Apr 27, 2025
Edith's Diary, Hans W. Geißendörfer, 1983
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Edith's Diary, Hans W. Geißendörfer, 1983
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Edith's Diary, Hans W. Geißendörfer, 1983
The Age of the Illusionist
Most great crime drama heroes have clear, distinctive, memorable personalities. Sam Spade, Philip Marlowe, Jack Carter, Tony Soprano—you know who they are and what they stand for. Patricia Highsmith’s Thomas Ripley is a protagonist who creates memorable characters to suit the occasion. You watch him with a horrified fascination and root for him despite your revulsion. Yet at the end of the story you know no more about Thomas Ripley unmasked than you did when you began.
Patricia Highsmith and the art of becoming someone else
Edith's Diary, Hans W. Geißendörfer, 1983
At dawn, after my death hours before, The sunlight will spread at seven o'clock as usual On these trees which I know. Greenness wil burst,dark green shadows yield To the cruel-benign, indifferent sun. Indifferent will stand the trees in my own garden, Unweeping for me on the morning of my death. Same as ever, roots athirst, The trees will rest in breezeless dawn, Blind and uncaring, The trees that I knew, That I tended.
Patricia Highsmith, Edith's Diary (1977) ;(Read on 13th May 2012)
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Patricia Highsmith, Edith's Diary
