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“This Is How We Play Together, Fig. 3" marbre d'Elmgreen & Dragset (2023) devant "La Danse" haut-relief en pierre de Jean-Baptiste Carpeaux (1868) à l'exposition “Elmgreen & Dragset - L'Addition” au Musée d'Orsay à Paris, décembre 2024.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
2019 It’s not what you think / Elmgreen + Dragset COLORFUL COLUMNS #columns #bizarrecolumns #colorfulcolumns #artcolumns #freestyleclassicism #architecture #archilovers #archiporn #elmgreen #dragset @elmgreenanddragsetstudio https://www.instagram.com/p/CFXlXEeiTJe/?igshid=1ruly33rkzqnh
2019 It’s not what you think / Elmgreen + Dragset COLORFUL COLUMNS #columns #bizarrecolumns #colorfulcolumns #artcolumns #freestyleclassicism #architecture #archilovers #archiporn #elmgreen #dragset @elmgreenanddragsetstudio https://www.instagram.com/p/CFXlTd-CTEE/?igshid=1b6b150fjw32u
"ELMGREEN & DRAGSET", Musée d'Orsay, Paris, décembre 2024.
Exposition “Elmgreen & Dragset - L'Addition” au Musée d'Orsay à Paris, décembre 2024.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
"The Choice" bronze d'Elmgreen & Dragset au plafond (2024) à l'exposition “Elmgreen & Dragset - L'Addition” au Musée d'Orsay à Paris, décembre 2024.
"La Jeune Tarentine (d'après le poème d'André Chénier)" marbre d'Alexandre Schoenewerk (1871) devant "David", "60 Minutes", "Boy With Drone" et "Dirty Socks", “This Is How We Play Together, Fig. 5" marbres et bronze d'Elmgreen & Dragset au plafond (2024) à l'exposition “Elmgreen & Dragset - L'Addition” au Musée d'Orsay à Paris, décembre 2024.
“The Examiner, Fig. 3" marbre d'Elmgreen & Dragset (2024) à l'exposition “Elmgreen & Dragset - L'Addition” au Musée d'Orsay à Paris, décembre 2024.
