#dissemination

Sean bienvenidos japonistasarqueologicos a una nueva entrega en esta ocasión, les os voy a traer la definición de qué es arqueología, cuáles son sus aspectos a destacar sub-disciplinas. Una vez dicho esto, pónganse cómodos que empezamos.

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Seguramente todos/as nos hemos preguntado alguna vez: ¿Qué es la arqueología? ¿Qué épocas abarca? ¿Qué países estudia? Seguramente cuando hablamos de arqueología a muchos se nos vienen imágenes como las de dinosaurios o las de Indiana Jones, son un clásico, pero eso es una visión errónea, ya que los arqueólogos no nos dedicamos a eso.

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La arqueología como disciplina es interdisciplinar esto quiere decir, pues que toma prestado de otras disciplinas lo que necesita: como de la historia, biología, matemáticas, química y física y astronomía entre otras.  Un arqueólogo tiene que tener unos conocimientos mínimos de todas las disciplinas existenciales, ya que en un yacimiento arqueológico nos podemos encontrar de todo, hay que saber identificar cada elemento que nos encontramos, pero en el yacimiento hay un equipo de especialistas en historia en biología y en otras disciplinas, que son los que se encargan de sus respectivos estudio, la arqueología es una disciplina de trabajo en grupo.

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Espero que os haya gustado y nos vemos en próximas publicaciones.

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この機会に、日本考古学へようこそ。考古学とは何か、その下位分野に焦点を当てた側面は何か、その定義を紹介します。そうは言っても、安心して始めましょう。

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確かに、誰もが一度は「考古学とは何だろう?」と自問したことがあるでしょう。どの期間が対象ですか?どの国を勉強していますか?確かに考古学について話すとき、私たちの多くは恐竜やインディ・ジョーンズのような古典的なイメージを思い浮かべますが、考古学者はそれに専念しているわけではないので、それは誤った見方です。 - 学問としての考古学は学際的であり、歴史、生物学、数学、化学と物理学、天文学など、他の学問から必要なものを借用していることを意味します。 考古学者は、すべての実存的分野に関する最低限の知識を持っている必要があります。遺跡ではあらゆるものが見つかるため、見つかった各要素を特定する方法を知っている必要がありますが、現場には歴史、生物学の専門家のチームがいます。それぞれの研究を担当する他の分野では、考古学はグループワークの分野です。

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気に入っていただければ幸いです。今後の投稿でお会いしましょう。

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Welcome japonistasarqueologicos to a new installment. This time, I'm going to bring you the definition of what archaeology is, what are its sub-disciplines. Having said that, make yourselves comfortable, we're starting.

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Surely we've all asked ourselves at some point: What is archaeology? What periods does it cover? What countries does it study? Surely when we talk about archaeology, many of us think of images like dinosaurs or Indiana Jones, they are a classic, but that is a wrong view, since archaeologists are not dedicated to that.

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Archaeology as a discipline is interdisciplinary, which means that it borrows from other disciplines what it needs: such as history, biology, mathematics, chemistry, physics and astronomy, among others. An archaeologist must have a minimum knowledge of all the existential disciplines, since in an archaeological site we can find everything, we must know how to identify each element that we find, but in the site there is a team of specialists in history, biology and other disciplines, who are in charge of their respective studies, archaeology is a discipline of group work.

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Okay, this is how the Islamist psychology works in a nutshell. The psyche of the Islamist operates under three stages.

The first stage is vulnerabililty and victimization.

The second stage is silent jihad and dissemination.

The third and final stage is violent jihad.

The first stage takes place when the Islamist is a weak and vulnerable minority. So they will victimize themselves as much as practicably possible. So terms such as "Islamophobia" are used as a tool and as a weapon such that you, the western liberal, will fall and succumb to their bullshit and will never ever criticize Islamist ideology because that will make you somehow racist or a xenophobe. But that's a false dichotomy.

The second stage is silent jihad and dissemination. And this is probably the most critical stage because this is where it entails all sorts of PR stunts, propaganda, ideological indoctrination through religious institutions, schools, changing legislation and the list goes on.

But here's the tricky and the really really dangerous part that you all need to be wary of. Islamists are prepared to change stages and revert back when the circumstance fits.

So what do I mean by that? If, let's say, a society starts calling them out on their bullshit, they are prepared to go back and revert to stage one and that is vulnerability and victimization. The moment you call out Islamists for trying to take over the corresponding society which they are within, they will go back to victimizing themselves. And what will they do? They will start to call you an Islamophobe. And it is your responsibility not to fall for that bullshit.

And it is their responsibility to stop living this life of trying to victimize themselves but rather actually assimilate within the values and the culture of the society that has taken them in.

So be wary that they are prepared to shapeshift and change stages whenever the circumstance fits.

“On the other hand, the increasing ease of deepfakes is already giving harassers new ways to generate disturbing, highly targeted videos for dissemination online.:”

The new art journal "Afterimages" out of the The Academy of Fine Art in Łódź, Poland is launched this month. It is huge and gorgeous! The premiere issue focuses on fashion in the expanded field and includes a stunning 10-page spread of my recent work using the sculptural garment in performance, with some tendrils reaching back to older work too. The essay I authored is titled, "I Live in this Dress: Materiality and Identity in Visual Art Performance." It's been translated to Polish, so here's a look at just the first overleaf. Thank you to editor (and fellow performer) Marta Ostajewska for the invitation to contribute.

you wake in a familiar room

that you cannot remember seeing

you pour coffee

onto the bedsheets

until the mattress begins to drip

perhaps the walls are stretching

but inward or outward is unclear

you read a book

here the word read means to rip

into the smallest pieces possible

a mockery of dissemination

as the bed shrinks

you find more precarious

poses atop the springs

increasingly proud and

uncomfortable. when the coffee

pot no longer balances

you must stand with arms

at your sides

from above, a small red light

blinks

you refuse to look up

Dissemination by Jacques Derrida