The power of God is a dangerous power trip, both a metaphysical illusion and a biblical fantasy, in love with glory as the world knows glory, the law of whose construction is perfectly identified by Kant: it allows a concept to run unimpeded to completion free of empirical constraints. This leads to "divine command" theories of ethics, the dangerous and destructive absolutizing of institutions like the Roman Church (infallibility) or of books like the scriptures (inerrantism), to conundrums about the power of God to square circles or change the past, and to all the confusions of "theodicy," trying to figure out why God does not stop tsunamis before they happen, prevent cancer before it starts, or see to it that cruel tyrants are never born in the first place. It is complicit with obscene visions of God cruelly dashing his enemies to pieces. Worst of all, it culminates in the obscenity of all obscenities, the pathological fantasy of the eternal suffering of the damned in the face of which an unforgiving God, like a deranged and outraged tyrant, his arms folded, and his face fixed forever against those who have offended his glory, eternally refuses to relent, an exquisitely perfect contradiction of the parable of the prodigal son and of the preaching of Jesus on forgiveness. Christians take a perverse satisfaction in reflecting on the cruelty of a Roman crucifixion—the gospel according to Mel Gibson—the slow, torturous death and the awful humiliation. But Roman torturers have nothing on the Christians. They dream of a still more unimaginable torment, an omni-torture, an infinitely worse pain, far more excruciating than the cross itself, and most cruelly of all—the art of torture lies in prolonging pain—the impossibility of death. The Christian fantasy is of inflicting suffering ad infinitum, forever and ever, in comparison with which Roman cruelty is but a trifle that mercifully ends after just a few hours.