Mistakes in the Right Lines
The composition is largely linear, paying much detail to the positive space fixed largely at the center of the events. Forms have a painterly aspect of the artwork is direction based; upside down poultry heads shift leftward while a darker bird stands in front of this background, the multiple aspects building up a united assemblage conclusively.
The presence of feet in the work make the exploits within this largely minimal; with regards to the chromatic scale, of the work lightly speckled with innuendo. The lacelike hems toward center are brightened with the essential motif therein being of the retso derivative; associated with Zimbabwean faith and is dogmatic to a degree, perhaps in conclusion, represents the consecration of the carnal. Â
