May 15, 2025
Don Cherry, 1967
photo: Philippe Gras
Loading...
seen from United Kingdom
seen from Russia
seen from South Africa
seen from Russia
seen from Türkiye
seen from United Kingdom
seen from Germany
seen from Maldives
seen from China
seen from Russia
seen from China
seen from United States
seen from United States
seen from Denmark
seen from China
seen from United Kingdom
seen from Malaysia
seen from Germany
seen from United Kingdom
seen from Malaysia
Don Cherry, 1967
photo: Philippe Gras
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Duet
Lee Friedlander, Don Cherry, mid-1970s
Ornette Coleman, Don Cherry
Don Cherry, Henry Grimes & Ed Blackwell - November 1961
Jazz scholar Lewis Porter is always turning up interesting and cool artifacts — and recently he shared a great one! An unreleased/unknown session with Don Cherry, Henry Grimes and Ed Blackwell? In 1961?! Sign me up.
Some details from Porter: Cherry’s playing is melodic and creative, and I think you will enjoy his work here quite a bit. And his colleagues here are Henry Grimes on bass and Ed Blackwell on drums! There are lots of connections here: Cherry had of course toured with Blackwell in Coleman’s quartet, and he would work with Grimes in Sonny Rollins’s quartet in 1962 and ‘63.
Yes indeed, a very enjoyable session — I'm surprised it's as early as 1961, since it sounds so modern and fresh. But that was Don Cherry, right? Modern, fresh, curious and always a joy to listen to.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“In 1970, Turkish theater owner Engin Cezzar produced James Baldwin’s groundbreaking play about gay relationships in a 1970s Istanbul prison setting. In 1969, jazz musician Don Cherry, visiting Istanbul with Okay Temiz to record an album, reunited with Baldwin and contributed music to the production. The recording session followed extensive discussions and featured performances by Cherry and Temiz, heightening the play’s tension.“
