Sep 13, 2023
2009 - Branford Marsalis Quartet - Laeiszhalle - Hamburg
Branford Marsalis (sax), Joey Calderazzo (p), Eric Revis (b), Jeff 'Tain' Watts (dr)
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2009 - Branford Marsalis Quartet - Laeiszhalle - Hamburg
Branford Marsalis (sax), Joey Calderazzo (p), Eric Revis (b), Jeff 'Tain' Watts (dr)
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Kat Edmonson - (Just Like) Starting over (Take To The Sky, 2009)
Personnel: Kat Edmonson: vocals; Kevin Lovejoy: piano, arranger; Eric Revis: bass; J.J. Johnson: drums;
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2004 - Branford Marsalis Quartet - Kƶln / Cologne
Branford Marsalis (sax), Joey Calderazzo (p), Eric Revis (b), Jeff 'Tain' Watts (dr)
2019 - Branford Marsalis Quartet - Prinzregententheater - Munich/MĆ¼nchen
Branford Marsalis (sax), Joey Calderazzo (p), Eric Revis (b), Justin Faulkner (dr)
"C(o)urses" [Caleb Wheeler Curtis Heatmap (Imani Records; 2022)] Por Pachi Tapiz. JazzX5 #536 [Minipodcast de jazz]
āC(o)ursesā [Caleb Wheeler Curtis Heatmap (Imani Records; 2022)] Por Pachi Tapiz. JazzX5 #536 [Minipodcast deĀ jazz]
āC(o)ursesā Caleb Wheeler Curtis Heatmap (Imani Records; 2022) Caleb Wheeler Curtis (sa, ss, comp); Orrin Evans (p); Eric Revis (b); Gerald Cleaver (bat) Tomajazz: Ā© Pachi Tapiz, 2022 Escuchar Caleb Wheeler Curtis Heatmap: āC(o)ursesā En anteriores episodios de JazzX5 / HDO / LODLMA / Maltidos Jazztardos / Tomajazz Remembers /JazzX5ā¦
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Caleb Wheeler Curtis Heatmap (Imani Records; 2022) Por Pachi Tapiz [GrabaciĆ³n de jazz]
Caleb Wheeler Curtis Heatmap (Imani Records; 2022) Por Pachi Tapiz [GrabaciĆ³n deĀ jazz]
Heatmap (Imani Records; 2022), es la tercera grabaciĆ³n como lĆder del saxofonista neoyorkino Caleb Wheeler Curtis tras Brothers (2018), y Aināt No Storm (2021), ambas publicadas en Imani Records. AdemĆ”s ha sido integrante y publicado grabaciones con el cuarteto Walking Distance y el trĆo Ember, y en este mismo 2022 publicaba Substrate (Unit Records) junto a Laurent Nicoud. Para esta nueva obra haā¦
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Eric Revis ā Slipknots Through A Looking Glass (Pyroclastic)
Slipknots Through A Looking Glass by Eric Revis
Donāt let the title mess with you; Eric Revis has not gone crap-metal on us. Closer analysis might restore discomfort, though, since the slipknot is the same as a noose knot, except that the loop is taken from the short end of an unevenly knotted rope rather than the long end. Imagine its mirror image, and see what comes next. If mental images of nooses are too much to bear, shift your attention to the recordās three-part title composition for another angle. Each iteration of Slipknots Through A Looking Glass comprises a dialogue between double basses, enacted before a backdrop of muted string sounds. The man hears himself, hearing himself, and so onā¦
A complex emotion
How did you come to jazz? To this question, I often find myself scratching my head and typically settle on a vague answer only made more vague by an impulsively apologetic shrug. āWell, you know, it just happenedā. There was never any kind of jazz-related music playing around the house and even my childhood piano lessons didnāt put the genre on my radar the whole time I took them. It wasnātā¦
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