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Dear eezyvibes-Fans and Supporters Almost two years ago, we started an experiment. The idea was to…

Here is a wonderful review for Honeycomb Tombs translated from German!  Wow what an honor to be compared to Adele!!!

Originally Posted at - http://www.eezyvibes.ch/2013/01/karla-adolphe-honeycomb-tombs/

It is probably a complete coincidence. It's still amusing. Karla Adolphe's voice reminded me more than once to the great body of Adele. Adolphe ... Adele ... sounds somehow also similar. And that Adele song for the James Bond film "Skyfall" and contributes Karla Adolphe just after "Skyfall" (falling from the sky ...) and takes on the second song, "continues to fly deep" (Flying Low) is also a smile. The comparison with Karla Adele honors. Adele's voice may indeed sometimes be something monumental, but Karla's voice fits perfectly with the subtle folk sound that she plays and sings.

Successful Years

Karla Adolphe is - like Adele (this is another comparison) - someone who was able to receive acclaim. Thus, for example in 2008, when she and other adversaries / counterparty proclaimed as co-winner of the Mountain Stage New Song Contest, which brought forth quite a few renowned artists today. Then she produced a number of remarkable, harmonious works. Usually in combination with other musicians. On the one hand, "The Emporium" and the other "Jacob & Lily". Their debut album, "The Cathedral" was nominated in 2007 for the Canadian "Folk Music Best New / Emerging Artist" award. Her debut album as a solo artist lies with "Come Home" back eight years. 2010 their EP "Song of the Month" and in 2012 appeared finally the album "Honeycomb Tombs".

Honeycomb Tombs, Adolphe's latest album

Like fur comes out before the one soft voice Karla Adolphe. A fur that warms the cold European winter days and clings. That feels good, like a mulled wine after several hours romping in the snow. Something for the soul. The spark of her voice jumps instantly to the ear and can for 35 minutes and 10 songs create an intense connection. I could hardly separate from the empathetic voice. As already hinted at, like the impressive "Flying Low" especially well. But the melodic "Graceland & Graveyards" touches. As well as the lyric "Who Can Hold Me." My personal front runner is the good-natured "Ice Road". Here I venture to compare with the Norwegian Rebekka Bakken. Both voices carry the Nordic timbre in itself that paints pictures of beautiful, lonely landscapes and is home to a great depth in it.