga (TV)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Musa/Riven (Winx Club), Sam Harvey/Musa
Characters: Musa (Winx Club), Riven (Winx Club), Sam Harvey, Andreas (Fate: The Winx Saga), Rosalind (Fate: The Winx Saga)
Additional Tags: Rivusa, Pre-Relationship, minor samusa, Mind Control, Mind Manipulation, Mind Torture?, lots of mind fairy related stuff, Emotional Shit, pre-breakup samusa
Summary:
In s02e04 Rosalind calls Musa "The most powerful mind fairy here"
Here's my take on why she thinks that.
Missing scenes that go from between s01 and s02 until s02e04
I had the pleasure to partecipate in the @fateverse-exchange (thanks for organizing this event!) and this is my gift for @erbezdiez, a soft Gilkidu story, Enkidu-centric.
I truly hope you'll like it â€
An Archive of Our Own, a project of the
Organization for Transformative Works