Jul 11, 2017
From Double Reverse, Archie Giant Series #140 (1966).
Loading...
seen from Germany
seen from China
seen from United States
seen from Malaysia
seen from United States
seen from Germany
seen from China
seen from China
seen from China
seen from Malaysia
seen from United States
seen from United Kingdom
seen from China
seen from United States
seen from Poland
seen from Netherlands
seen from China
seen from China
seen from United States
seen from United States
From Double Reverse, Archie Giant Series #140 (1966).
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Kablamus-full of hot air and stinky gas!
From Double Reverse, Archie Giant Series #140 (1966).
From Double Reverse, Archie Giant Series #140 (1966).
From Double Reverse, Archie Giant Series #140 (1966).
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
From Double Reverse, Archie Giant Series #140 (1966).
Thanks to everyone who came out for the opening reception of 'Double Reverse' at the TNC Gallery (New York) this past Tuesday. The event was a resounding success!!
I would especially like to thank the following artist's for participating in the show: Eve Bailey, Edwin Bethea, Chris Hagerty, Nora Herting, Erik Hougen, Tat Ito, Craig Kaths, Melinda McDaniel, Fumi Nakamura, Miho Ogai, Fernando Orellana, Tomoko Sugimoto, Jeff Vreeland, Heather WIllems.
Curated by Seamus Liam O'Brien "The selected group of artists for this exhibition work in a diversity of materials and approaches, both traditional and unexpected, to create work that is a mirror of contemporary issues and obsessions. Whether figurative, ornamental, or purely abstract, the exhibition (curiously hung under the backdrop of the theatre) draws attention to that elusive point of view called "reality.""