He’s been able to hobble around the level that he’s recovering in for about a week now, but has never deigned explore further. He’s not a curious person by nature, and he figures with someone like Miss Lovaas, that it’s best to remain that way.
But he’s becoming restless. And his joints feel sore from so much inactivity. So he pulls himself up shakily and begins to wander, no goal in mind, other than to keep in motion. He is careful in his movements, partly from pain and partly because he doesn’t particularly want to disturb anything. More than ever, with the sun setting through the glass like this, and the chill in the air, the place feels like a crypt.
He tries a hallway first. It’s lined with expensive, modern art. Depictions of angels and demons in stark black and white, shadowed and intense. A trickle of sweat lingers between his shoulder blades as he makes it all the way down. A stairwell greets him, and he blinks at the steps. Stairs could be good. For endurance. Strength building. He grits his teeth and tests his good foot, then pulls himself up with a grunt. Uncomfortable. But bearable.
He makes it up two more flights, then stops to rest, panting, but satisfied. It’s only when his heartbeat slows back to a regular pace, that he hears it. It’s so faint at first, that it feels almost like a dream. Music.
It’s something mournful. Strains of deep piano and lonely strings. Save for the occasional traffic outside the building, Théo has never heard the silence broken like this before. He shuffles forward, cautiously towards the source. The floors are smooth, well-kept wood here and he barely makes a sound considering he’s dragging along. Then he freezes.
It’s a studio, of some sort. A dance studio. And before him, moving gracefully and with poise is Miss Lovaas. Her long limbs bow to the sound, her toes are nimble in their steps, her face… different. He can’t put his finger on it, but he knows the woman dancing now, is in this moment, not the one that had wrapped her claws around his throat. She has always moved with confidence, but here she moves with something else. Théo could argue that it was soul. Not quite emotion, but close.
He feels like he’s intruding on something private, almost knows he is, but he can’t move. The sight is so foreign. Then just as suddenly, the music stops.