Aug 26, 2019
Jonas finds his favorite part of the spaceship. Planetarium there by the pillow.
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Jonas finds his favorite part of the spaceship. Planetarium there by the pillow.
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Trying the foam on the floor. The first three of 6 pads.
Trying the foam on the floor. The first three of 6 pads.
Ely, Inc. art handler Chris Kirages recently packed The Textile Museum's small collection of ceramics for safe transit to the museum's new conservation and collections resource center.
First, Kirages used archival blue board, Ethafoam, and Volara to create individual mounts for each ceramic piece that will both protect these pieces during travel and permanently stabilize them in collections storage.
Next, he lined a large bin box with cushioning and foam bumpers. The ceramic mounts were placed between the bumpers in a single layer, with additional cushioning between and on top. The foam bumpers allowed Kirages to safely create multiple layers of ceramics in a single large box.
Chief Conservator Esther Méthé and conservation intern Annaïck Keruzec are rehousing our oversize textiles. To accommodate these challenging pieces—which must remain flat, but are too large for our standard-size boxes—Méthé has designed stack-able, oversize trays of archival blue board with Ethafoam bumpers.
Méthé and Keruzec wrap the objects in Tyvek, then place them in these trays, while conservation volunteers Barbara Gentile and Julie Evans create muslin pillows. The pillows will fill the trays, applying gentle pressure to the objects when the trays are stacked and preventing the pieces from shifting in transit. While Gentile cuts the batting, Evans sews the muslin.
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Associate Conservator Maria Fusco is carving archival ethafoam to make the base for a hip form. This hip form will be used to display a sarong from Indonesia in The Textile Museum's first exhibition at its new location at the George Washington University, Unraveling Identity: Our Textiles, Our Stories.