Eli Bornowsky, Self Tiling Dmod104_random_linewalk_90degreewalk (Vantongerloo), 2020, egg tempera, gesso, muslin, baltic birch in wood frame
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Eli Bornowsky, Self Tiling Dmod104_random_linewalk_90degreewalk (Vantongerloo), 2020, egg tempera, gesso, muslin, baltic birch in wood frame

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Eli Bornowsky-IH55DelannoyLost, egg tempera, gesso, muslin, wood, 2019
Eli Bornowsky
Frog eyes - Pickpocket’s locket
Cover art by Eli Bornowsky
2015
Eli Bornowsky. New York New York Book, 2013

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Eli Bornowsky
Eli Bornowsky Untitled Guache on paper 30" x 30" 2008
As a grad student doing my MFA, I am very often asked to speak and write about my work. Implicit to this requirement is the expectation that I will reveal the critical dimension of my practice. This has led me deeper into the rabbit hole of language vs. art, as certain problems arise when trying to explain one's artistic intentions. The work does not contain a take-home message, let alone one easily translatable into language. Also where there is pressure to be critical, one is tempted to frame the work in a way that might not necessarily be true to its making. Eli Bornowsky examines the pitfalls of criticality in this essay, elegantly outlining the complexities of art and language.