The Vancouver Art Gallery presents Juxtapoz x Superflat
via e-flux.com
The Vancouver Art Gallery presents Juxtapoz x Superflat, a dynamic exhibition conceived by the renowned Japanese artist Takashi Murakami and co-curated with Evan Pricco, Editor-in-Chief of Juxtapoz Art & Culture, a legendary San Francisco-based magazine committed to contemporary art, design, fashion and graffiti. Featuring the work of 36 artists from Japan, Korea, China, Canada, the United States and Europe, this exhibition opens at the Vancouver Art Gallery on November 5, 2016 and runs until February 5, 2017.
Juxtapoz x Superflat is a manifesto for new creative practices that can no longer be adequately described by the traditional categories of art and modes of production. Takashi Murakami and Evan Pricco conceived the exhibition as a survey of the most exciting visual art to emerge in recent years, with a heavy emphasis on artists who operate outside of the central hubs of the global art world. Expanding upon Murakami and Juxtapoz magazine’s interest in flattening high and low cultures, this exhibition includes work by artists whose practice has been shaped by a variety of sub-cultures including skate, surf, graffiti, street art, comics, design, illustration, painting, digital and traditional arts.
“We want to see the newest things. That is because we want to see the future, even if only momentarily. It is the moment in which, even if we don’t completely understand what we have glimpsed, we are nonetheless touched by it.” With these words, written in 2001, Takashi Murakami famously declared that the future of Japanese art was “superflat." For Murakami the idea of “superflat” meant many things—a recognition of the formal qualities of contemporary design, anime and manga; the fundamental importance of sub-cultures in the conception of contemporary art; the persistent presence of a banal and superficial consumer culture; a flattening of traditional hierarchies; and a reconfiguration of the edges and boundaries that have traditionally shaped meaning in contemporary cultural production.
“Over the past 22 years, Juxtapoz Art & Culture Magazine has documented the creative life through underground art and street culture,” remarks Evan Pricco. “In recent years, with the increasing popularity of contemporary art, Juxtapoz has become the staple for accessible communication of emerging art forms, contemporary art, design, fashion and graffiti. The magazine's focus is a literal flattening of high and low cultures. In discussions with Takashi Murakami, Juxtapoz has curated a selection of artists covered in the magazine over the past two decades that encompass both growth and expansion in the sub-cultures they emerged from: skate, surf, graffiti, street art, comics, design, illustration, painting and digital and traditional arts.”
Juxtapoz x Superflat includes work by Nina Chanel Abney, Chiho Aoshima, Urs Fischer, GATS, Kim Jung Gi, Kazunori Hamana, Trenton Doyle Hancock, John Hathway, Todd James, James Jean, Friedrich Kunath, Austin Lee, MADSAKI, Geoff McFetridge, Christian Rex van Minnen, Rebecca Morgan, Takashi Murakami, Kazumi Nakamura, Elisabeth Higgins O’Connor, Otani Workshop, Paco Pomet, Parra, Erin M. Riley, Mark Ryden, David Shrigley, Lucy Sparrow, Devin Troy Strother, Swoon, Katsuya Terada, Toilet Paper Magazine, Yuji Ueda, Yuji Ueno, Sage Vaughn, Ben Venom, He Xiangyu and Zoer & Velvet.
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