I keep raving about âPenguin Diplomacyâ but Double Actsâ first episode âA Flock of Tigersâ is such a sweet story. Absolutely adorable, literally healing dudeâs inner child for 30 minutes. Love it.

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I keep raving about âPenguin Diplomacyâ but Double Actsâ first episode âA Flock of Tigersâ is such a sweet story. Absolutely adorable, literally healing dudeâs inner child for 30 minutes. Love it.

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Mood in the NYC subway system is grim this morning, but if you see someone cackling like a maniac with laughter know that itâs me listening to Cabin Pressure
Todayâs very hard for me for a whole bunch of reasons (some, ah, political in nature but plenty not) but the power that Mr Finnemore has to just flip a switch and make me feel not just okay but joyful for half an hour is an actual blessing. Todayâs one of the many days when Iâve felt like Iâm not sure I could survive, pretty literally, without him. (I pulled out the big guns too- St Petersburg. Was perfect.)
Next I think Iâll move to Double Acts and go for Penguin Diplomacy, another sure fire mood booster.
Highly recommend this approach in general to all in need of a serotonin pick me up!
Question: does anyone by any chance have John Finnemore's double acts somewhere đ
A guide to John Finnemore (in particular his Double Acts) for the Good Omens S2 lovers, haters, and everyone in between (I promise, there's something for all of you!)
Found this in my drafts recently and honestly, I feel this is evergreen, so here y'all go:
As I mentioned semi-facetiously in my previous post, I don't care whether you loved or hated Good Omens S2- you're probably sleeping on John Finnemore. He's a super talented writer and while he's collaborated with other writers like Mitchell and Webb and Armando Iannucci before, I still think his best stuff is his solo stuff.
But where to start? Behold! I shall now recommend a different Double Act (that is, a different episode of his radio series of excellent half-hour two-hander comedies) for every kind of person who has reacted in literally any kind of way to Good Omens.
If you love stories about two people working on opposite sides in a conflict who over time break down each other's defenses to become valued friends despite the continued conflict between their sides, with some queer undertones: Unquestionably you want S2 E4, Penguin Diplomacy
If you loved Good Omens S2 because it's quiet, gentle, and romantic: S1 E6, Hot Desk
If you like quiet, gentle and romantic in principle but wish there was a bit more plot structure: Still Hot Desk
If you like quiet, gentle and romantic but watched Good Omens S2 and were like "this is quiet, gentle and romantic?!?!": DEFINITELY still Hot Desk
If you hate quiet, gentle and romantic and want something darker and more cynical: S1 E3, Red Handed
If you were meh on S2 but did find yourself enjoying the Job minisode: FREE ROLL! You can choose any Double Act at random and will probably enjoy it.
If you loved Good Omens S2 because you love characters who give off vibes of being dim yet helpful: Well, really you want to meet Arthur in Cabin Pressure, but from Double Acts you'll do great with S2 E5, Here's What We Do, and in a very different way S2 E2, Mercy Dash
If you loved Good Omens S2 because lesbians: S2 E3, The Rebel Alliance
If you like lesbians in theory but wish that Good Omens S2 had maybe sketched out theirs a bit more: Still try Rebel Alliance
If you were annoyed by the minisodes because there wasn't enough old-timey dialogue in the olden-day bits: S1 E4, The Goliath Window
If you like the Victorian minisode because you like the era: check out S2 E1, The Queen's Speech, which literally has Queen Victoria in it
If you think that Crowley making gentle fun of Aziraphale's magic tricks is entertaining: try S2 E6, The Wroxton Box
If you like relationship dynamics where one half is trying/pretending to be cool and the other one has absolutely no interest in it and likes the first half just how they are: try Here's What We Do
If you enjoy the whole corporate-nonsense aspect of Good Omens: give S1 E2, WYSINNWYG a whirl
If you think that one of the main flaws of S2 was that it didn't have Mr Young in it anymore: S1 E1, A Flock of Tigers
If you like Good Omens because you like fandom and fanfic: S1 E5, English for Pony Lovers
And, if you love the idea of a cliffhanger but also want the satisfaction of knowing there's an amazing ending coming: Wait on Double Acts and just listen to Cabin Pressure. And when you get to the end of Yverdon-les-Bains, before you move on to Zurich just take a moment to remember all of us who nearly died for two years waiting for the finale.
Anyway, happy listening!
if any of my fellow good omens peeps are like me and need some comfort content right now, I can wholeheartedly recommend the audio duologue comedy Double Acts, which coincidentally is written by John Finnemore who co-wrote Good Omens 2.
especially series 2 episode 5, Penguin Diplomacy. it has unlikely friendships, funny banter, convoluted bureaucracy and gay penguins. itâs also very easy to put on and view it through shipping glasses, if one is so inclined
i love it with my whole heart and it heals my soul

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Was just listening to Penguin Diplomacy for the umpteenth time and...
...well I mean, it is DISTINCTLY its own thing, but now that my brain is very much in "oh my god Good Omens S2 is actually going to be happening nowish" mode, the similarities between Good Omens and Penguin Diplomacy really do kind of come into focus. Two representatives of larger "enemy" (well, not really, but it does work out that way in context) powers in a faraway location, both left by themselves in the middle of nowhere and, though initially at odds, starting to enjoy the solitude (and each other's company) when they're not bothered by their higher ups, becoming close with each other and, eventually, when the two higher-ups try to start conflict between their two sides, they manage to engineer a way to create a neutral zone for the two of them to enjoy.
And this is not to say that listening to PD feels derivative- it is very much its own thing, and the characters of Bunning and Sondergaard are very much their own people and don't map out onto the Aziraphale/Crowley relationship particularly well. And of course, besides for the rough contours, the actual details of the plot are quite different in terms of how things play out. But I do love how both of them have two people on opposite sides of a dispute who are brought together in that way to a place of closeness- and, while I've described PD as "three quarters of a rom com" before, I don't think it has to be one at all. I'm perfectly happy with them just being important to each other and caring about each other the way they end off in the episode, and, personally, feel the same about Aziraphale and Crowley both in the book and the show (though of course that manifests itself in VERY different ways in each lol). Anything can happen for them after the episode ends and I'm perfectly happy regardless because they're great how they are.
In Rotterdam, Douglas says to Carolyn âMaybe you could try it [the MJN Air welcome to the pre-flight film] a little less like Queen Victoria recording an answer phone greeting?â and then in Double Acts, he cast Stephanie Cole as Queen Victoria recording an answer phone greeting. Beautiful.
For the fic recs meme: 7 and 10?
A fic that makes you think #writergoals
Series rather than a discrete fic, but: kissing is what lovers do (and we're not lovers) by @onlylostphysics
A vaguely canon-compliant friends-with-benefits scenario where they've been having sex since episode five but still don't kiss until episode nine, because they're both idiots who don't talk it through as a crew.
A fic that isnât prose (poetry, text fic, etc.)
Pub Quiz by half_a_glass
The characters in Hot Desk go to a pub quiz, or rather they message each other before and after the pub quiz.
This is extremely niche, fic of a John Finnemore half-hour radio play, but it is so perfect.