#disclosure_uk

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The excellence of Disclosure's Settle is micro-cosmically represented by the chorus of "Latch", a Side-A collab with crooner Sam Smith: it transforms a decent, doom-laden pop tune into a vulnerable, epic stunner by demolishing everything in its path. "Now that I've got you in my space / I won't let go of you" Smith squeals over a suddenly bouncy bass,  synth layers rising behind him tidally. It's a fucking massive moment tinged by confidence and desperation , drawing a line the Lawrence brothers walk over fifteen fabulous tracks. If Settle is remembered years from now, this tightrope act will be why. Yes, here and now, Settle works as sonic anomaly; that's part of why it's thrilling. No one is blending dance standards and songcraft like Disclosure are throughout it -- with both reverence and restlessness. "You And Me" could be mistaken for the buoyant club anthems the early 90's wrought if its chords were less severe, it's vocals cleaner. But why should a tune about certain uncertainty be anything but pretty messy? "You and I are meant to be," Eliza Doolittle croons so smoothly, "So please don't let go."  And Doolittle is one of several vocalists who absolutely slay their contribution in unexpected ways: "January" lets Jamie Woon swagger in ways Mirrorwriting barely hinted at; "White Noise" finds AlunaGeorge playing uncharacteristically fast and loose over metal-tinged hooks; and "Confess To Me" gives the ubiquitous Jessie Ware her most sizable vocal showcase yet, revealing her inner club diva over a shuddering, freight-train instrumental. It's arresting to hear this bevy of new tricks, and more intriguing that Disclosure catalyzed them.  Because for all the instrumental seismic bangers on display here ("When A Fire Starts To Burn", the J-Dilla sampling "Grab Her"), its the high-wire alchemy Disclosure make that moves most. Which brings us to Help Me Lose My Mind:" Bolstered by a strong, shattering vocal from London Grammar  it offers a reverent plea for self-transforming  love over chords that are stunningly simple. The beat driving them rarely slows, but the song breathes even as its audience can't. It's an amalgamation of genres to reach emotionally potent ends and it's generous to boot, proof that Disclosure aren't pushing boundaries so much as expanding them. And at the fringes they establish, a brave and heartbreaking truth is made clear: the dance floor is a place to lose yourself, but sometimes nobody finds you.

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HELL.